Baroque and Classical Music Flashcards

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1
Q

What about its dynamics is characteristic of baroque music?

A

The dynamics change suddenly; each bit is either loud or soft, with no crescendos or diminuendos. They’re called ‘terraced’ or ‘stepped’ dynamics.

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2
Q

What about its melody is characteristic of baroque music?

A

It’s built up from short motifs, so there’s a lot of repetition, and there are lots of ornaments.

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3
Q

What about its harmonies is characteristic of baroque music?

A

They’re simple, mainly using chords I and V.

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4
Q

What about its texture is characteristic of baroque music?

A

It’s often contrapuntal or polyphonic

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5
Q

What is a basso continuo?

A

A continuous bass part, which is played throughout a piece. The chords are based on it.

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6
Q

What was a basso continuo often played on in the Baroque period?

A

An organ or a harpsichord (harpsichords were popular baroque instruments). It could also be played by more than one instrument, e.g. cellos, double basses and bassoons

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7
Q

What about classical music is characteristic of that and not the baroque period?

A

It contains far fewer ornaments, and the pieces are very balanced, tending to have equal four-bar phrases, splitting into a two-bar question and two-bar answer. The dynamics are more subtle, using crescendos and diminuendos, not just changing suddenly.

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8
Q

Describe music in binary form.

A

Binary means something like ‘in two parts’; there are two bits to a tune in binary form. Binary form is usually used in Baroque dances, and each section is repeated. The structure is AABB. Section A and B contrast, usually by B modulating to a relative key.

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9
Q

Describe music in ternary form.

A

Ternary means ‘in three parts’, so there are three sections in music with ternary form. The structure is AABBAA because each section repeats. Section A ends in the home key, normally with a perfect cadence, and in section B the music modulates to a related key. The last section can be exactly the same as Section A, but if slightly varied it’s called A1.

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10
Q

What happened with the development of instruments in the classical period?

A

The piano was invented in about 1700, and got to be way more popular that the harpsichord because you could vary the dynamics. The clarinet was also invented around this time. In this period, orchestras got bigger; woodwind trumpets and horns were used more, and the string section expanded.

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11
Q

What is an aria, and what form were arias in the Baroque period usually in?

A

An aria is a solo in an opera or oratorio. Arias in the Baroque period were often in ternary form, and this type of aria was often called a ‘da capo aria’ Handel wrote lots of these.

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12
Q

Describe music in rondo form.

A

Rondo means ‘going round’, and rondo form can have any number of sections. A rondo starts with a main idea in Section A, moves into a new section, goes round again to A, moves into another new section, goes round again to A… as many times as you like. The new section after each Section A always contrasts with A. Section A is known as the ‘main theme’ or ‘refrain’ and the contrasting sections are called episodes. The main theme is always in the home key, and each episode tends to modulate to a related key for contrast

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13
Q

What are variations?

A

Variations are pieces which start with one pattern or tune, and then change it in different ways. There are two main structures for variation, which are ‘theme and variation’ and ‘ground bass’.

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14
Q

Describe music in ‘theme and variation’ form.

A

The theme is normally a memorable tune, and is played first. There’s a short pause before the first variation is played, and then another pause before the next variation. Each variation is a self-contained piece of music. There can be as many/few variations as the composer wants, but each variation should be a recognisable version of the main tune, but different from the others.

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15
Q

What is ground bass?

A

Ground bass is a continuous set of variations- there are no pauses. The main theme, called the ‘ground’-is a bass line which repeats throughout the piece. Varying melodies and harmonies which become gradually more complex are played cover the ground. There are two types of baroque music which are in ground bass form- the chaconne and passacaglia. They’re slow and stately.

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16
Q

What is melodic inversion?

A

Melodic inversion makes a melody sound very different, but now totally different you keep the same intervals between the notes, but they go in the opposite direction/

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17
Q

What is retrograde?

A

It’s playing the notes in reverse order. If you switch the notes so that they’re in reverse order and inverted, you get a retrograde inversion.

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18
Q

What is sequencing?

A

Repeating the pattern of a phrase but starting on a different note, higher or lower, which is called a sequence. Ascending sequences go up in pitch, and descending sequences down. Handel used a descending sequence in bars 18-19 of ‘And the Glory of the Lord’

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19
Q

What is imitation?

A

Repeating a phrase with slight changes each time. It works especially well if one instrument or voice imitates another and then overlaps. There’s imitation between the altos and tenors in “And the Glory of the Lord”, and between the clarinet and bassoon in “Symphony No. 40 in G Minor”

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20
Q

What is an ostinato?

A

I’s where one pattern is played over and over again. The rest of the piece changes around it. The ostinato doesn’t have to be in the bass line; it can be in the melody or the chord pattern, and can last for more than one bar.

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21
Q

What are trills, and how are they played in Classical and Baroque music?

A

A trill is when two notes are repeated very quickly. In Baroque music the trill usually starts one note above the written note then goes quickly back and forth between the written note and the one you started on. In Classical music, the trill usually starts on the written note then goes up to the note above. The second-last note is usually the one below the note, and a sharp, flat or natural sign above the trill tells you if the note you trill to is sharp, flat or natural. [listen out for trills in ‘Symphony No. 40 in G Minor’]

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22
Q

What is an appoggiatura?

A

It’s written as a little note which clashes with the accompanying chord, and takes half the value of the following note. The note after the appoggiatura is always just above/below, is called the resolution, and has to be from the accompanying chord. Appoggiaturas usually fall on a strong beat, so the resolution falls on a weaker beat.

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23
Q

What are passing notes?

A

Passing notes link the notes before and after, and the notes before and after a passing note need to belong to the accompanying chord. Usually on weak beats, they’re called ‘accented passing notes’ when they’re on the strong beat.

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24
Q

What is a mordent?

A

Mordents start off like trills, but end on the written note, which is played for slightly longer than the trilled notes. There are loads of different mordents, but those starting on one note and then going to the note directly above/below are the most common.

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25
Q

What is a turn?

A

A turn starts on the note above the written note, then goes back to the written note, followed by the note below the written note. It ends back on the written note.

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26
Q

What is an inverted turn?

A

An inverted turn starts on the note below the written note, then goes back through the written note, then the note above that, and finally back to the written note.

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27
Q

Choral music can be sacred or secular. What do these two words mean?

A

Sacred music is religious, and secular music is non-religious.

28
Q

In terms of sacred music, what is a mass?

A

Part of the Catholic church service set to music.

29
Q

In terms of sacred music, what is a requiem?

A

A mass for the dead.

30
Q

In terms of sacred music, what is a chorale?

A

A hymn.

31
Q

In terms of sacred music, what is a oratorio?

A

A religious version of an opera, often telling Bible stories.

32
Q

In terms of sacred music, what are cantata?

A

Vocal pieces made up of two or three arias, separated by recitatives.

33
Q

In terms of secular music, what is an opera?

A

A story set to music with singing and acting. Most operas were divided up into three parts (or ‘Acts’).

34
Q

The main types of Baroque opera were: Opera Seria, Opera Buffa, Opera Comique and Operetta. What was an Opera Seria?

A

An opera with serious, often mythological themes.

35
Q

The main types of Baroque opera were: Opera Seria, Opera Buffa, Opera Comique and Operetta. What was an Opera Buffa?

A

An opera with lighter, more everyday themes

36
Q

The main types of Baroque opera were: Opera Seria, Opera Buffa, Opera Comique and Operetta. What was an Opera Comique?

A

Like an Opera Buffa, but with some spoken recitatives.

37
Q

The main types of Baroque opera were: Opera Seria, Opera Buffa, Opera Comique and Operetta. What was an Operetta?

A

Not big enough to be a proper opera.

38
Q

Operas, Oratorios and Cantatas have 3 main types of song: Arias, Recitatives and Choruses. What is an Aria?

A

A solo vocal piece, backed by the orchestra. It gives the main characters the chance to show what they’re thinking and feeling. In England and France, they’re sometimes called ‘airs’ instead.

39
Q

Operas, Oratorios and Cantatas have 3 main types of song: Arias, Recitatives and Choruses. What is a Recitative?

A

A song which tells the story and moves it along. The rhythm of the words tends to imitate the rhythm of normal speech.

40
Q

Operas, Oratorios and Cantatas have 3 main types of song: Arias, Recitatives and Choruses. What is a Chorus?

A

Sung by the chorus (choir), choruses are usually written for SATB choirs. Most Baroque choirs were all male; the high parts would be sung by boy sopranos (trebles).

41
Q

What are Oratorios?

A

Often telling biblical stories/tales with a religious or moral theme, they’re not usually acted out with scenery and costumes like operas are. They normally have an instrumental accompaniment, and can be performed in concert halls as well as churches.

42
Q

At the start of the Classical period, composers wrote for small(ish) orchestras; mainly strings with horns, flutes and oboes. How did this change later on?

A

The woodwind section grew; clarinets were invented in the Classical period and were included in the orchestra. Bassoons were introduced, as were trumpets and timpani.

43
Q

Why did the harpsichord stop being used?

A

It was there to fill in the harmonies, but wasn’t really needed once the extra woodwind had been added.

44
Q

Which section in a classical orchestra is the most important?

A

The string section; they’re the dominant sound in classical music, and the violins generally play most of the tunes. The wind play extra notes to fill out the harmony, and when they actually have the tune it’s usually doubling the strings.

45
Q

Why does classical music sound clearer and simpler than music from other periods?

A

Partly because the tunes are structured in a very straightforward way, with short, balanced two or four bar phrases.

46
Q

Most Classical music is just one tune with accompanying chords. What is the effect of ths?

A

It makes the tune really stand out. This is called ‘homophonic texture’.

47
Q

What is polyphony?

A

It’s where several different parts weave in and out of each other

48
Q

Classical harmony is what’s known as ‘diatonic’. What does diatonic mean?

A

Nearly all the notes belong to the main key.

49
Q

What is a concerto?

A

A piece for a soloist and orchestra. The solost has most of the tune, and can really show off. The orchestra does get the tune too, however; they’re not just an accompaniment.

50
Q

What is a cadenza?

A

A bit in a concerto where the orchestra stops and the soloist

51
Q

Which concertos were most popular during the classical period?

A

Piano and Violin, though some composers wrote clarinet, horn and trumpet concertos, too.

52
Q

What is a symphony?

A

A symphony is a massive piece which lasts an hour. They use the full orchestra and have real impact due to this.

53
Q

Describe the characteristics of a symphony.

A

They usually have four movements, but some have three/more than four. The contrast between the movements is important. At least one of the movements is in sonata form, usually the first, and sometimes the last.

54
Q

What is a sonata?

A

A sonata is mostly written for one instrument, but there are some sonatas for two instruments, and a few for two types of instruments, each type playing different parts.

55
Q

Describe the characteristics of a sonata.

A

A sonata usually has three or four movements, with breaks in between them. Sonatas have a similar structure to symphonies; they have one or more movements in sonata form.

56
Q

What is an overture?

A

A one-movement piece for orchestra. They’re written as introductions to larger works like operas and ballets, and use ideas, moods and musical themes from the main work to prepare the audience.

57
Q

What is a suite?

A

Classical orchestral suites are offshoots of ballets and operas. They’re an orchestral arrangement of the music used to accompany the action on stage, put together as a separate piece of music and played at concerts.

58
Q

A piece in sonata form has 3 main sections. What are these sections?

A

Exposition -> Development -> Recapitulation

59
Q

What is the exposition (sonata form)?

A

The exposition has two contrasting themes. It ends in a different (but related) key to the one it started in. Here, themes are ‘exposed’- heard for the first time.

60
Q

What is the development (sonata form)?

A

The development keeps the piece interesting- the themes are taken through lots of variations.

61
Q

What is the recapitulation (sonata form)?

A

The recapitulation pulls it all together again; the themes from the exposition are repeated. They’re usually changed slightly, however- the composer may add ornaments, perhaps, or shorten them.

62
Q

Why do composers usually add a coda (sonata form)?

A

To finish off the piece neatly.

63
Q

What is the most obvious clue that a new section is starting in Classical music?

A

A change of key.

64
Q

Classical composers often dropped advance hints that a new section was about to start in the music. What are these hints called?

A

Musical signposts.

65
Q

What do bridge passages do?

A

Lead smoothly into the new tune and help prepare the new key.

66
Q

What do cadences do?

A

They clearly mark the end of a phrase or section, and also come at the end of a piece. When they do, the chords used in the cadence are repeated several times, to let the audience know it’s over.

67
Q

Sonatas and symphonies all follow the same basic plan. What is the traditional plan?

A

First movement: sonata form, brisk and purposeful. Second Movement: ternary OR variation form, slower and songlike. Third Movement (left out in 3 movement sonatas): minuet OR scherzo, fairly fast and dance-like. Fourth Movement: rondo OR variation OR sonata form, fast and cheerful.