artists and artistan Flashcards

1
Q

It is defined as a painter, sculptor, choreographer, dancer, writer, poet, musicians who produces or cepreags indirectly-functional arts with aesthetic values using imaginations

A

Artist

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2
Q

They are creative individuals who use imagination and skills to communicate in an art form,

A

Artist
- exhibit courage to take risks
- able to see their surrounding in new and unusual ways
- willing to work intensely for long periods of time to achieve their goals

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3
Q

What sources do artist look for inspiration

A

Their natural and cultural environment
Look within themselves for creative motivation

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4
Q

Self taught artist

A

Folk-artists
- as they are not educated in traditional artistic methods

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5
Q

True or false:
The artisans learn skills and techniques from other artists but both have the same styles

A

False - both develop their own styles

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6
Q

They produces directly functional and/ or decorative arts

A

Artisan
Exa,plea:
Carpenter
Carver
Plu,her
Blacksmith
Weaver
Embroider
- help meet basic needs that makes our life ez
- useful and relevant and re very essential in our daily lives, supplying directly functional arts

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7
Q

They are basically a physical worker who makes objects with his or her hands and who through skill, experience and ability can produce things of great beauty as well as being useful

A

Artisan
- devoted on,t to the creative part, making visually pleasant work only for the gratification and appreciation of the viewer but with no practical value

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8
Q

It is an economic ecosystem that relies not only on supply and demand but on the fabrication of a work’s predicted future monetary and/ or cultural value

A

Art market
[A painting may not be expensive today, but if the artist becomes famous in the future, its value can increase.
Some buyers invest in art hoping it will be worth more later, while others buy art for its cultural or emotional meaning.
This makes the art market unpredictable because artists don’t always create art just to sell it, and buyers don’t always know how much it will be worth in the future.]

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9
Q

A manager or overseer and usually a keeper of a cultural heritage institution (example: gallery, museum, library, archive) is a note T specialist charged with an institutiom’s collections, selecting art to be displayed in a museum, organizing art exhibitions in galleries or public places, researching artists and writing catalogs and involved with the interpretation of heritage

A

Curator
-to be successful = shld be organized, passionate, knowledgeable, adept at multi-tasking and pro efficient at writing g

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10
Q

A professional who is knowledgeablein art, who may scout for talents for an advertising agency seeking to employ an art director or who may look for an art for a collector or an institution or company.

A

Art buyer

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11
Q

A person or a company that buys and sell works of art.

A

Art dealer

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12
Q

They often study the history of art before starting their Careers. They have to understand the business side of the art world.

A

Art dealer
-they keep up w the trends in the market and are knowledgeable abt the style of art that people want to buy.

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13
Q

They firpgure out how much they should pay for a piece and then estimate the resale price e. To determine that artwork’s valise, dealers inspect the objects or painting closely and compare the fine details with similar pieces

A

Art dealer

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14
Q

This is a privately owned collection of works, usually a collection of art. In a museum or art gallery environment, the term signifies that a certain work is not owned by the institution but is a loan from an individual or organization either for temporary exhibition or for the long term.

A

Private collection
- source is usually from an art collector (although it cold be a sch, church organization or other company or any institution)

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15
Q

Who enumerated the creative process

A

Robert Fritz
- help artists and creators being their ideas to life.
- It is a skilled that can be learned and developed through practice

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16
Q

Briefly explain the creative process

A

Conceive the Result You Want to Create
Creativity starts with a vision of what you want to achieve.
This means having a clear idea of what you want to create or manifest.
Know What Currently Exists
It is difficult to create something new without knowing what already exists.
Awareness of what has been done before in a particular field helps in making something unique.
Take Action
Having an idea is not enough; you need to act on it.
The process of creating might lead to mistakes or criticisms, but that is part of learning and improving.
Develop Your Creativity
The more we create, the more we expand our knowledge and skills.
Creativity grows when we continue to experiment and push our boundaries.
Learn the Rhythms of the Creative Process
Every creative work follows stages:
Germination (Idea Stage) – The moment when an idea first comes to mind, filled with energy and excitement for the future.
Assimilation and Completion – Turning the idea into reality through learning, erefinement, and execution.

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17
Q

What are the 3 stages in creative process

A

Germination (Idea Stage)
This is the beginning of the creative process when a new idea or project is first imagined.
It is an exciting stage full of energy, but it requires clear decision-making to shape the idea.
Choosing what to focus on is important because it sets the direction for the next steps.
Example: An artist deciding what subject to paint or a writer brainstorming a story concept.
2. Assimilation (Development Stage)
In this stage, the idea becomes part of you and starts to take shape.
You analyze, plan, and refine the concept while using all available resources.
The project may go through orderly or chaotic phases, but both are necessary for growth.
Example: An artist sketching drafts and refining techniques before starting a final piece.
3. Completion (Finalizing Stage)
This is when the project is finished and prepared for presentation.
It is challenging because the creator might feel drained or distracted by new ideas.
Setting a deadline prevents overworking small details and ensures the project is completed.
Celebrating the final work is important before moving on to the next creative journey.
Example: An artist putting the final touches on a painting before displaying it in an exhibit.

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18
Q

What are the 3 stages in art making

A

three stages in art making help guide the process of creating an artwork from start to finish. These stages are:

  1. Pre-Production (Subject Development)
    This is the planning stage, where the artist develops the idea or concept for the artwork.
    It involves research, sketching, and decision-making about the subject, style, and materials.
    This stage ends when the plan is finalized, and the actual creation begins.
    Example: An artist brainstorming and sketching ideas for a painting.
  2. Production (Medium Manipulation)
    This is the creation stage, where the artist works with materials and techniques to produce the artwork.
    It involves transforming raw materials into a finished product using skills and tools.
    The artist combines knowledge, creativity, and technique to bring their vision to life.
    Example: A painter mixing colors and applying paint to a canvas, or a sculptor carving wood.
  3. Post-Production (Completion & Exhibition)
    This is the final stage, where the completed artwork is displayed, shared, or performed.
    It may include framing, polishing, or final adjustments before presenting the work to the public.
    The artwork is exhibited in galleries, sold, or shared online for appreciation.
    Example: A finished painting b
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19
Q

This ends when the planning is concluded and the content starts being produced.

A

Pre-production or subject development

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20
Q

This is a method of joining diverse material inputs and unimportant inputs (plans, know-how) to make something for consumption (the output).
It is the act of creating output, a good or service that has’ significance and contributes to the utility of individuals.

A

Production or medium manipulation

21
Q

Once an artwork is finished, it will be displayed (exhibited), circulated and performed for the audience and public to see, watch and appreciate.

A

Post-production (completion) or exhibition

22
Q

It refers to the materials that are used by an artist to create a work of art.

A

Medium
- plural of medium is media

23
Q

What happens if there is no medium

A

An idea remains a concept or it would just dwell in the walls. Of the artist’s imagination

24
Q

True or false:
It is challenging to manipulate medium and transform it from its raw state

25
It refers to the artist's ability and knowledge or technical know-how in manipulating, the medium.
Technique - It is the manner by which the artist controls the medium to achieve the desired effect; thus, it is in the technique that artists differ from one another.
26
This is a visual and graphic display that depicts the relationships between facts, terms and or ideas within a learning task It is also sometimes referred to as knowledge map, concept map, story map, cognitive organizer, advance organizer, or concept diagram.
Graphic organizer (story map)
27
Filipina tattoo artist from Buscalan, Tinglayan, Kalinga. Filipina tattoo artist from Buscalan, Tinglayan, Kalinga.
Graphic Organizer of Apo Whang-od Oggay - often described as the "last" and oldest mambabatok and is part of the Butbut people of the larger Kalinga ethnic group. She was awarded the Dangal ng Haraya Award in 2018, equivalent to National Artist.
28
What was Apo Whang-do Oggay awarded?
Dangal ng Haraya Award in 2018, equivalent to National Artist.
29
What was Apo Whang-od Oggay process, tehcnique and medium
TECHNIQUE Batok (ancient term) Hand tapping MEDIUM ink mixture of charcoal and water Body as human canvass PROCESS Tapping into the Skin thru a thorn end of a calamansi or pomelo tree
30
Whang-od’s grand niece
(Grace Palicas Elysng Wigan)
31
Strength and weakness of Apo Whang’s strength and weakness
book
32
What does GAMABA stand for
Gawad sa Manlilikha ng Bayan (National Living Treasures Award) - established in 1922 thhrough RA # 7355 - to recognize filipino artisans and artists who preserve and pass down traditional Filipino arts
33
Which organization implements GAMABA?
National Commission for Culture and the Arts (NCCA)
34
Who can receive the GAMABA award?
A Filipino citizen or group practicing a uniquely Filipino traditional art.
35
How to Become a Manlilikha ng Bayan (National Living Treasure)
1. Belong to an Indigenous or Traditional Culture -Must be a Filipino living in a community that has preserved indigenous customs, beliefs, rituals, and traditions. 2. Engage in a Folk Art Tradition The folk art must have existed and been documented for at least 50 years. 3. Mastery of Craft Must have exceptional technical skills and have produced superior-quality works over a significant period. 4. Recognized by the Community Should be acknowledged as a master and teacher by their community. 5. Pass Down Skills Must have transferred or will transfer knowledge and skills to younger generations to sustain the tradition. 6. Alternative Recognition (For Elderly or Infirm Artists) Can still be awarded if they have: a. Created a significant body of work that contributed to the development of their craft. b. Helped revitalize their community's artistic tradition.
36
Duties and responsibilities of Awardees
A Manlilikha ng Bayan serves as a link between the past and future by: Teaching younger generations through apprenticeships and training. Working with the NCCA to promote and preserve traditional arts. Donating a sample or copy of their work to the National Museum.
37
GAMABA Awardees (Selected)
Ginaw Bilog (1993) – Poet, Ambahan poetry (Oriental Mindoro) Masino Intaray (1993) – Epic chanter, musician (Palawan) Samaon Sulaiman (1993) – Musician, Kutyapi (Maguindanao) Lang Dulay (1998) – Textile weaver, T’nalak weaving (South Cotabato) Salinta Monon (1998) – Weaver, Abaca-Ikat (Davao del Sur) Alonzo Saclag (2000) – Musician, dancer (Kalinga) Frederico Caballero (2000) – Epic chanter (Iloilo) Uwang Ahadas (2000) – Musician, Yakan instruments (Basilan) Darhata Sawabi (2004) – Weaver, Pis Syabit (Sulu) Eduardo Mutuc (2004) – Metal sculptor (Pampanga) Haja Amina Appi (2004) – Weaver, Mat weaving (Tawi-Tawi) Teofilo Garcia (2012) – Casque maker (Abra) Magdalena Gamayo (2012) – Weaver, Inabel (Ilocos Norte) Ambalang Ausalin (2016) – Weaver, Yakan Tennun (Basilan) Estelita Bantilan (2016) – Weaver, B’laan Igem (Sarangani) Yabing Masalon Dulo (2016) – Weaver, Ikat (South Cotabato)
38
what is the highest recognition for individuals who significantly contributed to Philippine arts
Order of National Artists of the Philippines - awarded to individuals who have significantly contributed to Philippine arts.
39
When was the Order of National Artists established?
in 1972 - through Presidential Proclamation No. 1001, s. 1972.
39
Who was the first National Artist of the Philippines?
Fernando Amorsolo - a painter known for his depictions of rural Philippine life.
39
Which institutions recommend candidates for the National Artist Award?
The National Commission for Culture and the Arts (NCCA) The Cultural Center of the Philippines (CCP).
39
How many National Artists have been awarded to date?
currently 81 awardees, including those honored posthumously. [means they were given the award after they had already passed away.]
39
Who officially grants the title of National Artist?
The President of the Philippines - based on recommendations from the NCCA and CCP.
39
they are planned displays of artworks in museums, galleries, and fairs. They vary in scale, from large world expositions to small solo exhibits.
art exhibitions
40
Criteria for Selection of National Artists of the Philippines
Filipino Citizenship – Living artists or posthumous awardees must be Filipino citizens at the time of their nomination/death. National Identity – Their works should contribute to the development of Filipino identity and nationhood. Innovation and Influence – Must have pioneered a creative style that influenced future generations. Significant Body of Work – Produced a substantial body of high-quality artistic works. Recognition and Impact – Gained prestigious awards, critical acclaim, and peer respect in the local or international art scene.
40
Where are living National Artists honored?
Some National Artists receive their title at the Malacañang Palace.
40
difference between temporary and traveling exhibitions?
Temporary exhibitions have set opening and closing dates, while traveling exhibitions move across multiple venues.
41
who organizes art exhibitions?
- curators, - designers, and - writers they plan exhibits, design layouts, and write descriptions to enhance audience understanding.
42
Why is event planning important in exhibitions?
Proper coordination ensures smooth logistics, effective artwork display, and engaging audience experiences.