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MINOR SUBS > ARTS APPRECIATION > Flashcards

ARTS APPRECIATION Flashcards

1
Q

Why do we study humanities?

A

Language, Philosophy, History, Art, Literature

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2
Q

-perceived by the sense of sight
-can be projected into 3-dimensional forms

A

Spatial Arts

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3
Q

from French “belles Lettres” means beautiful writing

A

Literary Arts

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4
Q

use the human body, face, voice, and presence as media.

A

Performing Arts

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5
Q

creation of ornamental and functional works

A

Decorative Arts

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6
Q

-all forms of pop culture
-appreciated by ordinary people in a literate, technologically advanced society

A

Popular Arts

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7
Q

Purpose of the Arts

A

religious, social, cultural, moral, reform, educational, relaxation, mood, emotions, passion, fantasy

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8
Q

Division of Arts (Purpose)

A

Practical Arts
Liberal Arts
Fine Arts
Major Arts
Minor Arts

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9
Q

Division of Arts (Media & Forms)

A

Plastic Arts
Phonetic Arts
Kinetic Arts
Pure Arts
Mixed Arts

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10
Q
  • directed to produce artifacts and utensils which cope with human needs
A

PRACTICAL ARTS

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11
Q
  • intellectual efforts are considered; AB Courses
A

LIBERAL ARTS

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12
Q

products of human creativity in so far as the express beauty in different ways and different media like drawing, painting, etc

A

FINE ART

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13
Q
  • Involves modelling or molding in three dimension.
  • perceived by sense of sight like painting, sculpture, architecture, etc.
A

PLASTIC ARTS

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14
Q
  • based on sounds and words like, music, poetry, drama, literature, etc.
A

PHONETIC ARTS

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15
Q
  • do not involve any guidelines or specific forms
A

PURE ARTS

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16
Q
  • rhythmic movement like the different kinds of dance.
A

KINETIC ARTS

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17
Q
  • combination of two or more media.
A

MIXED ARTS

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18
Q

CLASSIFICATION OF ARTS

A

Space arts - 2D, 3D
Auditory Arts - Music, Dance, Opera/Theatre

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19
Q
  • a person, scene, event,, or anything an artist
    would like to show to his audience.
A

THE ART SUBJECT

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20
Q
  • has definite subjects
  • natural
  • conventional
A

Representational

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21
Q

-product of imagination

A

Non-representational

22
Q

Way of Presenting an Art Subject

A

REALISM
ABSTRACTION
SURREALISM
DADAISM
EXPRESSIONISM
FAUVISM
FUTURISM
IMPRESSIONISM
SYMBOLISM

23
Q

5 TYPES OF ABSTRACTION

A

ELONGATION
FORESHORTENIN
DISTORIO
MANGLING
CUBIS

24
Q

Object depicted in the way they normally appear. What you see is what you get.

A

REALISM

25
Q

Magnifies one phase of reality without
representational intentions.

A

ABSTRACTION

26
Q

Combination of realism and distortion

A

SURREALISM

27
Q

It literally means, “killing of the art

A

DADAISM

28
Q

the emphasis of subjective feeling rather than on
descriptions of the outer world.

A

EXPRESSIONISM

29
Q

Distorted form and vivid spontaneous color effects.

A

FAUVISM

30
Q

Captures the movement of and the dynamism of the
modern world.

A

FUTURISM

31
Q

depicts the visual impression of the moment,
especially in terms of the shifting effect of light
and color

A

IMPRESSIONISM

32
Q

idea or quality which represents another thing.

A

SYMBOLISM

33
Q

is the art of creating meaningful
effect (subjective) on a flat surface
by the use of pigment.
the materials used by a painter
are pigments applied to wet
plaster, canvas, wood, or paper.

A

Painting

34
Q

“transparent color.” thinned with water rather
than oil, giving a transparent color.

A

Watercolor

35
Q

painting on a moist plaster surface. It is
executed upon freshly-laid (“wet”) lime plaster.

A

Fresco

36
Q

consisting of colored pigments mixed with a
water-soluble binder medium, usually glutinous
material such as egg yolk

A

Tempera

37
Q

an art medium in the form of a stick, consisting of powdered pigment and a binder.

A

Pastel

38
Q

Also called a hot wax painting. Painting with
wax colors fixed with heat.

A

Encaustic

39
Q

is the process of painting with pigments with a
medium of drying oil as the binder.

A

Oil

40
Q

synthetic paint is used. Contemporary painters
use this medium a lot.

A

Acrylic

41
Q

A pattern or image made of small regular or
irregular pieces of colored stone, glass or
ceramic, held in place by plaster/mortar, and
covering a surface.

A

Mosaic

42
Q

brown pigment extracted from boiling the soot
of the wood.

A

Bistre

43
Q

pigments bound by wax and compressed into
painted sticks.

A

Crayons

44
Q

obtained by burning wood or other organic
substances in the absence of oxygen

A

Charcoal

45
Q

elements remain attached to a solid
background of the same material.

A

Relief

46
Q

made by combining small pieces of colored
glass which are held by heavy iron bars [in
churches].

A

Stained Glass

47
Q

ELEMENTS OF VISUAL ARTS

A

LINE
COLOR
TEXTURE
PERSPECTIVE
SPACE
FORMS/SHAPE
VOLUME

48
Q

4 TYPES OF LINE

A

horizontal
curved
vertical
diagonal

49
Q

is defined as how most of us perceive and name a color

A

Hue

50
Q

is the shade (darkness) or tint (lightness) of a color.

A

brightness value luminance

51
Q

is a measure of the purity of a color or how sharp or dull the color appears.

A

chroma intensity saturation

51
Q

PRINCIPLES OF DESIGN

A

HARMONY
BALANCE
PROPORTION
RHYTHM
EMPHASIS AND SUBORDINATION
MOVEMENT
CONTRAST

MINOR SUBS (2 decks)

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