arts Flashcards

1
Q

viewer’s momentary “impression” of an image

A

impressionism

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2
Q

French painter, greatly admired and emulated by the early impressionists-specifically for his use of expressive brushstrokes, his emphasis on movement rather than on clarity of form, and most of all, his study of the optical effects of color

A

Ferdinand Eugene Delacroix

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3
Q

one of the first 19th century artist to depict modern-life subjects

A

edouard Manet

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4
Q

best known for his landscape paintings

A

claude monet

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5
Q

His early works were snapshots of real life, full of sparkling color and light

A

august renoir

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6
Q

His work exemplified the transition from the late 19th century impressionism to a new and radically different world of art in the 20th century paving the way for the next revolutionary art movement known as EXPRESSIONISM

A

paul Cezanne

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7
Q

works were remarkable for strong, heavy brush strokes, intense emotions, and colors

A

Vincent van Gogh

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8
Q

Incorporated elements from native arts of the South Sea Islanders and the wood carvings of the African tribes

A

neoprimitivism

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9
Q

Used bold, vibrant colors and visual distortions

A

fauvism

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10
Q

a style characterized by dream fantasies, memory images and visual tricks and surprises

A

dadaisim

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11
Q

a style that depicted an illogical, subconscious dream world beyond the logic physical one departure from reality

A

surrealism

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12
Q

protest against injustices, inequalities, immorality and ugliness of the human condition

A

social realism

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13
Q

Derived from the name CUBE - a 3D geometric figure composed of strictly measured lines,

planes, and angles

A

cubism

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14
Q

They admired motion, force speed and strength of mechanical forms

A

futurism

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15
Q

Basic forms such as planes, cones, spheres and cylinders all fit together precisely and neatly in their appointed places

A

mechanical style

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16
Q

non-object” did not make use of figures or even representations of figures

A

non objectivism

17
Q

artist worked on huge canvases spread on the floor, splattering,
squirting and dribbling paint with (seemingly) no pre-planned pattern or design in mind

A

action painting

18
Q

used different color saturations to create their desired effect

A

color field painting

19
Q

wanted to make reforms in traditional values. It made use of commonplace, trivial, even nonsensical objects

A

neodadaism

20
Q

popular art) commonplace (commonly found and seen) at a time

A

pop arr

21
Q

often requires little or no physical craftsmanship

  • it is the concept or idea behind the work
A

conceptual art

22
Q

form of “action painting”, with the action taking place in the viewer’s eye there is an illusion of movement

A

op art