Artist-midterm Flashcards
El Anatsui
Ghana, Three Angles, 2018, mixed media
Willem de Kooning
US, Woman VI, 1953, oil on canvas
Abstract Impressionism, series of six
Richard Hamilton
UK, “just what is it that makes today’s home so different?”, 1956, collage
Pop-art, being constantly surrounded by magazines and being sold things
Frank Stella
Die Fahne Hoch!, 1959, US, enamel paint on canvas
Named after Nazism, Minimalism
Tony Smith
Die, 1962, US, steel
Robert Mapplethorpe
Man in a Polyester suit, 1980, US, photograph
Robert Smithson
The Spiral Jetty, 1970, US, long-term installation and earthworks
You can walk on the spiral. Changes with the ebb and flow of the water. Example of moving out of the museum with earthworks
Richard Serra
The Matter of Time, 2005, US, cor-ten steel
Looks like a snake
Gerhard Richter
Onkel Rudi, 1965, West Germany, oil on canvas
Looks like a window cleaner wiped over it
Alex de Corte
Rubber Pencil Devil, 2018, neon tubing, video, installation, US
Matthew Barney
The Cremaster Cycle, 2003, US, installation
Represents genetic engineering and puberty among other things
Anselm Kiefer
Twilight of the West, 1989, West Germany, lead sheet, synthetic polymer paint, ash, plaster, cement, earth, varnish on canvas and wood
Post-war art, trauma, lead is a metaphor and contrasts the railroad tracks
Joseph Kosuth
One and three chairs, US, 1965, wooden fold up chair, mounted photographic copy of a chair, photographic enlargement of the dictionary definition of a chair
Conceptualism. Was at the MoMA
Andreas Gursky
99 Cent, 1999, Germany, chromogenic color print
Jenny Holzer
Offset Poster, 1977-79, US, installation
From truisms
Tracy Emin
My bed, 1998, UK, mattress, linen, pillows, objects
Bed is like diary open in a museum, mental illness is the subject of the piece
Robert Rauschenberg
Bed, 1955, US, mixed media
Made of a bed sheet- half of bed is his half is his partner’s. Looks like a paint-splattered bed sheet.
Philip Guston
Pit, 1976, US, oil on canvas
Has horseshoes that are symbolic
Philip Goodwin and Edward Stone
MoMA 1938-39 NY
Yoshio Taniguchi
MoMA 1999-2004 NY
Takashi Murakami
Tan Tan Bo Puking aka Gero Tan, Japan, 2002, acrylic on canvas
Impressive for acrylic. Mutation that might occur after the atomic bomb. Psychedelic look supposedly and possibly unintentional. Has figures everywhere
Christopher Ofili
The Holy Virgin Mary, 1996, UK, paper collage, oil paint, polyester resin, glitter, map pins and elephant dung on linen
Wanted to ground it in the earth itself
Kara Walker
Slavery! Slavery!, 1997, US, cut paper on wall
Jeff Koons
Puppy, US, 1992, stainless steel, soil and flower plants
Judy Chicago
The Dinner Party, 1974-79, US, mixed media and installation
Feminist commentary
Martha Rosler
Cleaning the drapes, 1967-72, US, cut and pasted printed paper on board
War just outside the window. About the Vietnam war
Frank Gehry
Guggenheim museum, Bilbao, 1991-97
Diller Scofidio + Renfro
The Institute of Contemporary Art, Boston, 2008
Jeff Wall
Dead Troops Talk (a vision after an ambush of a Red Army patrol near Moqor, Afghanistan, winter 1986), 1992, Canada, transparency in lightbox
Taveras Stachan
The Encyclopedia of Invisibility, 2018, Bahamas, neon lights
Rem Koolhaas/OMA
CCTV Headquarters, 2002-2012, Beijing
Louise Bourgeois
Spider, 1997, French/US, installation
Glenn Ligon
(Untitled) Four Etchings, 1992, US, etchings and aquatint
“I feel most colored when I am thrown against a sharp white background.” The black is more noticeable against the white
Damien Hirst
The Physical Impossibility of Death in the Mind of Someone Living, 1991, UK, tiger shark, formaldehyde, glass, steel
From smoke and tangled waters, we carried fire home
Postcommodity, 2018, US, steel, coal, glass
Andy Warhol
Marilyn, 1962, US, screen print ink and synthetic polymer paint on canvas
Repetition creates difference
Helio Orticicia
Eden Project, Brazil, 1969, installation and performance
People in Brazilian dancing costumes
Joseph Beuys
I like America and America likes me, 1974, West Germany, performance
The Interior Scroll
Carolee Schneemann, 1975, US, performance
Powerful, feminism
Koyo Kouoh with grad students including Emi Finkelstein
Dig where you stand, Senegal, 2018, institutional critique
Vietnam Veterans Memorial
Maya Yin Lin, US, 1982, black granite