Artist-Final Flashcards
Marina Abramovic 1
Rhythm 5, 1974, Performance, her body at the mercy of the situation, stretches spread eagle in the star, she passed out from the smoke and audience had to save her
Ilya Kabakov
The Man Who Never Threw Anything Away, 10 Characters, 1988, installation
Boris Mikhailov
Case History, 1997-98, photography, socialist realism, how things shifted in the post-soviet world, life-sized photos that match your size
Mladen Stilinovic´
Exploitation of the Dead, 1984-90, mixed media, uses red and black for communism and uses miniature representation to render them meaningless
Lygia Clark
Bichos (Critters), 1960 and Bicho de bolso (Pocket Critter), 1966, Dimensions and medium variable, sculptures you can fold, something permanent into something moveable
Hélio Oiticica
Parangolés, 1964, mixed media, habitable paintings, wear them while dancing the samba
Lygia Pape
O Ovo (The Egg), 1967, performance, rebirth
Leon Ferrari
Western and Christian Civilization, 1965, polyester, wood, cardboard, criticizes political and social cultures, an attack on Christianity and militarism, the Christ doens’t symbolize eternal life but harbinger and imminent death
Gloria Camiruaga
Popsicles, 1982-84, performance and video
Tania Bruguera
The Burden of Guilt, 1997-99, performance for decapitated lamb, rope, water, salt, Cuban soil, she wears the lamb and eats dirt, indigenous and religious strategy, protests censorship
Asco
Spray Paint LACMA, 1972, documentation of actions, spray painted names on the museum to claim it as their own
Sam Nhlengethwa
It left him cold– The Death of Steve Biko, 1990, collage, pencil, and charcoal on paper, about apartheid, massive head because it’s his head that we lost
William Kentridge
Drawing for II Sole 24 Ore [World Walking], 2007, mixed media on paper
Wang Guangyi
Great Criticism– Coca Cola, 1994, oil on canvas
Xu Bing
Book From the Sky, 1986-89, installation
Ramingining Artists
The Aboriginal Memorial, 1987-88, installation of 200 hollow log bone coffins, natural pigments on wood, about colonialism, you have to walk through it