ARTS APPRECIATION Flashcards

1
Q

Why do we study humanities?

A

Language, Philosophy, History, Art, Literature

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2
Q

-perceived by the sense of sight
-can be projected into 3-dimensional forms

A

Spatial Arts

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3
Q

from French “belles Lettres” means beautiful writing

A

Literary Arts

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4
Q

use the human body, face, voice, and presence as media.

A

Performing Arts

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5
Q

creation of ornamental and functional works

A

Decorative Arts

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6
Q

-all forms of pop culture
-appreciated by ordinary people in a literate, technologically advanced society

A

Popular Arts

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7
Q

Purpose of the Arts

A

religious, social, cultural, moral, reform, educational, relaxation, mood, emotions, passion, fantasy

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8
Q

Division of Arts (Purpose)

A

Practical Arts
Liberal Arts
Fine Arts
Major Arts
Minor Arts

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9
Q

Division of Arts (Media & Forms)

A

Plastic Arts
Phonetic Arts
Kinetic Arts
Pure Arts
Mixed Arts

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10
Q
  • directed to produce artifacts and utensils which cope with human needs
A

PRACTICAL ARTS

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11
Q
  • intellectual efforts are considered; AB Courses
A

LIBERAL ARTS

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12
Q

products of human creativity in so far as the express beauty in different ways and different media like drawing, painting, etc

A

FINE ART

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13
Q
  • Involves modelling or molding in three dimension.
  • perceived by sense of sight like painting, sculpture, architecture, etc.
A

PLASTIC ARTS

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14
Q
  • based on sounds and words like, music, poetry, drama, literature, etc.
A

PHONETIC ARTS

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15
Q
  • do not involve any guidelines or specific forms
A

PURE ARTS

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16
Q
  • rhythmic movement like the different kinds of dance.
A

KINETIC ARTS

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17
Q
  • combination of two or more media.
A

MIXED ARTS

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18
Q

CLASSIFICATION OF ARTS

A

Space arts - 2D, 3D
Auditory Arts - Music, Dance, Opera/Theatre

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19
Q
  • a person, scene, event,, or anything an artist
    would like to show to his audience.
A

THE ART SUBJECT

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20
Q
  • has definite subjects
  • natural
  • conventional
A

Representational

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21
Q

-product of imagination

A

Non-representational

22
Q

Way of Presenting an Art Subject

A

REALISM
ABSTRACTION
SURREALISM
DADAISM
EXPRESSIONISM
FAUVISM
FUTURISM
IMPRESSIONISM
SYMBOLISM

23
Q

5 TYPES OF ABSTRACTION

A

ELONGATION
FORESHORTENIN
DISTORIO
MANGLING
CUBIS

24
Q

Object depicted in the way they normally appear. What you see is what you get.

25
Magnifies one phase of reality without representational intentions.
ABSTRACTION
26
Combination of realism and distortion
SURREALISM
27
It literally means, "killing of the art
DADAISM
28
the emphasis of subjective feeling rather than on descriptions of the outer world.
EXPRESSIONISM
29
Distorted form and vivid spontaneous color effects.
FAUVISM
30
Captures the movement of and the dynamism of the modern world.
FUTURISM
31
depicts the visual impression of the moment, especially in terms of the shifting effect of light and color
IMPRESSIONISM
32
idea or quality which represents another thing.
SYMBOLISM
33
is the art of creating meaningful effect (subjective) on a flat surface by the use of pigment. the materials used by a painter are pigments applied to wet plaster, canvas, wood, or paper.
Painting
34
"transparent color." thinned with water rather than oil, giving a transparent color.
Watercolor
35
painting on a moist plaster surface. It is executed upon freshly-laid ("wet") lime plaster.
Fresco
36
consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk
Tempera
37
an art medium in the form of a stick, consisting of powdered pigment and a binder.
Pastel
38
Also called a hot wax painting. Painting with wax colors fixed with heat.
Encaustic
39
is the process of painting with pigments with a medium of drying oil as the binder.
Oil
40
synthetic paint is used. Contemporary painters use this medium a lot.
Acrylic
41
A pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface.
Mosaic
42
brown pigment extracted from boiling the soot of the wood.
Bistre
43
pigments bound by wax and compressed into painted sticks.
Crayons
44
obtained by burning wood or other organic substances in the absence of oxygen
Charcoal
45
elements remain attached to a solid background of the same material.
Relief
46
made by combining small pieces of colored glass which are held by heavy iron bars [in churches].
Stained Glass
47
ELEMENTS OF VISUAL ARTS
LINE COLOR TEXTURE PERSPECTIVE SPACE FORMS/SHAPE VOLUME
48
4 TYPES OF LINE
horizontal curved vertical diagonal
49
is defined as how most of us perceive and name a color
Hue
50
is the shade (darkness) or tint (lightness) of a color.
brightness value luminance
51
is a measure of the purity of a color or how sharp or dull the color appears.
chroma intensity saturation
51
PRINCIPLES OF DESIGN
HARMONY BALANCE PROPORTION RHYTHM EMPHASIS AND SUBORDINATION MOVEMENT CONTRAST