Bonnie and clyde Flashcards
Context- rise of new hollywood
•economic breakdown of the studio era- decline from paramount anti trust case- package unit system
•Audience decline/ fragmentation- appeal to younger audiences and art house cinema
•counterculture of late 1960’s- civil rights movement, polarisation (war)
•escalation of war in Vietnam- seeing on tv, collapse of areas of hayes code as violence was being seen
•aesthetic influence of european art house. french new wave
new hollywood
•Experimental style
•unpredictable narrative structure
•taboo stories
•jump cuts/ slow motion
representation of women
•second wave feminism
•extreme close up - opposite rules established in classical hollywood
•sexualised image of lips
•red- suggests film explores sexual identity
•opening shot focussed on female
•low angle- dominant
•female gaze- both equally beautiful
•shadow of bars- high angle- still elements of entrapment and patriarchy
•naked- sexually confident
-pill introduced, sexual revolution
•holds and shoots gun- power. calls him out for not having the gumption to fire a gun
•rising tide of feminism
•academically intelligent- poem
•youth and beauty- dies- viscous war
representation of men
•first seen at a lower angle than Bonnie- less dominant
• “i ain’t no lover boy” and failure to perform- shows a different representation of men- fragile masculinity- not seen in a negative light
•Violence replaces need for sex- gun as a phallic symbol
•female gaze- both beautiful
•Clyde lives to promote a much bigger idea
•emotionally intelligent - two shot in car, one eye covered- unknowing
• older representations- clyde’s brother asking about sex
-CW Moss’s dad hands them in, care more about law.
Aesthetics
Discontent and dissent
Anti authority
Equality of gender
Warren beatty
•decided who was going to direct
•begged WB to finance
•payed for Dede allen’s job
-compare to bogart. freedom
•casted faye dunaway and aurthor penn
•travelled from country to county promoting
•asked for the representations of impotence- bonnie more sexually dominant
Aurthor Penn- director
•influenced by french new wave films
• Japanese cinema- seventh samurai- slow motion
•Liberal- left wing director. - ideologies of anti war, establishment, law enforcement
• on the side of the common man- working class
•filmed on location to remove Warmers control
•wanted to reject old hollywood model
•background in tv and theatre- marks change between new and old. lack of restrictions (violence)
•worked with dede allen to include juno cuts in end sequence
•set up 4 cameras ti get different motions “ballet dance”
•combines tragedy and comedy
•cloud over field - foreshadowing
Benson and Newman
Screenwriters
•fans of french new wave
•Parents attended Bonnie and Clyde’s funerals
Bernet Guffy- cinematographer
•trained in the classical studio system
- opening sequence lights bars low-key