Camera Shot Sizes and Framing Flashcards

1
Q

is composed of a series of frames that are shot uninterrupted from the moment the camera starts rolling until it stops

A

camera shots

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2
Q

Types of Camera Shots Sizes

A
Extreme Wide Shot (ELS)
Long Shot (LS) / Wide Shot (WS)
Full Shot (FS)
Medium Long Shot (MLS) / Medium Wide Shot (MWS)
Cowboy Shot/Medium Shot (MS)
Medium Close Up (MCU)
Close Up (CU)
Extreme Close Up (ECU)
Establishing Shot
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3
Q

Makes your subject appear small against their location. You can use an _ _ _ to make your subject feel distant or unfamiliar.
It can also make your subject feel overwhelmed by its location

A

Extreme Long Shot (ELS) or Extreme Wide Shot (EWS)

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4
Q

If your subject is a person then his or her whole body will be in view — but not filling the shot. Same idea as ELS or EWS but closer.

A

Long Shot or Wide Shot

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5
Q

let your subject fill the frame while keeping emphasis on scenery

A

Full Shot

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6
Q

frames the subject from roughly the knees up. It splits the difference between a full shot and a medium shot

A

Medium Wide Shot

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7
Q

frames the subject from roughly mid-thighs up. used in Westerns to frame a gunslinger’s gun or holster on his hip

A

Cowboy Shot

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8
Q

one of the most common camera shots. frames from roughly the waist up and through the torso. emphasizes more of your subject while keeping their surroundings visible.

A

Medium Shot

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9
Q

frames your subject from roughly the chest up

A

Medium Close Up Shot

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10
Q

reveal a subject’s emotions and reactions. fills your frame with a part of your subject. t is often their face.

A

Close Up

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11
Q

most you can fill a frame with your subject. often shows eyes, mouth and gun triggers. often shows eyes, mouth and gun triggers.

A

Extreme Close Up

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12
Q

a shot at the head of a scene that clearly shows us the location of the action. a shot at the head of a scene that clearly shows us the location of the action.

A

Establishing Shot

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13
Q

is the placement and position of the subjects in your shots.

A

Camera Framing

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14
Q

Considerations when camera framing a shot

A

Size, relationships, balance

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15
Q

Frame shots

A
Single Shot
Two Shot
Three Shot
Over-the-Shoulder Shot (OTS)
Over-the-Hip Shot
Point-of-View Shot (POV)
Insert Shot
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16
Q

captures one subject

A

Single Shot

17
Q

that technically has more than one person in the frame, but the character in the foreground isn’t featured.

A

Dirty Single

18
Q

is a camera shot with 2 characters featured in the frame

A

Two Shot or 2-Shot

19
Q

is a camera shot with 3 characters featured in the frame.

A

Three Shot or 3-Shot

20
Q

hows your subject from behind the shoulder of another character. Because it emulates perspective, it’s common in conversation scenes.

A

Over-The-Shoulder Shot (OTS)

21
Q

is similar to over-the-shoulder in that the camera is placed with a character’s hip in the foreground, and the focus subject in the plane of acceptable focus.

A

Over-The-Hip Shot (OTH)

22
Q

is a camera shot that shows the view from a character or an inanimate object, like a bullet whizzing through the air or a bowling ball rolling down the lane.

A

Point of View Shot (POV)

23
Q

can have many functions and often becomes the key shot in directing an audience’s attention. If we see a character look at something, the subsequent insert shot shows us what they see. They can also be used to show the audience a detail that goes unnoticed by the characters, leading to dramatic irony.

A

Insert Shot