Art Exam Two Flashcards

1
Q

Academic Art

A

Raft of the Medusa; Ecole des Beaux-arts; the salon system; “the crisis in art”
this period looked back on the past of art, emphasis on the Renaissance. the art school only taught art one way.

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2
Q

Raft of the Medusa

A

by Théodore Géricault. it won a gold medal in the salon system

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3
Q

the salon system

A

The Salon, held anually, was the most prestigious arts event in France. Having a painting accepted by the jury for the Salon was a huge achievement for any artist. It meant an official seal of approval for artistic merit, quality and taste.

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4
Q

the crisis in art (academic to realism)

A

do people really want to make art one way? that’s what the ecole d’beaux arts and the salon system wanted. a crisis in art came after the industrial revolution. asian art was put into the picture and well as the camera. we realized “what is art?” and “what does it mean to be an artist?” and this is where the experiments began with Manet’s Realism.

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5
Q

Realism/Manet

A

stifling of originality; foreign cultural influence; the camera; “a new vocabulary for art”
(academic to realism transition) what does being an artist mean?

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6
Q

Luncheon on the Grass

A

by Manet (Realism)

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7
Q

Impressionism

A

so the experiment begins!!
Monet, Renior, Degas; “plain-air”painters; ambient light; fleeting moments; tube paints

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8
Q

Impression sunrise

A

by Monet (impressionism)

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9
Q

Rouen Cathedral

A

by monet (impressionism)
shows ambient light, fleeting moments

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10
Q

Absinth Drinker

A

by Degas (impressionism)

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11
Q

The boating party

A

by Renior (impressionism)

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12
Q

“plein air” painting

A

the act of painting outside! (impressionism)

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13
Q

tube paints

A

these were invented during impressionism!

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14
Q

Post Impressionism

A

Seurat; Cezanne; Van Gogh; Gauguin; pointillism; “cube cone and cylinder”; arbitrary color, expression
artists started to experiment with how they can paint something. using color and technique, these paintings are more reductive but more expressive!

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15
Q

Pointillism

A

based on color theory (dot painting)

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16
Q

The Grande Jatte

A

by Seurat (post impressionism)
uses pointillism

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17
Q

Mount St Victoire

A

by Cezanne (post impressionism)

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18
Q

arbitrary color

A

a choice of color in an artwork that has no basis in the realistic appearance of the object depicted (think purple cows, yellow sky, pink sun, etc.) (post impressionism)

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19
Q

Yellow Christ

A

by Gauguin (post impressionism)
made with arbitrary color

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20
Q

starry night

A

by Van Gogh (post impressionism)
uses impesto (thick painting)

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21
Q

Expressionism

A

Munch; Kandinsky; Matisse; arbitrary color; expressive content; “flatness”

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22
Q

The Scream

A

by Munch (Expressionism(German))

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23
Q

Self-Portrait with Model

A

by Kirchner (Expressionism)

24
Q

French Expressionism (or Fauvism)

A

The green stripe, the red room by Matisse
Reductive, Expressive, arbitrary color

25
Q

Cubism

A

Braque, Picasso; “cube cone cylinder”; cubist grid; analytic; synthetic; collage

26
Q

Damsels d’Avignon

A

by Picasso (the start of cubism)

27
Q

House at L’estat

A

by Braque (cubism)

28
Q

more cubism

A

the three musicians by pablo picasso
the city by legar
seamstress by jacob lawrence
Nude descending staircase

29
Q

DaDa

A

absurdity, randomness, anti-art, “readymade”
DaDa was a reaction to the absurdity of WW2. this was a disillusionment period. this denied traditional art strategies.

30
Q

Fur-lined Tea Cup

A

by Merrit Openheim (DaDa)

31
Q

Fountain

A

by Marcel DuChamp (DaDa)

32
Q

Surrealism

A

Miro; Dali, De Chirico; subconscious; automatism; Sigmund Freud; “On interpretation of dreams”
Sigmund Freud published a book that started people wanting to try and get answers through their unconscious mind through PAINTING!! so people just did what their subconscious mind told them to do. artist even began to paint dreams!

33
Q

Dance of the Harlequins

A

by Miro (Surrealism)
automatism

34
Q

The Persistence of Memory

A

by Dali (Surrealism)
dreamscape

35
Q

D’Chirico

A

mystery and melancholy, the child’s brain, the disquieting muses, Ariadne

dreamscape artist for surrealism

36
Q

D’Stile/Neo-Plasticism constructionism

A

Modrian; non objectivity
art that isn’t objective! universal art!! but is it universal if you have to explain it as universal?

37
Q

Broadway boogie Woogie

A

by Mondrian (d’Stile)

38
Q

Composition V

A

by Van Dosenburg (d’Stile)

39
Q

Abstract Expressionism

A

deKooning; Pollack; Rothko; Clement Greenberg; “Avant Garde and Kitsch”; existentialism; action painting; color field painting.
this was when Greenberg decided that art needed to change, and he was the judge of that. it needed to NOT be personal, existential, or visceral.

40
Q

Woman One

A

by D’Kooning (Abstract Expressionism)

41
Q

Autumn Rhythm

A

by Pollack (abstract expressionism)
action painting

42
Q

color field painting

A

blocks of color!

43
Q

Mark Rothko

A

his paintings were all named the colors that he put on the canvas

44
Q

Minimalism

A

Smith; Judd; Stella; “bank art”
art began to go downhill, trying to fit all of Greenberg’s requirements

45
Q

“untitled”

A

by judd (minimalism)
ten black boxes?

46
Q

black paintings

A

by Stella (minimalism)

47
Q

Tony Smith

A

Minimalist sculpture artist.
“Die” and “black box”

48
Q

Proto-Pop

A

Rauschenberg; Johns; combine painting
“all art exist between Avant-garde and kitsch”

49
Q

Target with plaster casts

A

by Johns (proto pop)

50
Q

bed

A

by rauschenberg (proto pop)

51
Q

Pop

A

Oldenburg; Warhol; consumer culture; commodification; mass media; silkscreening

52
Q

Gold Marylyn

A

by Warhol (pop)

53
Q

clothespin

A

by oldenburg (pop)

54
Q

Post-Modernism

A

Kieffer; Fischel

55
Q

shulamite

A

by anselm keifer (post modernism)

56
Q

Fischel

A

post modernism artist?