Ch. 11&12 Flashcards

1
Q

chords that must stay in root position

A

irst and last, V-I at end of phrase, vi in vi-V

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2
Q

chords that must be inverted

A

diminished triads; either V or I in an internal V-I progression

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3
Q

can’t repeat notes

A

across a barline

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4
Q

prepare leaps (steps in opposite direction both ways)

A

greater than a 4th, 4th need no prep only step after

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5
Q

use melodic minor

A

raised six and seven on ways up

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6
Q

use melodic minor

A

raised six and seven on ways up

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7
Q

no more than two consecutive leaps

A

precede and follow pair with opposite motion. together pair should span a 6th, 5th,or 8ve

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7
Q

no more than two consecutive leaps

A

precede and follow pair with opposite motion. together pair should span a 6th, 5th,or 8ve

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8
Q

end each phrase w root position

A

PAC, IAC, or HC

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9
Q

use only consonant intervals

A

for contrapuntal voice, 3rds and 6ths preferred; cant do more than three in a row

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10
Q

no

A

parallel and direct 5ths and 8ves, simultaneous leaps; watch that NCT don’t create parallels with beat they on or the next strong beat

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11
Q

one to one counterpoint

A

bass line and contrapuntal line move in equal rhythmic value using only consonances

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12
Q

NCT

A

a tone either diatonic or chromatic that is not a member of the chord.

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13
Q

passing tone

A

used to fill in the space between two other chord tones (step in same direction)

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14
Q

neighbor tone

A

embellishment to a single tone which is heard before and after the neighbor. it can appear above or below it and is diatonic or chromatic

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15
Q

suspension

A

holds on to or suspends a chord tone after other parts have moved on to the next chord, falls on strong/accented portion of the beat

16
Q

retardation

A

a suspension with an upward resolution