AVFTB Flashcards

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0
Q

Beatrice - who’s mad?

A

“Who’s mad?…I’m not mad…You’re the one is mad.”

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1
Q

Beatrice - she’s not a baby any more

A

“She’s [Catherine] no baby no more”

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2
Q

Beatrice when Eddie makes Catherine take off her high heels.

A

‘She [Beatrice] gives Eddie a cold look, restrained only by the strangers’

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3
Q

Eddie - he’s a nice kid?

A

“That’s a nice kid? He gives me the heeby-jeebies.”

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4
Q

Beatrice when Eddie complains about Rodolfo being strange

A

“…you’re just jealous.”

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5
Q

Beatrice about Rodolfo✔️☺️

A

“He’s a nice fella, hard workin’, he’s a good-lookin’ fella.”

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6
Q

Beatrice when worried about her marriage and lack of intimacy.

A

“When am I gonna be a wife again, Eddie?”

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7
Q

Alfieri has respect for Eddie because he was true to himself and stood up for what he believed in.

A

“Not purely good, but himself purely”

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8
Q

Beatrice is intuitive and knows Eddie well.

A

“My God, what did you do?” (Realisation that Eddie called immigration)

“Let him eat first, then we’ll tell him” (knowing that he is easily angered and would be in a better mood after he has eaten)

“Was there ever any fella he liked for you?” (Knowing that Eddie is unhealthily obsessed with Catherine)

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9
Q

Beatrice - you can’t have her

A

“You want somethin’ else, Eddie, and you can never have her!”

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10
Q

Eddie accusing Beatrice of being different

A

“You used to be different, Beatrice. You had a whole different way.”

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11
Q

Beatrice telling Eddie that Rodolfo is apologising (Peacemaker)

A

“Eddie, he’s apologizing!”

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12
Q

Beatrice to officer (peacemaker)

A

“Who’re they hurtin’, for God’s sake, what do you want from them?”

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13
Q

Beatrice cares about her family and being a motherly figure - wax walls etc

A

“I was gonna clean the walls, I was gonna wax the floors. (She stands disturbs)”

“My God, I don’t even have nothin’ to eat for them!”

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14
Q

Beatrice - same chance of Rodolfo getting caught in daytime

A

“Yeah, but who is he in the daytime, though? It’s the same chance in the daytime.” (Clever and finds the fault in an argument. She deals with a situation well)

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15
Q

Beatrice to Catherine about acting like a baby

A

“But if you act like a baby and he be treatin’ you like a baby”

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16
Q

Beatrice to Eddie - wants it to be good to please him and cares about his opinion (loyalty)

A

“I’m just afraid if it don’t turn out good, you’ll be mad at me”

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17
Q

Describes Eddie as ____

A

“Angel” when he explained to Beatrice why she shouldn’t be worried about the cousins coming to stay because it was such a great honour.

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18
Q

Beatrice - garbage

A

“Then we all belong in the garbage. You, and me too.” (Loyalty to Eddie and shows that she knows all of their part in what has happened)

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19
Q

Eddie’s last words

A

“Oh, B.! My B.!”

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20
Q

The stage direction says this of B. when everyone else is leaving Eddie behind after hearing from Marco that Eddie was the one who called immigration.

A

“Only Beatrice is left on the stoop” (loyalty)

21
Q

Eddie accuses Beatrice of acting aggressively towards him lately.

A

“You didn’t used to jump me all the time […] It’s a shootin’ gallery in here and I’m the pigeon”

22
Q

Beatrice to Eddie about leaving Catherine alone.

A

“You going to leave [Catherine] alone? Or you gonna drive me crazy?”

(After Eddie has just argued with Catherine in the street over Rodolpho. He tells her that he only wants to marry her for American citizenship)

23
Q

Beatrice senses only the comradeship in Eddie when he is teaching Rodolfo how to fight.

A

“He’s teaching him; he’s very good!”

24
Q

Beatrice’s inner conflict with herself.

A

“(With a strange smile) you think I’m jealous of you, honey?” She doesn’t want to show her jealousy towards Catherine as she wants to remain the motherly figure in her life.

She also denies her anger towards Eddie because she wants to keep a brave face.

25
Q

Alfieri as a bridge

A

Miller tells us very little about him but that he lived in Italy until 25. Acts as a symbolic bridge between american law and italian sense of honour/ Represents and codifies the old and the new. Creates conflict for himself as an Italian lawyer who is forced to practice american law. Respects american legal system but loyal to his italian background. ➡️ understands values of immigrant community but he himself belongs in a more sophisticated world.

26
Q

Alfieri as a chorus in a Greek tragedy

A
  • he serves as a chorus and provides much more than mere narrative back-up. - he establishes the inevitability of the tragedy. He powerlessly watches the tragic events unfolding before him. (“sat there powerless as i and watched it run its bloody course”)
  • fairly inconsequential to the conclusion of the play.
  • Alfieri’s certainty of disaster is clear to the audience. in chorus mode, he repeats ‘I knew, I knew then and there.’
27
Q

Alfieri’s relationship with Eddie.

A
  • “I think I will love him more than all my sensible clients” admires Eddie’s passion and honesty
  • wants to save Eddie from his fate but is powerless - eddie’s jealousy is described as “a trouble that would not go away”
  • Alfieri is liberal and concerned when attempting to reason with Eddie however Eddie is never prepared to listen to him.
28
Q

Eddie’s unhealthy obsession with Catherine.

A
  • overprotective, doesn’t want her to leave for a job “she’ll be with a lotta plumbers? And sailors?”
  • quick to notice Catherine’s appearance; “Where you goin’ all dressed up?”, calls her “madonna”
  • worries that other men will notice her “I’m tellin’ you you’re walkin’ wavy”
  • submissive towards Eddie - eager to light his cigar for him to stop him from getting up and doing it himself. “Here! I’ll light it for you!”
29
Q

Catherine at the beginning is innocent, naive, trusting, childish, always seeking Eddie’s approval

A

“she sits on her heels beside him” - childish

‘Almost in tears because he disapproves’ - Eddie’s opinion matters to her

“I would just feel ashamed if I made him sad” - dependence on Eddie’s opinion is unhealthy as he makes her feel self conscious.

“embarrassed, now angered’ when Eddie tells her to take off her high-heels

“He was always the sweetest guy to me”

30
Q

Catherine standing up to Eddie/ against Eddie

A

“Eddie, I’m not gonna be a baby any more”

“He’s a rat! He belongs in the sewer!”

31
Q

Catherine to Eddie - I wish…

A

“I wish there was one guy you couldn’t tell me things about”

32
Q

Catherine’s growing maturity

A

her skirt is “too short” (Eddie)

33
Q

Chauvinistic

A

“Why don’t you ask me before you take a job”

34
Q

Eddie to Beatrice when she disagrees with him in an issue about Catherine’s work

A

“What do you know about it? You ain’t worked a day in your life”

35
Q

Alfieri is the first person to verbalise Eddie’s predicament

A

“She can’t marry you, can she?”

36
Q

Miller uses Alfieri in his role as a lawyer as a dramatic device.

A

He offers Eddie a lawful solution: he would get justice yet he would lose his honour. But Eddie says: “Oh, Jesus, no”

37
Q

After Beatrice told Catherine what’s up.

A

Stage direction: ‘she is at the edge of tears, as though a familiar world had shattered’

38
Q

Alfieri describes Eddie’s obsession as

A

“A passion that had moved into his body, like a stranger. “

39
Q

Alfieri when he tells Eddie he knows what’s up.

A

“There’s too much [love] and it goes where it mustn’t”

40
Q

Eddie describes Rodolfo as:

A

“he ain’t right”

“He comes around, everybody’s laughin’”

“weird”

“son-of-a-bitch punk”

“he takes and puts his filthy hands on her like a goddam thief!” / “he’s stealing from me!”

41
Q

Eddie thinking about Rodolfo laying a hand on Catherine.

A

“When I think of that guy laying his hands on her I could - “ Eddie is at his wit’s ends; he will do anything to prevent this, it seems as even his own family’s honour is at stake.

42
Q

Eddie about trust

A

“The less you trust, the less you’ll be sorry”

43
Q

Eddie when Marco spat on him.

A

Volatile - “I’ll kill you for that, you son of a bitch”

44
Q

Marco’s strong sense of justice and honour. He tells Alfieri:

A

“All the law is not in a book”

45
Q

Symbolism in the play

A
  • shoes - Catherine growing up, maturing. Eddie notices.
  • bridge/alfieri - bridge between American legal system and italian code of honour
  • dancing (R and C) - symbolises R taking C away from Eddie. Intimacy, Eddie’s jealousy, provokes Eddie…leads to…

• the chair - dominance, protection over his brother, masculinity, strength, threat, rivalry. Marco wishes to demonstrate his physical superiority over Eddie.
➡️ stage directions: ‘the chair raised like a weapon over Eddie’s head’

46
Q

Marco and Eddie’s conflict

A

Marco believes it is dishonourable to let Eddie live, but has given his word not to kill him. However when Eddie pulled out a knife, it meant that Marco could see justice done, while also keeping his word.
➡️Eddie dies by his own hand literally and he metaphorically destroys himself over the course of the play

47
Q

When Eddie contemplates the betrayal, Alfieri reads his mind and repeatedly warns him:

A

“You won’t have a friend in the world…Put it out of your mind”

48
Q

To show she still cares for him, Catherine says to Eddie as he dies:

A

“I never meant to do nothing bad to you”

49
Q

Marco has lost all respect for and begins to despise Eddie. He says:

A

“Animal! You go on your knees to me!”