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MAPEH Q1 > ARTS > Flashcards

ARTS Flashcards

1
Q

A period consisting of all human existence before the emergence of the writing and written history

A

PRE-HISTORIC ERA

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2
Q

Depicting everyday activities and survival of our ancestors.

A

PRE-HISTORIC ERA

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3
Q

Drawn in the form of cave paintings, they are used for communication, religious rituals, and ceremonies.

A

PRE-HISTORIC ERA

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4
Q

Rock as a medium to make cave paintings.

A

PALEOLITHIC

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5
Q

Introduction of all sorts and kinds of mediums used to paint and draw

A

MESOLITHIC AND NEOLITHIC

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6
Q

Gives emphasis on the importance of LIFE after DEATH and the preservation of knowledge.

A

ANCIENT EGYPTIAN ERA

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7
Q

Focuses on religion, mythical creatures, gods, and spiritual scenes.

A

ANCIENT EGYPTIAN ERA

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8
Q

Most paintings were highly stylized, symbolic, and showed a profile view of an animal or a person.

A

ANCIENT EGYPTIAN ERA

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9
Q

Mostly found in vases, panels, and tombs

A

GREEK ERA

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10
Q

Depicts natural figures with dynamic composition. NATURALISM

A

GREEK ERA

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11
Q

Give me the 5 Most Common Methods in Greek Arts

A

FRESCO, ENCAUSTIC, PANEL, KERCH VASES/STYLE, TOMB/WALL PAINTINGS

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12
Q

Method of painting WATER-BASED PIGMENTS on freshly applied plaster usually on wall surfaces.

A

FRESCO

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13
Q

Pigments are added to HOT WAX and used as paint

A

ENCAUSTIC

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14
Q

Red, figured POTTERY paintings. Named after the place it was found.

A

KERCH VASES

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15
Q

paintings on flat PANELS OF WOOD.

A

PANEL

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16
Q

Painted using the fresco technique (water-based materials) with a LIMESTONE MORTAR.

A

TOMB/WALL PAINTINGS

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17
Q

Most paintings were imitations (copied) of Hellenic Greek Paintings.

A

ROMAN ERA

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18
Q

Is created using small pieces of colored glass, stones, or other materials.

A

MOSAIC

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19
Q

A blend of Greek and Oriental Styles

A

BYZANTINE ERA

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20
Q

Magnificent and imposing images which are adorned in churches.

A

BYZANTINE ERA

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21
Q

Means Roman-like

A

ROMANESQUE ERA

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22
Q

Large mosaics on the walls of the churches that follow a strict frontal pose.

A

ROMANESQUE ERA

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23
Q

Illuminated manuscript pages and wall paintings.

A

GOTHIC ERA

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24
Q

Created to transform the vast stone interiors with warm and glowing colors.

A

STAINED GLASS

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25
The practice of applying paint/pigment/color, etc. to a solid surface.
PAINTING
26
CAVE PAINTINGS
PRE-HISTORIC ERA
27
MAKE THE DECEASED AFTERLIFE PLACE PLEASANT
EGYPTIAN PAITINGS
28
Paintings during this era was mostly found on vases, panels and tombs.
CLASSICAL GREEK PAINTINGS
29
Painting that depicts NATURAL figures with DYNAMIC COMPOSTIONS.
CLASSICAL GREEK PAINTINGS
30
Reveal a grasp of linear perspective and naturalist representation.
CLASSICAL GREEK PAINTINGS
31
Very popular during the classical period
TOMB/WALL PAINTINGS
32
Shows traces of MOZARABIC INFLUENCE
ROMANESQUE PAINTINGS
33
Materials used in this era's sculptures vary according to region and locality.
PRE-HISTORIC SCULPTURES
34
VENUS OF WILLENDORF
PRE-HISTORIC SCULPTURES
35
CARVED WITH LIMESTONE THAT HAS A HUGE BREAST AND ABDOMEN TO ENSURE FERTILITY.
VENUS OF WILLENDORF
36
VENUS OF BRASSEMPOUY
PRE-HISTORIC CULPTURES
37
LADY WITH THE HOOD. IVORY FIGURINE
VENUS OF BRASSEMPOUY
38
Most common materials for this era's sculptures were wood, ivory and stones
EGYPTIAN SCULPTURES
39
Tensed, stiff and bodies were hidden with enfolding robes.
GREEK OR EARLY GREEK SCULPTURES
40
QUEEN NEFERTITI
EGYPTIAN SCULPTURES
41
MYRON; THE DISCOBULUS
GREEK OR EARLY GREEK SCULPTURES
42
Most of these sculptures were made of MONUMENTAL TERRA-COTTA
ROMAN SCULPTURES
43
PORTANACCIO SARCOPHAGUS
ROMAN SCULPTURES
44
SARCOPHAGUS
ROMAN SCULPTURE
45
Dominant features in this era's sculptures were everyday lives, religious and MOTIFS FROM NATURE
BYZANTINE SCUPLTURES
46
BARBERINI DIPTYCH
BYZANTINE SCULPTURES
47
These sculptures were made with COSTLY materials for royal and aristocratic patrons.
ROMANESQUE SCULPTURES
48
LAST JUDGEMENT
ROMANESQUE SCULPTURE
49
Paintings with lively styles
BYZANTINE PAINTINGS
50
RESSURECTION OF THE VIRGIN
GOTHIC SCULPTURE
51
Used MEGALITH STONES in ARCHITECTURE.
PRE-HISTORIC ARCHITECTURE
52
3 TYPES OF MEGALITH STONES
MENHIR, DOLMENS, CROMLECH
53
STONES AND ROCKS were associated with DIVINITY
PRE-HISTORIC ARCHITECTURE
54
THIS ERA'S ARCHITECTURE INVOLVED PYRAMIDS
EGYPTIAN ARCHITECTURE
55
THIS ERA'S ARCHITECTURE USED 3 TYPES OF PILLARS
GREEK ARCHITECTURE
56
GIVE ME THE 3 TYPES OF PILLARS IN GREEK ARCHITECTURE
DORIC, IONIC, CORINTHIAN
57
THE PARTHENON
GREEK ARCHITECTURE
58
THIS ERA'S ARCHITECTURE INVOLVED PUBLIC HALLS FOR GAMES FOR EMPERORS AND WATCHERS
ROMAN ARCHITECTURE
59
THE COLOSSEUM
ROMAN ARCHITECTURE
60
HAGIA SOPHIA
BYZANTINE ARCHITECTURE
61
THIS ARCHITECTURE IS GRAND.
ROMANESQUE ARCHITECTURE
62
THIS ARCHITECTURE HAS 5 COMMON ELEMENTS
GOTHIC ARCHITECTURE
63
HAS RIBBED VAULTS
GOTHIC ARCHITECTURE
64
GIVE ME THE 6 FUNCTIONS OF ART
PERSONAL, SPIRITUAL, EDUCATIONAL, POLITICAL, SOCIAL, PHYSICAL
65
Expresses human creative skills and imagination
ART
66
A process of creating or performing something appreciated for its beauty through skill and imagination that expresses ideas and emotion
ART
67
IT EXPRESSES PERSONAL FEELINGS
PERSONAL FUNCTION
68
Reinforces and enhances the shared sense of identity in communities, families and civilizations
SOCIAL FUNCTION
69
Expresses spiritual beliefs and life controlled by a higher power
SPIRITUAL FUNCTION
70
Gives symbols and signs to illustrate knowledge not given in words
EDUCATIONAL FUNCTION
71
Shared sense of identity and ideological connection to political parties
POLITICAL FUNCTION
72
Things that we use
PHYSICAL FUNCTION
73
Dominant element of art
Color
74
Give me the 3 properties of color
Hue, Value, Intensity
75
It is the color itself
Hue
76
Lightness or darkness of the color
Value
77
Aspect of brightness and purity of color
Intensity
78
Yellow, orange, red
Warm
79
Green, blue, purple
Cool
80
Enclose a volume, has height, width and depth.
FORM
81
Can be 2 or 3 dimensional, it is continuous and a mark made by a pointed tool.
LINE
82
T O F: CAN FORM BE FORMLESS
TRUE
83
2 dimensional, flat, enclosed and has only height and width.
SHAPE
84
IT IS AN ELEMENT OF ART WHERE POSITIVE AND NEGATIVE AREAS ARE DEFINED
SPACE
85
FEEL OF A SURFACE, HOW IT FEELS WHEN IT IS TOUCHED OR AS IF IT IS TOUCHED
TEXTURE
86
DEGREE OF LIGHTNESS AND DARKNESS
VALUE
87
GIVE ME THE 7 ELEMENTS OF ART
COLOR, SHAPE, FORM, VALUE, TEXTURE, LINE AND SPACE
88
IT IS THE FOREGROUND IN SPACE
POSITIVE
89
IT IS THE BACKGROUND IN SPACE
NEGATIVE
90
REPETITION OF ELEMENTS IN WORK THAT CREATE A VISUAL BEAT OR TEMPO
RHYTHM
91
WHEN THE ELEMENTS OF AN ARTWORK COME TOGETHER IN A UNIFIED WAY.
HARMONY
92
THE SEPARATION OF VISUAL WEIGHT. FEELING OF EQUILIBIRIUM
BALANCE
93
4 TYPES OF BALANCE
SYMMETRICAL, ASYMMETRICAL, RADIAL, CRYSTALLOGRAPHIC
94
BALANCE THAT IS SIMILAR ON BOTH SIDES
SYMMETRICAL
95
BALANCE THAT IS DIFFERENT ON BOTH SIDES
ASYMMETRICAL
96
BALANCE IN A SPIRAL MOVEMENT
RADIAL
97
REPEATED ELEMENTS IN A CERTAIN WAY, LIKE MOSAICS
CRYSTALLOGRAPHIC
98
ARRANGEMENT OF OPPOSITE ELEMENTS
CONTRAST
99
LOOK AND FEEL OF ACTION IN AN ARTWORK
MOVEMENT
100
UNIFORM REPETITION OF AN ELEMENT
PATTERN
101
RELATIONSHIP OF ELEMENTS IN AN ARTWORK
PROPORTION
102
BROUGHT BY USING DIFFERENT MATERIALS SUCH AS COLOR, BRUSH SIZE, AND DIFFERENT SHAPES
VARIETY
103
THE FOCAL POINT
EMPHASIS
104
VISUALLY PLEASING AGREEMENT OF ELEMENTS IN AN ARTWORK
UNITY
105
GIVE ME THE 10 PRINCIPLES OF ART
UNITY, EMPHASIS, VARIETY, MOVEMENT, PROPORTION, CONTRAST, RHYTHM, BALANCE, HARMONY, PATTERN

MAPEH Q1 (4 decks)

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