C List Flashcards
Read just enough to recognize the points noted here.
Edmund Spenser [The Faerie Queene] (1590-1596): Language
Spenser deliberately used archaic orthography (conventional spelling) and diction (choice of words and phrases in sentences) to have antique flavor. Spenser was close contemporary of Shakespeare.
Edmund Spenser [The Faerie Queene] (1590-1596): Form
Spenserian stanza.
Rhymes ab,abb,cb,cc. Iambic pentameter, last ninth line is iambic hexameter (Alexandrine).
Spenserian stanza has been used into twentieth century.
Edmund Spenser [The Faerie Queene] (1590-1596): Quote
“Be well aware,” quoth then that Ladie milde,
“Least suddaine mischiefe ye too rash provoke:
The danger hid, the place unknown and wilde,
Breedes dreadfull doubts: Oft fire is without smoke,
And perill without show: therefore your hardy stroke
Sir knight with-hold, till further tryall made.”
“Ah Ladie” (sayd he) shame were to revoke,
The forward footing for an hidden shade:
Vertue gives her selfe light, through darkenesse for the wade.”
Christopher Marlowe [Tamburlaine the Great (Parts I and II)]: Synopsis
Scythian shepherd, Tamburlaine, becomes a ferocious and successful conqueror in Asia Minor. Zenocrate is main female character.
Christopher Marlowe [Tamburlaine the Great (Part I)]: Synopsis
Tamburlaine allies with Therimadas and Cosroe, defeating Mycetes, king of Persia then killing Cosroe due to his betrayal. He tortures Turkish king Bajazeth and queen Zabina, causing their suicide. He also kills king of Arabia despite the virgins he had sent (who are also killed) and defeats Egypt and spares the sultan. The Egyptian princess Zenocrate is made queen of Persia.
Christopher Marlowe [Doctor Faustus]: Synopsis
A sorcerer sells his soul for power. He gets served and persecuted by Lucifer, Beezlebub, Mephistopheles.
Johann Wolfgang von Goethe [Faust]
Faust sells his soul for knowledge and deals with single satanic agent named Mephistopheles.
John Donne “The Sun Rising” (1633-date of publication): Quotes
Busy old fool, unruly sun,
Why dost thou thus
Through windows and through curtains call on us?
Must to thy motions lovers’ seasons run?
Saucy pedantic wretch, go chide
Late schoolboys and sour prentices,
Go tell court huntsmen that the kind will ride,
Call country ants to harvest offices;
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams, so reverend and strong Why shouldst thou think? I could eclipse and cloud them with a wink, But that I would not lose her sight so long; If her eyes have not blinded thine, Look, and tomorrow late, tell me, Whether both th'Indias of spice and mine Be where thou leftst them, or lie here with me. Ask for those king whom thou saw'st yesterday, And thou shalt hear, All here in one bed lay. She is all states, and all princes I, Nothing else is. Princes do but play us; compared to this, All honor's mimic, all wealth alchemy. Thou, sun, art half as happy as we, In that the world's contracted thus; Thine age asks ease, and since thy duties be To warm the world, that's done in warming us. Shine here to us, and thou art everywhere; This bed thy center is, these walls thy sphere.
John Donne “The Flea” (1633-date of publication): Quotes
Mark but this flea, and mark in this,
How little that which thou deniest me is,
Me it sucked first, and now it sucks thee,
And in this flea our two bloods mingled be;
Thou know’st that this cannot be said
A sin, or shame, or loss of maidenhead,
Yet this enjoys before it woo,
And pampered swells with one blood made of two,
And this, alas, is more than we would do.
Oh stay, three lives in one flea spare,
Where we almost, nay more than married are.
This flea is you and I, and this
Our marriage bed and marriage temple is;
Though parents grudge, and you, we are met,
And cloistered in these living walls of jet.
Though use make you apt to kill me,
Let not to that, self-murder added be,
And sacrilege, three sins in killing three.
Cruel and sudden, hast thou since
Purpled thy nail in blood of innocence?
Wherein could this flea guilty be,
Except in that drop which it sucked from thee?
Yet thou triumph’st, and say’st that thou
Find’st not thy self nor me the weaker now;
‘This true; then learn how false fears be:
Just so much honor, when thou yield’st to me,
Will waste, as this flea’s death took life from thee.
John Donne: Elegy
Thomas Carew (1594?-1640). “An Elegy upon the Death of the Dean of St. Paul’s, Dr. John Donne”
“The Muses’ garden, with pedantic weeds / O’erspread, was purged by thee; the lazy seeds / Of servile imitation thrown away, / And fresh invention planted…”
John Donne “Holy Sonnet 14”
Batter my heart, three-personed God; for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o’erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurped town, to another due,
Labor to admit you, but O, to no end;
Reason, your viceroy in me, me should defend,
But is captived, and proves weak or untrue.
Yet dearly I love you, and would be loved fain,
But am betrothed unto your enemy.
Divorce me, untie or break that knot again;
Take me to you, imprison me, for I
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.
John Milton [Paradise Lost] (1667): Form
Blank verse.
Extremely long and complicated sentences.
John Milton [Paradise Lost] (1667): Quotes
Thrones, Dominations, Princedoms, Virtues, Powers, If these magnific Titles yet remain Not merely titular, since by Decree Another now to himself ingross't All power, and us eclipst under the name Of King anointed, for whom all the haste Of midnight march, and hurried meeting here, This only to consult how we may best With what may be devis'd of honors new Receive him coming to receive from us Knee-tribute yet unpaid, prostration vile, Too much to one, yet double how endur'd, To one and to his image now proclaim'd?
Areopagitica (1644): Content
Defense of free expression, Condemnation of sensorship.
Most of Milton’s political prose (divorce tracts) is interested in separating spiritual and temporal authority.
Free press is God’s will because published books are the means for hearing God’s Revelation.
Areopagitica (1644): Quotes
“…as good almost kill am an as kill a good book. Who kills a man kills a reasonable creature, God’s image; but he who destroys a good book, kills reason itself, kills image of God, as it were in the eye.”
Comus (1634): Genre
Masque: a dramatic form in which all entertainment systems are involved, music, singing, dancing, acting, stage design. Often offered as tribute to the patron.
Flourished in Milton’s time.
Comus (1634): Title
[A Mask, Presented at Ludlow Castle]
Comus (1634): Synopsis
A lady gets lost in the woods, falls asleep, is captured by lecherous Comus. She faces erotic harassments.
Comus (1634): Quotes
Mortals, that would follow me, Love Virtue; she alone is free. She can teach ye how to climb Higher than the sphery chime; Or, if Virtue feeble were, Heaven itself would stoop to her.
Lycidas (1637): References
Name “Lycidas” comes from Theocritus’ Idylls.
Herodotus also sports name “Lycidas”.
Lycidas (1637): References
Pastoral elegy for Edward King.
Name “Lycidas” comes from Theocritus’ Idylls.
Herodotus also sports name “Lycidas”.
Lydcidas (1637): Tradition
Shared pastoral past
Classical tradition
Christian tradition (St. Peter is “Pilot of Galilean Lake”)
Lycidas (1637): Tradition
Shared pastoral past
Classical tradition
Christian tradition (St. Peter is “Pilot of Galilean Lake”)
Lycidas (1637): Quotes
“Without the meed of some melodious tear.”
“But oh! the heavy change, now thou art gone, / Now thou art gone and never must return!”
“Fame is the spur that the clear spirit doth raise / (That last infirmity of noble mind) / To scorn delights and live laborious days”
“Look homeward, Angel, now, and melt with ruth: / And, O ye dolphins, waft the hapless youth.”
Lycidas (1637): Quotes - 2
“As killing as the canker to the rose, / Or taint-worm to the weanling herds that graze”
“At last he rose, and twitched his mantle blue: / Tomorrow to fresh woods, and pastures new.”
“Where your old bards, the famous Druids, lie, / Nor on the shaggy top of Mona high…”
John Bunyan [The Pilgrim’s Progress] (1678-1684): Synopsis
Christian passes places such as Slough of Despond, Vanity Fair, on his way to the Celestial City.
John Dryden [Mac Flecknoe(1678)]: Quotes
“Some beams of wit on other souls may fall, / Strike through, and make a lucid interval; / But Sh—’s genuine night admits no ray”
“No greater Jonson dares in socks appear; / But gentle Simkin just reception finds / Amidst this monument of vanished minds”
“A tun of man in thy large bulk is writ, / But sure thou’rt but a kilderkin of wit.”
John Bunyan [The Pilgrim’s Progress] (1678-1684): Quotes
OBST. What are the things you seek, since you leave all the world to find them?
CHR. I seek an inheritance incorruptible, undefiled, and that fadeth not away (I Peter i.4), and it is laid up in heaven, and safe there (Hebrews xi.16), to be bestowed, at the time appointed, on them that diligently seek it. Read it so, if you will, in my book.
John Dryden [Absalom and Achitophel]: Analogy
Absalom - Duke of Monmouth
Achitophel - Earl of Shaftesbury
King David - Charles II
John Dryden [Absalom and Achitophel]: Form
Heroic Couplets
John Dryden [Absalom and Achitophel]: Background
Hedonistic Charles spent so much time with his mistress that he has many offspring but no legitimate (Protestant) heir, leaving Catholic brother James as successor.
John Dryden [Mac Flecknoe]: Satirical Topic
John Dryden’s contemporary, dramatist Thomas Shadwell. The succession of Shadwell (Mac Flecknoe) to the throne of dullness.
John Dryden [Mac Flecknoe]: Form
Mock Epic (allusions to past and present literary figures)
Restoration Drama: Background
Restoration Period in literature is from 1660 (Restoration of Charles Stuart) to 1789 (French Revolution).
Drama was one of the most notable. Excepting 1777’s [The School for Scandal], best-known Restoration comedy was staged 1700-1730.
Restoration Comedy: Form
Prologue is in verse, plays are not.
Cynical, punning, inneundo-laden langauge.
Restoration Comedy: Topic
Tension between social codes of behavior about sex and marriage … and behavorial prerogative of lust and ambition. Farce.
“war between the sexes”
William Wycherley [The Country Wife] (1675): Synopsis
Mr. Horner tries to seduce as many women as possible by posing as impotent. Mr. Pinchwife married a young country girl so that she wouldn’t cheat, but Horner teaches her, and Margery tries to defend Horner’s virility.
Mrs. Squeamish, her sister-in-law Mrs. Dainty Fidget (married to Sir Jasper Fidget) and their friend Mrs. Squeamish, are all involved with Horner.
Horner’s friend Harcourt courts Pinchwife’s sister Alithea who’s engaged to stupid Sparkish.
George Etherege [The Man of Mode] (1676): Synopsis
Mr. Dorimant, a rake, gets together with witty heiress Harriet despite her mother Lady Woodvil’s disapproval. Belinda used to like Dorimant but changes her mind, Mrs. Loveit cannot let go of Dorimant and thus hurts the butt-of-the-joke Sir Fopling Flutter in the process.
William Congreve [The Way of the World] (1700): Synopsis
Once-rake Mirabell wants to marry Millament but her older companion Lady Wishfort hates him because Mirabell once pretended to love her. Mirabell ploys to have his servant Waitwell marry Lady Wishfort’s servant Foible then woo Lady Wishfort as Sir Rowland.
Mrs. Marwood seeks to foil Mirabell’s plan due to her unrequited desire of him, and tells Mr. Fainall (whom she’s having an affair with), who’s married to Mrs. Fainall - Lady Wishfort’s daughter. She tells him Mrs. Fainall had an affair with Mirabell as well.
Mr. Fainall’s attempt to rob Lady Wishfort’s wealth is foiled due to Millament announcing to marry Sir Willful, who seems to have control over all Lady Wishfort’s weath.
Mincing is Millament’s servant.
Richard Sheridan [The School for Sandal] (1777): Synopsis
Charles Surface wants to marry Maria for love, Joseph Surface for money. Lady Sneerwell who loves Charles starts rumors about Charles and Lady Teazle, Sir Peter Teazle’s young wife. Sir Benjamin Backbite also wants to marry Maria for money and likes spreading rumors.
Rumor turns out to be unsubstantiated, Sir Peter Teazle reconciles with Lady Teazle despite their monetary arguments, Sir Oliver Surface discovers Charles is actually the more grateful nephew than Joseph.
Jonathan Swift [Gulliver’s Travels] (1726): Imp Island and Giant Island
Lilliput (everyone is six inches tall)
Brobdingnag
Jonathan Swift [Gulliver’s Travels] (1726): Miyazaki referenced this
Laputa (flying island)
Jonathan Swift [Gulliver’s Travels] (1726): Galaxy Train 999 material
The Struldburgs (unhappy immortals who wish they could die)
Jonathan Swift [Gulliver’s Travels] (1726): Misanthropic
Houyhnhnms (intelligent clean-living right-thinking horses)
Yahoos (idiotic, dirty, violent creatures that seem humanish)
Alexander Pope (1688-1744): Style
Writes almost exclusively in heroic couplets (think mock epics.)
Lines end on natural pauses.
Alexander Pope [The Rape of the Lock] (1717): Parallels
Lord Petre cut Arabella Fermor’s hair. Arabella is called Belinda in the poem.
Epic invocation
Epic feast: coffee in little cups
Epic battle: card table
Interference of the gods: spirits that look over ladies’ affairs
Epic simile
Alexander Pope [The Dunciad] (1728): Meaning
Also a mock epic written in heroic couplets, assault on bad poetry and everyone that offended pope (especially English poet laureate Colly Cibber).
Alexander Pope [The Dunciad] (1728): Synopsis
Coronation ceremony of Bayes as poet laureate of Dulness, which will eventually prevail over all arts and sciences. Everyone falls asleep during the ceremony.
Samuel Johnson (1709-1784): Works
“The Vanity of Human Wishes” (poem)
[The Lives of the English Poets]
essays for journal [The Rambler]
Samuel Johnson: Crowning Achievement as Researcher
First… [A Dictionary of the English Language] (1755)a
tongue-in-cheek. “lexicographer: a writer of dictionaries, a harmless drudge”
Samuel Johnson: Related to His Life
[Rasselas] (The History of Rasselas, Prince of Abissinia) (1759)
Melancholy novel about the prince’s unsuccessful quest for a happy, fulfilling “choice of life” (Johnson wrote it to settle debts from mother’s funeral)
James Boswell [The Life of Johnson] (1791): Style
Doesn’t just describe Johnson or discuss his thought, but snatches of Johnson in conversation with leading intellectual figures of the day.
James Boswell [The Life of Johnson] (1791): Content
Samuel Johnson is witty, erudite conversationalist with a melancholy streak.
Generosity of spirit and bursts of irritability.
William Blake (1757-1827): Style
Can be stylistically distinct but consistent in spiritual base (reconciliation of opposites is important in his philosophy)
William Blake: Personal Theological Works
[The Marriage of Heaven and Hell] (1793)
[Visions of the Daughters of Albion] (1793)
William Blake: Poems
[Songs of Innocence] (1789)
[Songs of Experience] (1789)
Childlike simplicity of meter and syntax.
William Blake “The Tyger” (1794)
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & What dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
The First True Gothic Novel
Horace Walpole [The Castle of Otranto] (1764) (arbitrary end date of the gothic is 1860)
Was an instant success.
Even More Popular Gothic Novel
Anne Radcliffe [The Mysteries of Udolpho] (1794)
Takes Walpole’s aesthetic and adds a twist… Walpole’s novel has truly supernatural events (statues bleeding) but Radcliffe novel has events that seem supernatural but have real-world explanations.
Gothic Explique
Summing up and revealing true causes of many seeming impossibilities. Important feature in Detective Story (Edgar Allan Poe, “The Murders on the Rue Morgue” “The Purloined Letter”)
Spoof of the Gothic
Jane Austen [Northanger Abbey]
Another Popular Gothic Novel
M. G. “Monk” Lewis [The Monk]
Anne Radcliffe [The Mysteries of Udolpho] (1794): Motto
“Fate sits on these dark battlements and frowns,
And as the portal opens to receive me,
A voice in hollow murmur through the courts
Tells of a nameless deed.”
Jane Austen (1775-1817): General
Understated ironic treatment of character.
Jane Austen [Sense and Sensibility] (1811): Synopsis
Elinor Dashwood loves Edward Ferrars (brother-in-law to Elinor’s half-brother John Dashwood), who momentary is engaged to Lucy Steele but becomes free to marry when Lucy chooses the wealthier Robert Ferrars.
John Willoughby courts Marianne Dashwood, abandons her for a rich lady, then repents. Marianne is engaged to Colonel Brandon.
Jane Austen [Pride and Prejudice] (1813): Synopsis
Jane Bennet marries Charles Bingley despite Miss Bingley’s haughtiness and Mr. Darcy’s initial mistrust of the Bennets.
Fitzwilliam Darcy proposes to Elizabeth Bingley, is turned down, sends a letter and mends his ways, Elizabeth marries her.
Lydia Bennet elopes with liar and rake George Wickham then marries him thanks to Darcy’s intervention.
Jane Austen [Mansfield Park] (1814): Synopsis
Maria Bertram at the Mansfield Park is courted by Henry Crawford (who loves Fanny Price) and elopes even though she’s married to Rushworth, eventually sent to live with cruel busybody Mrs. Norris.
Julia Bertram is upset and elopes with Yates (Tom Bertram’s friend) but both are eventually reconciled to the family.
Fanny Price’s mother (sister to Lady Bertram) has married beneath her and is poor. Fanny is attracted to Edmund Bertram who is initially attracted to Mary Crawford, but eventually marries Fanny.
Jane Austen [Emma] (1815): Synopsis
Emma Woodhouse (“handsome, clever and rich”) is obsessed with matchmaking and thinks friend Harriet Smith should marry a gentleman. She is attracted to Frank Churchill and acts cruelly about Miss Bates, the aunt of Jane Fairfax (accomplished and later revealed to be engaged with Frank). Emma eventually marries Mr. Knightly, a friend and brother-in-law. Harriet marries Robert Martin, whom she initially turned down due to Emma’s advice.
Jane Austen [Northanger Abbey] (1817): Romance
Catherine Morland lives in Bath thanks to family friends the Allens. She meets Henry Tilney, a clergyman she comes to love, and the family of Mrs. Thrope, friend of Mrs. Allen.
John Thorpe pursues Catherine in a rude way, James Morland pursues Isabella Thorpe (who becomes friends with Catherine). Isabella turns James down then is abandoned by Henry’s brother, Captain Frederick Tilney.
General Tilney momentarily sends Catherine away from the abbey due to her family’s low income, Henry and Catherine eventually get married.
Jane Austen [Northanger Abbey] (1817): Parody
Largely parody of Anne Radcliffe’s [The Mysteries of Udolpho]
Strange bureau in Catherine’s room is just receipts.
Henry and Eleanor’s mother was NOT murdered by General Tilney and Catherine got scolded by Henry for sneaking into her room.