banis of bharathanatyam Flashcards

1
Q

what are the five main banis of bharathanatyam?

A
  • vazhavur bani
  • pandanallur bani
  • thanjaavur bani
  • kalakshetra bani
  • melattur bani
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2
Q

Why are there different bharathanatyam banis?

A

Bharathantyam evolved into these different banis as it was taught by teacher of different areas with different styles and techniques.

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3
Q

Talk about Thanjavur bani

A
  • form the district of thanjavur in tamil nadu
  • four brothers known as the thanjavur quartet developed this style
  • a dominant feauture of this bani is sringara whcih is the expression of love
  • there are complex rhythms and emphasised emotions
  • adavus were first formulated by the thanjavur brothers
  • banis like pandanallur and kalakshetra were later eveolved from the thanjaavur bani
  • in this bani, they gave more importance to the music than the rhythm
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4
Q

Talk about the pandanallur bani

A
  • this bani evolved from the thanjaavur bani which was formed by the thanjaavur brothers
  • pandanallur village in thanjaavur district
  • guru meenakshi sundaram was the founder of this bani
  • a special feature of this bani is the kulukku nadai
  • the accuracy of body posture is given a lot of importance
  • it is difficult to perform because the three levls are hard, deeping sitting or moving or jumping with great speed
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5
Q

Talk about the vazhuvoor bani

A
  • this also originated from thanjaavur bani
  • usually, bhrathanatyam performances usually begin with nritta so like pushpanjali but for this bani, perfomances begin with nritua
  • this bani includes realistic abinaya
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6
Q

Talk about the Kalakshetra bani

A
  • this is the most popular bani
  • it was founded by the legendary dancer rukmini devi arundale
  • this bani is derived from all the other bani because earlier teachers that used to teach in other banis taught in kalakshetra
  • this bani introduced the theoretical syllabus of bharathanatyam
  • rukmini devi arundale was the first person to coreograph group performances and taught both men and women
  • minimum lasya and shringara movements
  • movements are sharp and linear
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7
Q

Talk about melattur bani

A
  • created by guru mangudi in melattur village
  • this bani has sharp adavus and has eleaborate abinaya
  • mostly incolves bhakti and shringara rasa
  • a distinct feature is the use of panchai nadais
  • feet are not stamped hard on the flor but instead the dancer uses her anklets to create emusic
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