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Art 100 > Chapter 01 > Flashcards

Chapter 01 Flashcards

1
Q

Who said it?

“He who pretends to be either painter or engraver without being a master of drawing is an imposter.”

A

William Blake, English artist and poet

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2
Q

A rough preliminary version of a work or part of a work.

A

Sketch

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3
Q

The material on or form which an artist chooses to make a work of art.

A

Medium

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4
Q

Name the sketch.

A

Drawing for a wing of a flying machine
Leonardo da Vinci
1478-1480

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5
Q

Watercolor is sometimes classified as?

A

As a drawing because it is executed on heavy paper.

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6
Q

Pastel is sometimes classified as?

A

As a painting drawn on a rough panel.

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7
Q

Categorization of drawings is dictated by?

A

Surface on which the drawing is executed.

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8
Q

Leonardo da Vinci engaged in which activity—banned by the Church—in order to get detailed drawings of the human anatomy?

a. cremation
b. embalming
c. dissection

A

c. dissection

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9
Q

For Raphael’s drawing “ The School of Athens” to the wall, what substance did he use to mark the wall?

a. paint
b. ink
c. charcoal dust

A

c. charcoal dust

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10
Q

When and where was paper invented?

A

China - Han Dynasty - First Century
Cai Lun, a court official
He used macerated vegetable fibers in water.

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11
Q

What metals did the Renaissance use to draw images?

A

Lead, tin, copper, and silver.

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12
Q

What did Raphael use to draw “Head of the Virgin and Child” and with techniques?

A

He used silverpoint and used hatching with cross-hatching to create strong dark values.

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13
Q

The use of non-overlapping parallel lines to convey darkness or lightness.

A

Hatching

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14
Q

The use of overlapping parallel lines to convey darkness or lightness.

A

Cross-hatching

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15
Q

The surface quality of work, for example fine/coarse, detailed/lacking in detail.

A

Texture

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15
Q

When artists used silverpoint for a drawing on wood, what was the thin coating used?

a. ink
b. bone ash
c. chalk

A

b. bone ash

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16
Q

What type of binders are used to combine pigment for sticks of chalk, pastel, and crayons?

A

Oil, wax, gum arabic, and glues.

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17
Q

The softer the penicil the _____ the mark.

A

darker

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18
Q

The ____ or black graphite pencils are softer and darker than the _____ series.

A

The B is darker than the H series.

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19
Q

Why is ink a favorite among artists?

A

It’s permanence, precision, and strong dark color.

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20
Q

This ink is made by mixing soot with water and gum.

A

Carbon ink

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21
Q

Carbon ink was used when and where?

A

Around 2500 BCE
China
India

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22
Q

This ink would discolor over time and become smudged in humid environments.

A

Carbon ink

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23
Q

Comic-book artists use a contemporary version of carbon ink called?

A

India (Indian) ink

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24
Q

An edge or profile of an object but is not a complete outline of shape.

A

Contour

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25
Q

What do contour lines suggest?

A

Volume and space

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26
Q

How does contour suggest volume and space?

A

By showing clues of changing character of a surface.

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27
Q

What are the types of lines?

A

Contour and implied

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28
Q

What are the functions of line?

A

direct the viewer’s gaze
communicate an idea

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29
Q

What are the different feelings and ideas that can be expressed by line?

A

Lines regulate + control
Lines express freedom + passion
Lines can be regular or irregular

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30
Q

Pablo Picasso is often associated with what style of technique?

A

Cubist style

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31
Q

Twentieth-century movement and style in art, mostly painting, which the perspective of a single viewpoint is abandoned and use of simple geometric shapes, interlocking planes creating a collage of three-dimensions on a flat surface.

A

Cubism

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32
Q

Word or piece of text that is laid out so that is creates a visual image related to the meaning of the word or piece of text.

A

Calligram

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33
Q

This mangaka group of artists used strong diagonals to add intense feeling of movement on the page.

A

CLAMP

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34
Q

What do the communicative lines suggest in Vincent Van Gogh’s painting “The Bedroom”

A

Most lines are strong verticals indicating an energy anxiety or strength.

Possibly that the room was not a calm restful space. Horizontal lines would imply peace.

Floor changes color and value sporadically throughout.

Vertical line width communicates anxiety.

This piece was done just before Van Gogh committed suicide and possibly a reflection of how he felt.

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35
Q

Lines can be a tool to:

a. demarcate boundaries
b. imply direction
c. define shapes
d. all of the above

A

d. all of the above

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36
Q

Barbara Hepworth used line to plan and visualize her three-dimensional artwork. What kind of three-dimensional artwork did she create?

a. sculpture
b. fibers
c. video
d. performance

A

a. sculpture

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37
Q

This artist used a process called automatic drawing to create spontaneous and free lines. He’d go days without food or sleep to explore deep-rooted sources of truth and creativity.

a. George Bellows
b. Canaletto
c. Andre Masson
d. CLAMP

A

c. Andre Masson

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38
Q

Dashes and grids in the “The Devil Made Me Do it” by Sauerkids is an example of what kind of line?

a. directional
b. implied
c. actual
d. organic

A

b. implied

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39
Q

In the work “The Connectors” by artist James Allen, what kind of line is used to draw the view’s attention to the builders facing the height of the Empire State Building?

a. directional
b. organic
c. implied
d. irregular

A

a. directional

The strong diagonals direct the viewer attention downward.

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40
Q

Vertical lines tend to communicate:

a. calmness
b. passivity
c. action
d. strength

A

d. strength

Think columns, trunks of trees they represent strength.

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41
Q

In the painting The Two Fridas, Frida Kahlo uses __________ line to connect two figures, symbolizing two parts of her life.

a. regulated
b. directional
c. grid
d. implied

A

b. directional

Directional lines can be used to bring attention to specific elements within the work.

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42
Q

A two-dimensional area where the boundaries are defined by lines or suggested by changes in color or value.

A

Shape

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43
Q

Two-dimensional figures can be defined by:

a. height, width, depth
b. height, width

A

b. height, width

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44
Q

How is depth made in three-dimensional work?

A

Artistic devices such as shading.

A circle shape is two-dimensional and to draw a sphere we can add the needed depth by shading.

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45
Q

Two-dimensional element that can be used to define space.

A

Shape

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46
Q

What are the two types of shapes?

A

Geometric
Organic

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47
Q

These shapes are composed of regular lines and curves.

A

Geometric

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48
Q

These shapes are composed of unpredictable, irregular lines that suggest the natural world.

A

Organic

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49
Q

These shapes seem unrestrained or chaotic and at times reflect constant change in living things.

A

Organic

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50
Q

What shapes are in section A and section B?

A

A. Geometric
B. Organic

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51
Q

What does “femmage” reference?

A

Homages to the work of women.

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52
Q

An area of the lightest value in a work.

A

Highlight

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53
Q

What shape is mathematically regular and precise?

a. geometric
b. organic
c. implied
d. negative

A

a. geometric

Geometric shapes are made up of regular predictable lines.

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54
Q

A shape defined by its surrounding empty space.

A

Positive shape

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55
Q

An unoccupied or empty space that is created after positive shapes are positioned in a work of art.

A

Negative space

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56
Q

The reversal of the relationship between one shape (the figure) and its background (the ground), so that the figure becomes background and the ground becomes the figure.

A

Figure-ground reversal

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57
Q

What technique is used in M.C. Escher’s “Sky and Water I” woodcut?

A

Figure-ground reversal

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58
Q

This artist used contrasting positive and negative shapes to create his Beat the Whites with the Red Wedge poster, an expression that symbolizes the victory of the Bolshevik Red Army over the anti-Communist Russians.

a. M.C. Escher
b. Noma Bar
c. El Lissitzky
d. Georgia O’Keeffe

A

c. El Lissitzky

Lissitzky artist was a designer who created images to support the Communist Revolution in Russia.

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59
Q

Noma Bar’s illustration Gun Crime uses positive and negative shape to communicate:

a.

A

b. the act of gun crime and its terrible result

“Gun Crime” refers to both the act and its result.

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60
Q

What are the elements of art?

A

Line, shape, form, volume, mass, texture, value (lightness/darkness), space, color, motion, and time

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61
Q

An object that can be defined in three dimensions (height, width, and depth)

A

Form

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62
Q

The space filled or enclosed by a three-dimensional figure or object.

A

Volume

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63
Q

A volume that has or gives the illusion of having weight, density, and bulk.

A

Mass

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64
Q

The surface quality of a work, for example fine/coarse, detailed/lacking in detail

A

Texture

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65
Q

A two-dimensional object such as a triangle is called?

A

a shape

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66
Q

These are flat and do not have depth, mass, or volume although they can be made to give an illusion of actual depth.

A

Shape

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67
Q

An actual three-dimensional object, such as a pyramid is called?

A

a form

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68
Q

What are the two fundamental attributes of form?

A

volume and mass

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69
Q

The amount of actual space a form occupies.

A

Volume

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70
Q

The concept that volume is solid and occupies space.

A

Mass

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71
Q

What are the two types of form?

A

Geometric and organic

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72
Q

Form that is regular and readily expressed in words or mathematics such as cubes, spheres, cylinders, cones, and pyramids.

A

Geometric form

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73
Q

What type of form is the Pyramid of Khafre which is guarded by the Great Sphinx of Giza?

A

Geometric form because of it’s straight, controlled planes that articulate four sides.

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74
Q

A flat, two-dimensional surface onto which an artist can create a drawing or painting.

A

Plane

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75
Q

Form that is of most things in the natural world that is irregular and unpredictable.

A

Organic form

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76
Q

Art imagery that departs from recognizable images of the natural world.

A

Abstract

77
Q

A sculpture that projects from a flat surface.

A

Relief

78
Q

A freestanding sculpted work that can be viewed from all sides.

A

In-the-round

79
Q

A work in which forms project from a flat surface that is designed to be viewed from one side only.

A

Relief

80
Q

A sculpture carved with very little depth where the carved subjects rise only slightly above surface of the work.

A

Bas-relief (low relief)

81
Q

A carved panel where the figures project with a great deal of depth from the background.

A

High relief

82
Q

What type of relief is the Imperial Procession?

A

High relief because the south facade has depth to the carvings making areas of the composition look further away from others. The figures in the foreground are deeply carved.

83
Q

What type of relief is the Limestone stela with Mayan glyphs?

A

Bas-relief (low relief) because the pictographic symbols describing the reign of K’ak’U’Ti’ Chan are organized with equal visual weight so that the viewer would read every element in the compostion.

84
Q

Which of these is a form?

a. triangle
b. circle
c. pyramid
d. square

A

c. pyramid

A pyramid is a form because it can be measured in height, width, and depth.

85
Q

This famous object is the largest carving in the world created from a single stone.

a. Great Sphinx of Giza
b. Pyramid of Khufu
c. Ara Pacis
d. Brancusi’s “The Kiss”

A

a. Great Sphinx of Giza

The Great Sphinx was carved from the living rock.

86
Q

Which of these is not geometric?

a. leaf
b. sphere
c. pyramid
d. cylinder

A

a. leaf

A leaf is not regular and cannot be easily expressed using mathematical models.

87
Q

The human figure communicates the rich experience of humanity, and artists emulate this experience using this kind of form:

a. geometric
b. regular
c. statoic
d. organic

A

d. organic

The form of the human figure is irregular and unpredictable.

88
Q

There are two kinds of relief sculpture: a pronounced surface treatment called high relief, and a shallow surface sculpture called ________.

A

bas-relief

Bas-relief is carved with very little depth.

89
Q

What is the difference between volume and mass?

A

Volume is the amount of space occupied by an object.

Mass suggests that something is solid and occupies space.

90
Q

The presence of mass suggests?

A

weight, gravity, and a connection to Earth.

91
Q

The absence of mass suggests?

A

lightness, airiness, flight.

92
Q

Asymmetrical mass that are not divided equally on a central axis suggest?

A

dynamism, movement, change.

93
Q

Which is mass and which is volume?

A

A = volume
B = mass

94
Q

This can occur when an artists implies a form by using separate pieces organized in a way that creates a structure.

A

Open volume

95
Q

Ralph Helmick is using what type of volume and what type of shape?

A

Open volume that is creating an image of the human head. The shape is delineated but not enclosed making the shape implied.

96
Q

This element of art is used to describe the usable interior space of an architectural form.

a. volume
b. mass
c. texture
d. shape

A

a. volume

The usable space of an architectural form is its volume.

97
Q

This doesn’t necessarily mean heaviness only that a volume is a solid and occupies space.

A

Mass

98
Q

This element of art is used to describe the solidity of a form, such as that of large boulders or the sculpture House by Rachel Whiteread.

a. volume
b. texture
c. shape
d. mass

A

d. mass

Mass is the expression of visual weight.

99
Q

Any three-dimensional object that can be touched and felt has?

A

Texture

100
Q

What texture do two-dimensional images have?

A

implied texture

101
Q

Texture where the artist creates an effect that reminds us of our tactile memory of an actual texture.

A

Implied texture

102
Q

An artistic movement in the 1920s and later where works were inspired by dreams and the subconscious.

A

Surrealists

103
Q

The Swiss Surrealist, Meret Oppenheim used ____ to contradict the conscious logical experience of views.

A

texture

104
Q

The slick cold surface of a finely finished metal object, the rough-hewn splintery character of a broken branch, and the pebbly surface of a rocky beach are all examples of this element of art:

a. mass
b. texture
c. shape

A

b. texture

Textures are the tactile experience of a form, like a finely finished metal object or a pebbly beach.

105
Q

Artists use this kind of texture if they want to contradict a viewer’s normal expectations of a textured surface.

a. organic
b. implied
c. actual
d. subversive

A

d. subversive

Subversive texture is a texture that contradicts the expected tactile experience.

106
Q

Texture is a texture that contradicts the expected tactile experience.

A

subversive

107
Q

What techniques do artists use to imply depth?

A

Value, space, and perspective

108
Q

The creation of the illusion of depth in a two-dimensional image by using mathematical principles.

A

Perspective

109
Q

The lightness or darkness of a surface emulates the effects of light and shadow.

A

Value

110
Q

Value can be used to suggest?

A

Solidity

111
Q

Optics of vision technique that mimics our visual perceptions of color, clarity, and form at a distance.

A

Atmospheric perspective

112
Q

Drawing method system using diagonal parallel lines to communicate depth.

A

Isometric perspective

113
Q

Drawing method system using converging imaginary sight lines to create the illusion of depth.

A

Linear perspective

114
Q

Explain the methods used in the painting “The Treachery of Images” by Belgian Surrealist artist Rene Magritte.

A

Value and perspective to imply depth.

Varying values on the pipe (light and dark tones) to create shadows which suggest depth.

Top of bowl has 2 concentric ellipses to create the perspective of circles.

The pipe looks like it would feel solid but is really an illusion on a flat surface.

115
Q

The use of this technique can produce a sense of solidity as well as influence the viewers mood.

A

Value

116
Q

Detective movies in the 1940’s were filmed in dark tones and had their own style called?

A

Film Noir

French for “Black Film”

117
Q

This Dinesphere has what shape?

A

Geodesic sphere

It’s made up of triangular elements creating a sphere.

118
Q

Method of applying value to a two-dimensional piece of artwork to create the illusion of a three-dimensional solid form.

A

Chiaroscuro

119
Q

Chiaroscuro creates the sense of?

A

Volume

120
Q

Type of chiaroscuro that relies on a single light source and broad areas of darkness or shadow to create a dramatic and intense work.

A

Tenebrism

121
Q

What techniques are being used in Caravaggio’s “The Calling of St. Matthew”?

A

Strong contrasting values to make the quiet gathering feel pivotal and powerful.

Tenebrism, the extreme type of chiaroscuro, with a single source of light to create darkness and shadows.

Christ’s hand has extra emphasis pointing to Matthew.

Light frames Matthew. He is being called to become one of Christ’s disciples.

122
Q

Explain A and B.

A

A. Increasing the frequency of hatch lines implies darker value.

B. Overlapping lines or cross-hatching, intensifies the darkness of the value.

123
Q

These two values are at the extreme ends of a value range.

a. dark gray and light gray
b. black and white

A

b. black and white

The value range extends from black to white with gray values in between.

124
Q

_______ is a method for implying depth in an environment, not three dimensions.

A

Atmospheric perspective

125
Q

Artists sometimes use this method of applying value to create an impression of three-dimensionality.

a. chiaroscuro
b. tinting
c. atmospheric perspective

A

a. chiaroscuro

Chiaroscuro can be used to give a work a sense of three-dimensionality.

126
Q

How are lines drawn in isometric perspectives to create depth?

A

parallel or diagonal

127
Q

Linear perspective is a mathematical system that uses lines to create the illusion of depth in a two-dimensional artwork. What type of lines are used?

A

Actual lines and implied lines

128
Q

A device that consisted of a small dark box, which would conduct sunlight through a tiny pinhole and allow a real, full-color, upside-down image of objects outside the device to be projected onto a surface.

A

Camera obscura

(Latin for “dark room”)

129
Q

The point or points in a work of art at which imaginary sigh lines appear to converge, suggesting depth.

A

Vanishing point(s)

130
Q

In perspective systems, imaginary sightlines extending from forms to the vanishing point.

A

Orthogonals

131
Q

What are the variations of linear perspective?

A

One-point
two-point
multiple-point

132
Q

In this perspective rule, it relies on a single vanishing point so the scene must be directly in front of the artist or viewer.

Like standing on an empty highway facing and underpass.

A

One-point perspective

133
Q

In this perspective, the vanishing point is not directly in front of the viewer, or the objects are not parallel.

A

Two-point perspective

134
Q

In this perspective system, there are two vanishing points on the horizon and one not on the horizon.

A

Three-point perspective

135
Q

A perspective technique that depicts a form that often is distorted or reduced at an angle that is not parallel to the picture plane so that there is an illusion of depth.

A

Foreshortening

136
Q

Artists intersperse and alternate value and texture to create a sense of:

a. relief
b. mystery
c. rhythm

A

c. rhythm

Rhythm can be added to a work of art by alternating texture and value.

137
Q

An artist can create an illusion of depth using only color by varying the:

a. relief
b. components
c. volume
d. intensity

A

d. intensity

By controlling the intensity of color, an artist can imply depth

138
Q

This type of perspective is used by computer- and video-game designers because it allows them to create depth using parallel diagonal lines.

a. isometric
b. linear
c. atmospheric
d. one-point

A

a. isometric

Isometric perspective involves parallel lines, which a game designer can use to imply depth.

139
Q

This Italian artist was the first to define a formal system of linear perspective.

a. Michelangelo
b. Leonardo da Vinci
c. Raphael
d. Brunelleschi

A

d. Brunelleschi

Brunelleschi formulated rules for linear perspective so that others could use it.

140
Q

This perspective is designed to be used on a horizontal view, not for complex views.

A

Two-point

141
Q

This kind of perspective is best used when the artist is confronted by a complex scene in which the viewpoint is not at ground level.

a. isometric
b. multiple-point
c. one-point
d. two-point

A

b. multiple-point

Multiple-point perspective can help an artist plot out the correct perspective for a complex scene.

142
Q

The method whereby rules of perspective are applied to represent unusual points of view, especially when depicting the human form, is called:

a. woodcutting
b. variable angling
c. coordinating
d. foreshortening

A

d. foreshortening

Foreshortening is a perspective technique that often distorts a form to convey the illusion of depth.

143
Q

Raphael’s The School of Athens uses both one-point and two-point perspective because the objects are not all arranged in a perpendicular and parallel pattern. Even though both one- and two-point perspective are used, the vanishing points are still positioned:

a. above the horizon line
b. below the horizon line
c. on the horizon line

A

c. on the horizon line

Most examples of one- and two- point perspective, including The School of Athens, place the vanishing points on the horizon.

144
Q

A vanishing point would be above the horizon when?

A

we are looking at a scene from below.

145
Q

A vanishing point would be below the horizon when?

A

we are looking at a scene from above.

146
Q

A vanishing point would be placed center when using?

A

one-point perspective

147
Q

The horizon line is a continuous line that remains at?

A

eye level

148
Q

Objects below the horizon line will be view from?

A

above

149
Q

Objects above the horizon line will be view from?

A

below

150
Q

Changing the level of the horizon will change ?

A

how the object or subject is viewed

151
Q

One point perspective has how many vanishing points?

A

One vanishing point

152
Q

Two point perspective has how many vanishing points?

A

Two vanishing points

153
Q

Three point perspective has how many vanishing points?

A

Three vanishing points

154
Q

How many vanishing points does this picture have?

A

The long corridor walls are parallel as well as the ceiling and floor.

This is one point perspective where the converging lines meet at the one vanishing point and horizon line across it.

155
Q

Our perception of color is the result of an interaction between light and what surface attribute?

a. wavelength
b. spectrum
c. prism
d. pigment

A

d. pigment

Pigment exists in the surface of an object.

156
Q

A term from physics that measures light as the distance between two corresponding points on a wave of energy.

A

Wavelength

157
Q

A transparent material with flat, polished surfaces, a form with at least three sides, that can be used to disperse light to reveal the range of color in the visible spectrum.

A

Prism

158
Q

An arrangement of entities.

A

Spectrum

159
Q

The colored material used in paint, often made from finely ground minerals.

A

Pigment

160
Q

What does a prism do?

A

White light passes through a prism and the white light is then separated into the visible spectrum of color.

161
Q

We are looking at a blue sweater - if light consists of all colors of the spectrum then how is is possible to perceive only the blue in a sweater?

A

The surface of the sweater contains the blue pigment and when white light reaches the sweater it reflects the blue from the spectrum.

The surface of the sweater will reflect the blue and all other colors of the spectrum will be absorbed by the blue pigment.

Our visual perception of the reflected color begins when the reflected blue enters our eyes and excites the nerve cells in the back lining of our eyes. The nerve signals are then processed to the brain to interpret the color.

162
Q

Reflected light excites ________ that line the back of our eyes, and their signals are reprocessed and interpreted as color in our brains.

a. pigment
b. nerve cells
c. pupils
d. irises

A

b. nerve cells

Nerve cells are responsible for sensing color for the brain to interpret.

163
Q

Color mixtures using light, for example those in digital displays, are called __________ color mixtures.

a. optical
b. additive
c. subtractive

A

b. additive

Additive color is color that is mixed using light.

164
Q

When colors of light are mixed the result is the same as when colors of pigment are mixed.

True/False

A

False

When colors of light are mixed they are NOT the same as colors of pigment mixed.
Pigment is a solid material
Light is transient waves of energy.

165
Q

Adding colored lights to a surface increases in brightness and if we keep adding more colors it will lead to?

A

white light

166
Q

When mixing pigments together, how do they behave in contrast to mixing colors of light?

A

Pigment is mixed with a binder. If mixing different colored paints with different pigments the result usually is duller where as colored lights mixed will be brighter.

167
Q

Colors produced from pigment mixture where more of the spectrum is absorbed from the light when it hits the pigmented surface.

A

Subtractive color

168
Q

General classification of a color

A

Hue

169
Q

What are the primary colors?

A

red, yellow, blue

These cannot be created mixing any two colors together.

170
Q

What are the secondary colors?

A

orange - blend red and yellow
green - blend blue and yellow
violet - blend blue and red

171
Q

This is a kind of color map that allows an artist to quickly assess the attributes of colors as they relate to each other.

a. complementary color
b. color wheel
c. color scheme

A

b. color wheel

A color wheel diagrams how colors relate to one another.

172
Q

Secondary colors can be created from a mixture of:

a. three primary colors
b. two primary colors

A

b. two primary colors

Two primaries will result in a secondary color.

173
Q

_______ colors are found on opposite sides of a color wheel, and tend to be jarring and contrasting.

A

Complementary

174
Q

By using this kind of color combination, artists avoid jarring, contrasting color and mood.

a. complementary
b. analogous
c. tints

A

b. analogous

Analogous colors are similar to each other, which creates less contrast.

175
Q

The degree of purity of a color.

A

Chroma (also known as saturation)

176
Q

Colors that are lighter than their basic hue, implying that they have been mixed with white.

A

Tints

177
Q

Colors that are darker than their basic hue, implying that they have been mixed with black.

A

Shades

178
Q

A work that uses only one hue.

A

Monochromatic

179
Q

Twentieth-century movement and style in art, especially in painting, in which perspective with a single viewpoint was abandoned and use was made of simple geometric shapes, interlocking planes, then later a collage.

A

Cubism
Artists that use cubism are Cubists

180
Q

An early twentieth-century art movement that emphasized bold, exaggerated colors and simplified forms to favor creative expression over accuracy.

A

Fauvism
Artists that used Fauvism called themselves Fauves. (Foov)

French for “wild beast”

181
Q

A color that is lighter than its basic hue is called a:

a. hue
b. tint
c. shade

A

b. tint

A tint is a color that is lighter than its basic hue.

182
Q

A color that is almost gray has a low chroma, or __________.

A

saturation

Saturation is a another way to describe chroma.

183
Q

A late nineteenth-century painting style using short strokes or points of differing colors that optically combine to form new perceived colors.

A

Pointillism

184
Q

What style of painting is in this piece and why?

A

Pointillism is used because the small dots ( or points) that are so close together, the colors we see are actually different from the colors of the actual dots.

185
Q

The ancient Chinese “Theory of Five Elements” associated colors with corresponding cultural symbols. This philosophy is called:

a. I Ching
b. Wu Xing
c. Confucianism

A

b. Wu Xing

The Wu Xing, or Theory of Five Elements, was used to make associations between other aspects of the world.

186
Q

Bernini’s sculpture Apollo and Daphne implies motion. What kind of action is being depicted?

a. a chase scene
b. lovers in an embrace

A

a. a chase scene

Apollo chases Daphne in this work.

187
Q

Op art of the 1960s relied on a physiological effect that creates an illusion of motion. This effect is caused by:

a. the natural oscillations of the eye
b. our lack of ability to see some colors
c. blinking

A

a. the natural oscillations of the eye

The human eye naturally vibrates and perceives movement when sharp contrast and hard-edged repetition are present.

188
Q

Moving images created using individual frames of hand-sculpted puppets and backgrounds is a form of?

A

Stop-motion animation

Stop-motion animation is created one frame at a time.

189
Q
A

Art 100 (10 decks)

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