Bach - Brandenburg Concerto 4 m1 Flashcards

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0
Q

What is a concerto grosso?

A

A ‘fat’ concerto: A concerto with more than one solo instrument

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1
Q

What is the instrumentation?

A

Typical of a concerto grosso:
Solo violin + 2 flutes (recorders) = Concertino
V1 + V2 + Viola = Ripieno
Cello + Bass + Harpsichord = Continuo

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2
Q

What is the form?

A

Ritornello Form (little return) with new sections defined by tonality

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3
Q

What is the tonality like in the episodes?

A

More fluid

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4
Q

How does the shortened ritornello always end?

A

15 bar ending passage of original (though often transposed)

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5
Q

Outline the Form and Tonality

A
1-83: Ritornello, G
83-137: Episode, modulates to D at 103
137-157: Short Ritornello, Em
157-209: Episode, Use of Am at 185
209-235: Shortened Ritornello, C
235-323: Episode, Ends in Bm
323-345: Shortened Ritornello, Bm
345-427: Ritornello, G
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6
Q

Typically Baroque Harmony Point?

A

Functional harmony with Regular Perfect Cadences

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7
Q

How is the harmonic rhythm varied?

A

Faster towards cadences

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8
Q

What is harmonic rhythm?

A

The rate of chordal change

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9
Q

Where is there use of suspension?

A

7-6 suspension in bar 36-37 flutes

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10
Q

Where is there an inverted dominant pedal in the flute part?

A

139-142

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11
Q

What is in the Ripieno Bars 211-221?

A

Inner dominant pedal

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12
Q

Where is there a Neapolitan 6th?

A

Bar 151, Fm first inversion in Em passage

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13
Q

What is a Neapolitan 6th?

A

The first inversion of the flattened supertonic

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14
Q

Where are bars where there is a circle of fifths over a slow harmonic rhythm?

A

Bars 196-205

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15
Q

Where are bars with a circle of fifths over faster harmonic rhythm?

A

Bars 231-232

16
Q

Example of passing note

A

Bar 3 flutes

17
Q

Where are there auxilary notes?

A

Bar 39 Flutes

18
Q

Give an exmaple of an anticipation

A

Bar 426 final G in solo violin, Fl1, V1

19
Q

Where is there a pivot chord?

A

Bar 14: Em is 6th in G but 2 in D, followed by A (dom of D)

20
Q

How is the solo violin writing virtuosic?

A

Demi-semiquavers 187-208, double stopping 217-228, 3 octave range

21
Q

How about the melody?

A

Use of sequences solo v 14-22
Use of Broken chords solo v 18-24
Scalic passages 187-208

22
Q

What technique is applied to basic intial motifs?

A

Fortspinnung (forward-spinning)

23
Q

An example of syncopation

A

Flutes 69-74

24
Q

What comes before cadences

A

Double hemiolas eg 79-82

25
Q

Is there a large textural variety?

A

Yes

26
Q

What is the predominant texture?

A

Polyphony/Counterpoint

27
Q

Where is monophony

A

Bars 83-89

28
Q

Find homophony

A

Bars 1-12

29
Q

Find antiphony

A

257-263 Solo Violin + Viola vs Violin1 + cello

30
Q

Where are parallel 3rds

A

Flutes Bars 69-75

31
Q

Where are there parallel 6ths?

A

Double stopping solo violin Bar 217-228

32
Q

Where is there imitation

A

Flutes 171-175

33
Q

Where is close imitation

A

235-239 Solo Violin + V1,2 one quaver apart