Art techniques Flashcards

1
Q

a type of abstract art, usually
oil on canvas, characterized by gestural brushstrokes
and the impression of spontaneity; flourished in
New York during the 1950s and 1960s and came to
dominate art production internationally

A

Abstract Expressionism

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2
Q

finely cut stone construction; either an
individual stone that has been worked until squared or
a structure built from such stones

A

ashlar masonry

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3
Q

adopted from the French military term
for “advance guard;” refers to modern, forward-
looking artists who break with convention to create
innovative modes of expression that are unorthodox,
experimental, and radical

A

avante-garde

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4
Q

predominant style in art, architecture, and
music in seventeenth-century Europe; characterized
by dynamism and theatricality

A

Baroque

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5
Q

a kind of British porcelain imitating the
Chinese original; made by incorporating ashes from
animal bones; it was mass-produced by industrial
machines.

A

bone china

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6
Q

in engraving technology, the tool used to cut lines
into a metal plate of copper or zinc; comprised of a
steel shaft with a diamond-shaped tip

A

burin

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7
Q

a strong, coarse cloth made from hemp, flax,
cotton, or a similar yarn; used as a surface for oil
painting beginning in the sixteenth century

A

canvas

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7
Q

from the Latin for “dark chamber,” an
optical tool that in its earliest iteration was a darkened
room with a tiny opening in one wall that acted like
a lens, focusing an upside-down image of the scene
outside onto the opposite wall, which could then be
traced by an artist

A

camera obscura

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8
Q

the sunken square decorative panels on a dome
or ceiling used to lessen its weight without corrupting
its structural integrity

A

coffers

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9
Q

a straight row of columns supporting a roof,
entablature, or arcade

A

colonnade

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10
Q

colors that are opposite one
another on a color wheel: red and green, violet
and yellow, blue and orange; a key philosophy in
Impressionist color theory

A

complementary colors

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11
Q

the first perfectly clear glass; invented
in Venice and proliferating starting in the middle of
the fifteenth century

A

cristallo glass

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12
Q

a worldwide art movement that abandoned
linear perspective to break down the picture plane;
part of the larger move to abstraction in the fine arts
that responded to modern life by rejecting illusionism
and fracturing the picture plane

A

Cubism

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13
Q

the world’s first publicly available
photographic process, invented by Louis Daguerre
and introduced in 1839

A

daguerreotype

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14
Q

a philosophy traditionally credited to the elusive
Chinese sage Laozi that envisions a dynamic, life-
sustaining energy flowing through the universe

A

Daoism

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15
Q

a traditional Chinese form of kiln used
for making ceramics and named for its long and thin
shape

A

dragon kiln

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16
Q

the act of painting outdoors; French for “in
the open air”

A

en plein air

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17
Q

a technique wherein an artist mixes colored
pigments with wax (usually beeswax) and applies the
colored mixture to a smooth surface

A

encasutic

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18
Q

in printing technology, a technique for
embellishing metal surfaces with incised pictures that
can then be inked and printed on paper

A

engraving

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19
Q

a European intellectual movement of the
late seventeenth and eighteenth centuries emphasizing
reason and individualism over tradition

A

Enlightenment

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20
Q

Also called “mummy portraits,” these
naturalistic painted portraits were made in encaustic
on wood panel and attached to the mummified bodies
of upper-class citizens from Roman Fayum in Egypt.

A

Fayum portraits

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21
Q

fusing one layer of colored glass onto another

A

flashing

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22
Q

an arch that extends from the upper
portion of a wall to a pier in order to convey its
lateral thrust into the ground

A

flying butchress

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23
Q

a painting done rapidly in watercolor on wet lime
plaster, which is applied to a wall or ceiling to become
physically integrated into the building

A

fresco

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24
the white paint mixture used to prime the rough surface of a canvas before it is painted
gesso
25
glassworkers; specifically, those who fit glass pieces into windows and doors
glaziers
26
the purposefully unrealistic rendering of figures in a narrative scene to emphasize a single figure’s prominence, commonly Christ (i.e., sizing human figures based on status)
hierarchic scale
27
In linear perspective, marks the landscape’s horizon in a scene’s distant background.
horizon line
28
from the Italian verb impastare, meaning to knead or to paste; refers to the technique of thickly laying paint onto the canvas so that it stands out from the surface
impasto
29
a special clay used to make fine porcelain; lauded for its purity, whiteness, translucency, and strength; naturally occurring in Jingdezhen, Jiangxi province, China
kaolin clay
30
a slender, pointed window, common in Gothic architecture
lancet window
31
an image registered on the surface of a photographic plate during exposure but invisible to the naked eye before further chemical processing
latent image
32
a method of making metal sculpture using a clay core and wax coating placed in a mold
lost-wax casting
33
the semi-circular shape used to describe panel paintings or distinguish the arched aperture of a window or domed ceiling
lunette
34
bracelets produced in the Low Countries (modern Holland) during the sixteenth and seventeenth centuries, traded throughout West Africa as a kind of currency, and melted down by the brass workers of Benin to make many panels that today constitute the “Benin bronzes”
manillas
35
in printing technology, the slab of wood or metal that is carved with a design, rolled with ink, and transferred to paper or cloth to make multiple copies of the same image
matrix
36
the embalming and wrapping of a body for preservation
mummification
37
in photography, an image on transparent glass or plastic film wherein the colors are reversed; used to make a positive, which is most commonly printed on paper
negative
38
the circular opening at the apex of a dome; means “eye” in Latin
oculus
39
a paste made with ground pigment for color and a drying oil such as linseed oil; used by artists to create glossy and layered images of great complexity
oil paint
40
in linear perspective, the diagonal lines drawn from the edges of the picture to the vanishing point to create a structural grid organizing the image and determining the size of objects within the image’s illusionistic space
orthogonals
41
an instrument for copying a drawing or plan at a different scale by a system of hinged and joined rods
panograph
42
a type of colored chalk that is applied to textured paper to achieve a delicate, filmy image
pastel
43
these gables, usually triangular in shape, are placed above the horizontal lintel of a doorframe
pediments
44
an artwork created through actions executed by the artist or other participants; may be witnessed live or through documentation
performance art
45
a pseudoscience involving the measurement of bumps on the skull to predict a person’s traits
phrenology
46
a mechanized contraption that copied a sitter’s traced profile onto white paper to produce a silhouette in miniature; the term derives from the machine’s action (to trace) and the subject it reproduced (physiognomy, i.e., a person’s facial features or expression)
physiognotrace
47
a ceramic material made by heating clay in a kiln to temperatures between 2,200 and 2,600 °F; mastered by craftspeople in China some two thousand years ago; can be modeled into intricate forms and painted
porcelain
48
a porch leading to the entrance of a building with a roof structure over a walkway, supported by columns
portico
49
in photography, an image made from a negative in which the tones are re-reversed and thereby corrected
positive
50
among the first modernist art movements to be developed in the United States; contributed to the rise of American Modernism following World War; borrowing from Cubism, Precisionism celebrated the new American landscape of skyscrapers, bridges, and factories in their most essential geometric forms, focusing on mechanical forms.
Precisionism
51
From the Latin relevo, “to raise,” relief is a sculptural method in which molded pieces are bonded to a solid, planar background made of the same material
relief
52
indicates forms that emerge to a significant degree from the background
high relief
53
indicates forms that are shallower and do not emerge with as much definition from the background plane.
low relief
54
the process of returning a thing or a person to its country of origin
repatriation
55
in architecture, a facing of impact-resistant material such as stone or concrete that covers the surface of a structure to protect it against wear
reventment
56
an elaborately ornamental late Baroque style of decoration prevalent in eighteenth-century Europe; notable for excess, sinuous lines, pastel colors, and gilt furniture
Rococo
57
decorated circular stained-glass window favored by architects during the High Gothic period; notable for rich decorative motifs formed by the window’s dividing segments
Rose window
58
a building with a circular ground plan, often covered by a dome
rotunda
59
in printing technology, a design made by a series of small dots engraved on the metal surface of the matrix
stipple engraving
60
strong use of contrasting light and dark in a painting’s palette; a hallmark of the Baroque style in painting
tenebrism
61
in ceramics, the process wherein pigment (historically usually cobalt) is painted directly onto the surface of an unfired porcelain vessel before a thick clear glaze is applied over the top and the vessel is fired
underglaze painting
62
in linear perspective, at the center of the horizon line; it determines the center point for the radiating orthogonal lines.
vanishing point
63
In photography, photograph allowed unlimited paper prints (the positive) to be made from a single exposure (the negative, the product of the wet-plate process)
wet-plate process
64
a relief printing technique wherein a design is carved into the surface of a block of wood, inked, and printed on paper or cloth; it is the oldest of all printing technologies.
woodcut
65
a lantern designed by Eadweard Muybridge that projected images from photographs printed on a rotating glass disc onto a screen in rapid succession; when projected via light at a high speed, the images created the illusion of a continuously moving picture.
zoopraxiscope