art history terms Flashcards

1
Q

Abstract

A

Latin term “drawn away” - departure from lifelike depiction of reality; not representative

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2
Q

Academies of note

A

art academy- teaches fundamentals of painting and sculpture vs prior apprenticeship of guilds;
Royal Academy Paris 1648 casts/ sculptures

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3
Q

chiaroscuro

A

part of drawing, line and chiaroscuro (treatment of light and shading) Creates 3D look, creates drama or mystery

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4
Q

Academic

A

artist trained at academy - following the principles taught - depict scenes from Bible, ancient history, or mythology. Crisp outlines and smooth paint surfaces

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5
Q

Aesthetics

A

philosophy focusing on question of beauty and ugliness

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6
Q

Allegory

A

~parable, story that illustrates a moral truth; figures - female personification of liberty, justice, truth, vanity - often contained in objects they hold or dress - justice=blindfold, truth=nude, vanity=mirror

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7
Q

Anxiety of influence

A

uneasiness of being confronted with famous earlier works - may be assoc with rebellious interpretations

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8
Q

Arabesque

A

geometric patterns

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9
Q

Assumption

A

Virgin Mary into heaven

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10
Q

Attribute

A

identifying object carried by figure (ex keys of st peter, apple of venus…)

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11
Q

Avante Garde-

A

term in 1910 artistic forefront - ahead of their contemporaries

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12
Q

Beau-Arts Architecture

A

late 19th, early 20th century - formal planning, Classical elements and abundant decoration

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13
Q

Cameo

A

image in relief on stone or glass with effect from layers in different colors

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14
Q

complementary

A

red - green, yellow- purple, blue - orange for optimum color contrast

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15
Q

conversation piece

A

portrait full length of group in conversation or activity like a game or music making

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16
Q

Decorative

A

decus = adorns, or beautifies. often negative ring - suggesting devoid of meaning, but more recently positive meaning - aesthetic enhancement

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17
Q

Divisionism

A

term from neo impressionist painter Paul Signac - paint applied in small patches, lines or dotes (pointillism) to create optical mixture

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18
Q

Eclecticism

A

selecting the best of various doctrines applied to architecture and arts

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19
Q

Ecole des Beaux arts -

A

school of fine arts - france 1793; Rome prize from juries of salons, influence declined in 1800s

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20
Q

Emblem

A

form used as identifying mark ex flour de lis -> french royals, bee -> napolean

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21
Q

Envoi

A

work sent yearly to French Academy to show progress

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22
Q

Eros

A

winged male = cupid spirit of love

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23
Q

Exemplum virtutis

A

example of virtue - neoclassical art goal to educate the public showing virtuous deeds of historic role models

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24
Q

Facture

A

french term referring to brushwork

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25
Q

Fascis

A

bundle of rods tied together with traps carried by ancient roman attendants - signify authority or unity

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26
Q

Friendship picture

A

gift from one artist to another as token of admiration

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27
Q

Genre painting

A

painting of a scene of daily life

28
Q

Gesamtkunstwerk

A

term from R Wagner - using several art forms to achieve totalizing effect, single idea

29
Q

Grande Machine

A

“big contraption” - slang term for large history painting intended for the Salon

30
Q

Hierarchy of genres

A

history painting> landscape, portrait, genre painting (daily life) > still life

31
Q

Horror Vacui

A

latin “fear of emptiness” = excessively crowded composition

32
Q

Hue

A

addition of white (no white= saturated, highest intensity)

33
Q

Icon

A

greek “image” - image of holy figure unmoving, expressionless, non-narrative

34
Q

idealism

A

improving reality to peferction that does not exist

35
Q

Illusionistic

A

form of representation creating strong illusion of reality

36
Q

Impasto

A

heavy application of oil paint - marks of brush or knife

37
Q

Leitmotiv

A

“leading motif” - what recurs in an artists work

38
Q

Naturalism

A

art representing figures an objects c/w their appearance in reality; 19th century photograph like appearance

39
Q

Oeuvre

A

french for work - collective work of artist

40
Q

Pathetic Fallacy

A

Ruskin (1856) term for displaying parallels between state of mind of figures an conditions of nature esp in Romantic art (angry storm, sad rain..)

41
Q

Pendant

A

work forming a pair - ex husband and wife portraits

42
Q

Phrygian bonnet -

A

soft red cap with rounded peak work by freed slaves in and rome - symbol of freedom in french rev (bonnet rouge)

43
Q

Plein air painting

A

working outside

44
Q

Putto

A

naked infant boy representing a pagan spirit or angel

45
Q

Relief

A

low or high 3D figure out of surrounding flat surface

46
Q

Repoussoir

A

landscape painters - use of foreground elements to frame the composition and suggest depth/distance

47
Q

Ruckenfigure

A

figure seen form the back (Caspar David Friedrich d 1840 - used a lot)

48
Q

Satire

A

human follies for ridicule - often in prints

49
Q

Scatology

A

bodily function theme -

50
Q

Sfumato

A

from italian sfumare - to blur - forms have fuzzy blurred contour

51
Q

vanitas stil life

A

still life objects that symbolize death

52
Q

Symbolic Realism -

A

pre-Raphaelites - realism and symbolism were inseparable - every detail considered meaningful

53
Q

Tableau

A

french for painting - esp for exhibition

54
Q

Tempera

A

pint - pigments mixed with water with binder such as egg yolk, gum or wax - used in middle ages to early Renaissance replaced in 1400s with oil

55
Q

Tonal painting

A

color is subordinated to tone - gray or brown predominate - light and dark more than local colors (natural color) esp Hague/ Netherlands school

56
Q

Verisimilitude

A

appearance of being real

57
Q

Zeitgeist -

A

spirit of time from Hegel d1831; transition from one style to the next reflects larger historical transformation

58
Q

art phases

A

classical
Rococo
neoclassical - recalling classical antiquity
romantic - intimacy, spiral, color, aspiration (but often inspired by the past, bible etc)
realists - (Courbet - no angels because he hadn’t seen one)
abstract/nonobjective (Manet) -

59
Q

Long hair

A

symbol of sexual allure - (esp Edvard Munch); Picasso Nude with mirror

60
Q

July Monarchy (1830-1848) - 3 landscape themes

A

landscapes sought at time of urbanization; 1) historical (academy -Corot), 2)picturesque (castles etc, from England reflected desire to travel), 3) Naturalism-Barbizon School (faithful depiction light and atmosphere - Constable inspired, Rousseau leading)

61
Q

Realism

A

1848 revolution - Louis Napoleon III in 2nd republic; ordinary common life - Gustave Courbet - Burial at Organs c1850 criticized for depicting the ordinary

62
Q

Salon - & its demise

A

3rd republic and the demise of the state sponsored salon: issues display of best or market? large/grand or small marketable? academician judges or people? >7k admissions 1873; In 1880 - Salons per Society of French Artists, state run triennial exhibitions - but too large/ too many -

63
Q

Naturalism

A

Naturalism c1870-1890 salons; revised Realism observational wo political overtones & devoid of references to past art & with detail and finish typically peasant life; followed technical academic painting procedure; ex Bassein-Lepage

64
Q

Impressionism

A

world as seen rather than as known; between realism and abstraction. new viewpoints, unfinished looking - sketch/etude- like. after Monets Sunrise-Impression. First private exhibition 1874.
Include Bazille, Caillebotte, Cassatt, Degas, Monet, Berthe-Morisot, pissarro, Renoir, Sisley.

65
Q

Neo-impressionism

A

Seurat- going beyond impressionists - turning choppy brushwork into systematic pointillism. Signal followed, and Pissarro with similar technique; A Sunday at la Grande Jate 1884