ART APP Flashcards

1
Q

“Man is the measure of all things,”

A

PROTAGORAS

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2
Q

Human beings have continuously fascinated philosophers,
scholars, and scientists for over how many millenia

A

TWO

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3
Q

often evoke associations with the arts

A

HUMANITIES

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4
Q

These areas highlight human subjectivity and celebrate individual expressiveness

A

Painting, sculpture, architecture, literature, music,
dance, theatre.

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5
Q

Etymology of humanities

A

Derived from the Latin word “humanus,” meaning
human, cultured, and refined.

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6
Q

Records humanity’s quest for answers about
existence and the world.

A

HUMANITIES

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7
Q

Studies the behavior and conduct of humans from the
past to the present

A

HUMANITIES

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8
Q

Academic disciplines distinct in content and method
from physical, biological, and social sciences

A

HUMANITIES

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9
Q

relates to freedom and personal choice
within constraints of heredity, history, and environment

A

HUMANISM

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10
Q

ETYMOLOGY OF ARTS

A

Derived from Aryan root “ar” (to join or put together).

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11
Q

refers to everything artificially
made or composed by man.

A

Latis “ar”,”artis”

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12
Q

Refers to skillful arrangement of natural qualities
(sounds, colors, lines, movements, etc.) for
meaningful and enjoyable expression (Adams, 2002).

A

ARTS

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13
Q

Deals with human personality and experiences,
employing perception, insights, feelings, and
intuition.

A

ARTS

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14
Q

Deals with human personality and experiences,
employing perception, insights, feelings, and
intuition.

A

ARTS

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15
Q

Provides enjoyment and stimulation

A

ARTS

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16
Q

Reflects humanity, offering insight into human
nature.

A

ARTS

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17
Q

Showcases passions, desires, potentials, and human
relationships.

A

ARTS

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18
Q

architecture, weaving,
furniture-making) serves as what function

A

FUNCTIONAL ARTS

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19
Q

(e.g., painting, literature, music)
fulfill spiritual and aesthetic needs.

A

NON-FUNCTIONAL ARTS

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20
Q

need

Expresses inner thoughts, emotions, dreams, and
aspirations

A

Human need for expression:

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21
Q

Sharing art fosters empathy, understanding, and
connections.

A

SOCIAL NEED

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22
Q

Art improves human life and combines form with
function.

A

PHYSICAL NEED

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23
Q

studies aesthetics (beauty and taste) to
interpret and evaluate art.

A

PHILOSOPHY

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24
Q

Greek philosopher known for famous Dialogues (e.g., The
Republic).

A

PLATO

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25
Appreciated storytelling but deemed arts dangerous for shaping character.
PLATO
26
Advocated controlling the arts to train ideal citizens.
PLATO
27
2 THEORIES OF ART BY PLATO
ART IS IMITATION ART IS DANGEROUS
28
# plato meaning Art imitates physical things, which are themselves imitations of eternal Forms.
ART IS IMITATION
29
# plasto meaning Art stirs emotions and must be censored (as discussed in The Republic).
ART IS DANGEROUS
30
Possess skills and imagination to create better copies of true Forms (Hospers, n.d.)
PLATO
31
German Enlightenment philosopher.
IMMANUEL KANT
32
Wrote a treatise on aesthetics, Observations on the Feelings of the Beautiful and the Sublime (1763).
IMMANUEL KANT
33
Focused on beauty, not art itself.
IMMANUEL KANT
34
Believed beauty is a matter of taste and depends on how people respond to objects.
IMMANUEL KANT
35
2 TYPES OF MATTER TASTE BY IMMANUEL KANT
Subjective and Universal Taste
36
Centers on the pleasure one feels when responding to an object.
SUBJECTIVE TASTE
37
Non-aesthetic; focuses on appreciating the artwork as it is.
UNIVERSAL TASTE
38
Beauty is about form, not color
IMMANUEL KANT
39
They Exhibit exceptional skills in visual or performing arts.
ARTISTS
40
Highly sensitive, perceptive, and creative.
ARTISTS
41
Transform ideas into artistic forms using various media (e.g., paint, clay, music).
ARTISTS
42
2 Components of Art
FORM SUBSTANCE
43
# 2 components of art Skillful arrangement of media (e.g., stone, paint).
FORM
44
# 2 components of art Artist's analyzed and felt experience as subject matter.
SUBSTANCE
45
Skilled craft workers creating handmade items.
ARTISANS
46
# who Creations may be functional or decorative (e.g., pottery, jewelry, furniture).
ARTISANS
47
may be in a single art form or multiple forms.
EXPRESSION
48
7 TYPES OF ART FORM
PAINTING SCULPTURE ARCHITECTURE MUSIC DANCE LITERATURE THEATRE
49
Application of pigment to a surface; twodimensiona
PAINTING
50
Three-dimensional form using various materials
SCULPTURE
51
Functional art creating building designs
ARCHITECTURE
52
Art of sound through instruments or song
MUSIC
53
Graceful/Art of body movements attuned to music;
DANCE
54
Use of words to express thoughts
LITERATURE
55
Drama performance combining music, dance, and literature
THEATRE
56
include photography, digital arts, and installations.
CONTEMPORARY FORMS
57
3 CLASSIFICATIONS OF ART
VISUAL ART PERFOMING ARTS LITERATURE
58
Painting, sculpture, architecture. (classification of art)
VISUAL ART
59
Music, dance, theatre. (Classification of art)
PERFORMING ARTS
60
Sometimes overlaps with performing arts (classification of art)
LITERATURE
61
essential for self-understanding and expression
ARTS
62
transcends time, impacting past and present societies
ARTS
63
Represents a lasting legacy of human creativity and connection
ARTS
64
Famous philosopher from Ancient Greece.
ARISTOTLE
65
Student of Plato.
ARISTOTLE
66
always involves action.
GOOD ARTS
67
can exist in motionless objects or things
BEAUTY
68
# TYPE OF BEAUTY is influenced by size, which should neither be too big nor too small (as stated in Poetics).
PHYSICAL BEAUTY
69
To give pleasure
ART
70
is considered more philosophic and serious than philosophy itself.
POETRY
71
lies in how familiar objects are represented by the artist.
APPEAL OF ART
72
MAIN APPEALS OFTEN LIES IN?
INTENSITY AND CLARITY
73
refers to what the work represents (e.g., a person, object, scene, or event).
SUBJECT IN ART
74
2 TYPES OF ART
OBJECTIVE AND NON-OBECTIVE
75
Artworks with subjects.
OBJECTIVE ART
76
Artworks without subjects.
NON-OBJECTIVE
77
2 Design Elements in Non-Objective Art
COLOR LINES
78
Conveys mood
COLOR
79
Light and delicate suggest gaiety ; dark, heavy ones communicate foreboding.
LINES
80
they often create nonobjective art.
Contemporary painters and sculptors
81
Artists draw inspiration from unlimited objects.
OBJECTIVE ART
82
are influenced by unique personalities and experiences
ARTIST'S INSPIRATION
83
8 CATEGORIES OF INSPIRATION
NATURE PEOPLE HISTORY LEGENDS RELIGION MYTHOLOGY DREAMS AND FANTASIES TECHNOLOGY
84
Popular source for objective art (e.g., mountains, trees, seascapes, cloudscapes)
NATURE
85
Depictions of humans
PEOPLE
86
Artworks that commemorate events or teach historical lessons
HISTORY
87
Depicts tangible forms of unverified stories
LEGENDS
88
Inspired by sacred texts (e.g., Bible, Quran, Torah); conveys beliefs.
RELIGION
89
Stories of gods and goddesses
MYTHOLOGY
90
Inspired by the unconscious; artists share interpretations of dreams.
DREAMS AND FANTASY
91
Modern subjects include cityscapes, machines, airplanes, etc.
TECHNOLOGY
92
9 PRESENTATION STYLES OF PAINTING
NATURALISM REALISM ABSTRACTION SYMBOLISM FUTURISM FAUVISM DADAISM SURREALISM EXPRESSIONISM
93
Originates from Greek (Hellenistic) art.
NATURALISM
94
# PRESENTATION STYLE Depicts gods and heroes as human-like in appearance and behavior.
NATURALISM
95
# PRESENTATION STYLE Greek deities are idealized human forms, unlike Egyptian (Coptic) depictions.
NATURALISM
96
# PRESENTATION STYLE Figures are perfected to symbolize stature and significance akin to today's comic-book superheroes.
NATURALISM
97
# PRESENTATION STYLE Focuses on universal human characteristics accepted by the culture (Kissick, 1996).
NATURALISM
98
# PRESENTATION STYLE Portrays the subject as it is.
REALISM
99
# PRESENTATION STYLE Strives for objectivity, creating works that appear as real as photographs.
REALISM
100
# PRESENTATION STYLE Most popular presentation style for art subjects
REALISM
101
# PRESENTATION STYLE Moves away from reality, simplifying or reorganizing subject characteristics.
ABSTRACTION
102
# PRESENTATION STYLE Artist alters shape and colors to express ideas or emotions.
ABSTRACTION
103
4 FORMS OF ABSTRACTION
DISTORTION ELONGATION MANGLING CUBISM
104
# 4 TYPES OF ABSTRACTION Proportions are altered to dramatize shapes or evoke emotions.
DISTORTION
105
# 4 TYPES OF ABSTRACTION Subjects are stretched vertically or lengthened for a thin appearance.
ELONGATION
106
# 4 TYPES OF ABSTRACTION Subjects are cut, lacerated, mutilated, or hacked, common in sculpture, theatre, and film.
MANGLING
107
# 4 TYPES OF ABSTRACTION Uses geometric figures (cone, cylinder, sphere, etc.) instead of realistic elements.
CUBISM
108
# PRESENTATION STYLE Symbols represent invisible ideas or qualities.
SYMBOLISM
109
# PRESENTATTION STYLE Adds mystery to the artwork, inviting viewers to uncover deeper meanings.
SYMBOLISM
110
# PRESENTATTION STYLE Captures speed, force, and technologies of modern life in paintings and sculptures.
FUTURISM
111
# PRESENTATTION STYLE Means "wild beasts."
FAUVISM
112
# PRESENTATTION STYLE Focuses on comfort, joy, and pleasure rat
FAUVISM
113
# PRESENTATTION STYLE Features bright, non-representational colors (e.g., orange leaves, yellow sky).
FAUVISM
114
# PRESENTATTION STYLE Revolt against art traditions, highlighting society's wickedness.
DADAISM
115
# PRESENTATTION STYLE aim to shock and provoke through outrageous writings, poetry, and exhibits.
DADAISTS
116
# PRESENTATTION STYLE Invented word for "super realism"; started in Paris in 1924 by French poet Andre Breton.
SURREALISM
117
# PRESENTATTION STYLE Emphasizes subconscious mind activities.
SURREALISM
118
# PRESENTATTION STYLE Themes often violent and cruel, revealing true, deep aspects of human nature.
SURREALISM
119
# PRESENTATTION STYLE Some works diverge from cruelty and focus on other surreal elements.
SURREALISM
120
# PRESENTATTION STYLE Believes man needs spiritual rebirth to correct societal defects.
EXPRESSIONISM
121
# PRESENTATTION STYLE Depicts emotions aroused by objects/events: chaos, sadness, tragedy, defeat.
EXPRESSIONISM
122
3 TYPES OF ARTISTS
VISUAL CREATIVE PERFORMING
123
Use visual arts for expression
VISUAL ARTIST
124
# TYPE OF ARTIST Skilled in writing and arranging musical notes
CREATIVE ARTIST
125
# TYPE OF ARTIST Produce works like novels, poetry, plays, and musical pieces.
CREATIVE ARTIST
126
# TYPE OF ARTIST Execute art in front of audiences
PERFORMING ARTIST
127
# TYPE OF ARTIST Refine skills through training and rehearsals.
PERFORMING ARTIST
128
refers to materials an artist uses to express ideas, feelings, and imagination.
MEDIUM
129
3 CLASSIFICATIONS OF MEDIUM
VISUAL ARTS AUDITORY/ TIME ARTS COMBINED ARTS
130
can be seen and occupy space;
VISUAL ARTS
131
2 TYPES OF VISUAL ARTS
GRAPHIC ARTS(2D) PLASTIC ARTS(3D)
132
# CLASSIFICATION OF MEDIUM Can be heard and expressed in time (e.g., music, literature).
AUDITORY/TIME ARTS
133
# TYPE OF VISUAL ART Incorporate time and space (e.g., dance, drama, cinema).
COMBINED ARTS
134
# CLASSIFICATION OF MEDIUM Known as performing or ephemeral arts:
AUDITOR/TIME ARTS
135
Artist’s skill and knowledge of medium to achieve desired effects.
TECHNIQUE
136
Derived from Latin curare ("to take care")
CURATION
137
CURARE MEANING
TO TAKE CARE
138
Process of managing, overseeing, and assembling artistic or historical exhibits.
CURATION
139
3 ROLES OF CURATOR
DECIDE DOCUMENT SHARE
140
6 STEPS IN CURATION PROCESS
SELECTION ARRANGEMENT CONTEXTUALIATION PRESENTATION POST-EXHIBIT CONTINUOUS UPDATING OF COLLECTIONS
141
5 GRAPHIC OR 2D ART
DRAWING MOSAIC PAINTING COLLAGE PRINTING
142
# 2D ART Fundamental skill for visual artists, used for studies, sketches, or cartoons.
DRAWING
143
shows general organization/design of product.
SKETCH
144
full-size work; used as guide/basis.
CARTOON
145
5 COMMON MEDIA FOR DRAWING
PENCIL INK PASTEL CHARCOAL PAPER
146
Graphite; labeled 2B, 4B, 6B (high #= softer & darker) Can create various lines and tones based on sharpness, pressure, and angle.
PENCIL
147
4 SHADING TECHNIQUES
HATCHING CROSS-HATCHING STIPPLING BLENDING
148
Parallel lines in the same direction.
HATCHING
149
Criss-crossing parallel lines.
CROSS-HATCHING
150
: Dot patterns.
STIPPLING
151
Gradual tone transitions.
BLENDING
152
One of the oldest drawing materials.
INK
153
Used for calligraphy and controlled, uniform linework
INK
154
# MEDIA OF DRAWING Composed of dry pigment with gum or oil binder.
PASTEL
155
5 TECHNIQUES OF PASTEL
STIPPLING FEATHERING SCUMBLING IMPASTO SGRAFITTO
156
Organic medium from burnt wood.
CHARCOAL
157
2 TYPES OF CHARCOAL
COMPRESSED VINE CHARCOAL
158
loose charcoal mixed w/ binder into sticks
COMPRESSED CHARCOAL
159
thin stikcs; easy to blend.
VINE CHARCOAL
160
Made from wood, grass, /linen rags.; most common in 2D art.
PAPER
161
3 TYPES OF PAPER
HOT-PRESSED COLD-PRESSED ROUGH
162
Wall or floor decoration made from: Small tiles or irregularly cut colored stones or glass (tesserae). Meticulously arranged into patterns and fixed using plaster or cement.
MOSAIC
163
Commonly found in churches and public buildings.
MOSAIC
164
Immovable, similar to frescoes.
MOSAIC
165
Classroom versions can use seeds, eggshells, punched art paper, and beads on paper/cardboard.
MOSAIC
166
Art of creating effects on a flat surface (e.g., paper, cloth, canvas, wood, plaster).
PAINTING
167
6 MEDIA FOR PAINTING
WATERCOLOR GOUACHE OIL PAINTS TEMPERA FRESCO ACRYLIC
168
Pigment mixed with water. Applied in layers (layering technique) on paper.
WATERCOLOR
169
Pigment mixed with water and chalk for opacity
GOUACHE
170
Pigments mixed with oil as binder
OIL PAINTS
171
Pigment mixed with egg yolk or glue/ gum
TEMPERA
172
Pigment mixed with water and applied on wet plaster.
FRESCO
173
Used for murals, often with religious or historical themes.
FRESCO
174
Modern synthetic paint with acrylic emulsion as binder.
ACRYLIC
175
Quick-drying like watercolor and as flexible as oil paints.
ACRYLIC
176
Derived from the French word coller, meaning "to stick."
COLLAGE
177
COLLER MEANING
TO STICK
178
Created by gluing or pasting materials or found objects onto a firm surface.
COLLAGE
179
Process for reproducing graphic works
PRINTING
180
2 TYPES OF PRINTING
MATRIX PRINT
181
transferring a master image from a printing plate
MATRIX
182
# TYPE OF PRINTING created by the plate on the surface
PRINT
183
3 TECHNIQUES OF PRINTING
RELIEF PRINTING INTAGLIO PRINTING SURFACE PRINTING
184
OLDEST METHOD OF PRINTING
RELIEF
185
Opposite of relief printing.
INTAGLIO
186
Printing from flat surfaces (plane).
SURFACE
187
2 PLASTIC OR 3D ARTS
SCULPTURE ARCHITECTURE
188
Originates from the Latin word sculpere ("to carve").
SCULPTURE
189
3 TYPES OF SCULPTURE
FREESTANDING RELIEF KINETIC SCULPTURE
190
# 3 TYPES OF SCULPTURE Can be viewed from all sides.
FREESTANDING
191
# 3 TYPES OF SCULPTURE Figures project from a background.
RELIEF
192
2 TYPES OF RELIEF
HIGH LOW
193
# 3 TYPES OF SCULPTURE Capable of movement using wind, water, or energy.
KINETIC SCULPTURE
194
3 PROCESSES OF CREATING SCULPTURES
SUBTRACTIVE ADDITIVE PROCESS OF SUBSTITUTION
195
Cutting away material using tools like chisels, hammers, saws, and grinders.
SUBTRACTIVE
196
Assembling materials or welding metal parts to construct forms.
ADDITIVE
197
Using molds to produce figures with liquid material (3 Types: sand-casting, plastic casting, lost-wax casting)
Process of Substitution
198
7 MEDIA OF SCULPTURE
STONE WOOD METAL PLASTER TERRA COTTA GLASS PLASTIC
199
Natural, hard, and long-lasting
STONE
200
is considered the most beautiful;
MARBLE
201
# MEDIA FOR SCULTURE Natural and easier to work on than stone.
WOOD
202
# MEDIA FOR SCULTURE Known for tensile strength, ductility, and malleability
METAL
203
3 TYPES OF METAL
STAINLESS BRONZE BRASS
204
# MEDIA FOR SCULTURE Finely ground gypsum mixed with water, molded, and painted after drying.
PLASTER
205
# MEDIA FOR SCULTURE "Cooked earth"; baked clay hardened in kilns.
TERRA COTTA
206
# MEDIA FOR SCULTURE Made from heated sand and soda lime.
GLASS
207
3 TECHNIQUES OF GLASS MAKING
HOT SCULPTING COLD WORKING GLASS BLOWING
208
# MEDIA FOR SCULTURE Synthetic organic polymer; soft and moldable. Often used for reproductions of original sculptures.
PLASTIC
209
Art of designing buildings and structures to serve specific functions.
ARCHITECTURE
210
6 CONSTRUCTION PRINCIPLES
POST AND INTEL ARCH DERIVED STRUCTURE TRUSS CANTILEVER BUTTRESS
211
Oldest construction system
POST AND INTEL
212
Roman invention using wedge-shaped blocks (voussoirs) arranged in a semi-circle.
ARCH
213
BARREL VAULT GROIN VAULT DOME
DERIVED STRUCTURE
214
System of triangular forms creating rigid frameworks.
TRUSS
215
Horizontal beam or slab extending beyond supporting posts.
CANTILEVER
216
Structure built to support walls
BUTTRESS
217
are common in European churches supporting domes.
FLYING BUTTRESS
218
2 MEDIA OF ARCHITECTURE
COMPRESSIVE STRENGTH TENSILE STRENGTH
219
4 TYPES OF MATERIALS IN ARCHITECTURE
STONE AND BRICKS LUMBER(WOOD) IRON AND STEEL CONCRETE
220
Durable and adaptable for sculptural treatment. Natural but difficult to quarry, transport, and cut. Weak in tension, limiting its use for beams and supports.
STONE
221
Fire and water-resistant, easy to produce and transport. Size limited for drying and handling efficiency. Can be molded for structural or decorative purposes.
BRICKS
222
Versatile for constructing all parts of a building except foundations. Strength derives from organic fibers; unaffected by cutting or exposure.
LUMBER(WOOD)
223
Innovations revolutionized architecture with stronger, taller structures.
IRON AND STEEL
224
Mixture of cement, water, sand, and gravel.
CONCRETE
225
Combines spoken or written words and their meanings into forms with artistic and emotional appeal..
LITERATURE
226
Words are arranged in patterns to suggest feelings and images.
LITERATURE
227
Words are arranged in patterns to suggest feelings and images.
LITEARURE PIECES
228
4 GENRES OF LITERATURE
POETRY FICTION NONFICTION DRAMA
229
Written in lines instead of sentences or paragraphs. Traditionally follows rules for lines and stanzas; now more free-flowing.
POETRY
230
Imaginative works not based on real events. Written in structured prose with chapters.
FICTION
231
Based on real people and experiences.
NONFICTION
232
2 TYPES OF NON FICTION
LITERARY INFORMATIVE
233
Written in prose, divided into chapters.
NONFICTION
234
Written works meant to be performed for an audience.
DRAMA
235
Combines and regulates sounds of varying pitch to convey ideas and emotions.
MUSIC
236
Likely inspired by natural sounds (e.g., chirping
MUSIC
237
2 MEDIA IN MUSIC
VOCAL INSTRUMENTAL
238
Oldest, most popular, and personal form of music.
VOCAL MUSIC
239
most natural form of music
HUMAN VOICE
240
6 CLASSIFICATIONS OF HUMAN VOICE
SOPRANO MEZZO SOPRANO CONTRALTO TENOR BARITONE BASS
241
Instruments produce sound through blowing, beating, plucking, or using bows.
INSTRUMENTAL
242
5 TYPES OF INSTRUMENTAL MEDIUM
STRING WOODWIND BRASS PERCUSSION KEYBOARD
243
2 TYPES OF STRING INSTRUMENTS
BOWED PLUCKED
244
7 GENRES OF MUSIC
CLASSICAL FOLK POP JAZZ BLUES ROCK ALTERNATIVE
245
European tradition (1750–1830); standardized forms like symphonies.
CLASSICAL
246
Traditional culture; transmitted orally
FOLK MUSIC
247
Inspired by rock and roll; emerged in the 1950s.
POP MUSIC
248
Originated in African-American communities (New Orleans).
JAZZ
249
Emerged in the Deep South; incorporates spiritual songs and ballads
BLUES
250
Evolved from rock and roll in the 1960s; experimentation and anti-establishment themes.
ROCK
251
Distinct from mainstream rock; emerged in the 1980s.
ALTERNATIVE MUSIC
252
is considered the oldest art form, expressing emotions through rhythmic movements.
DANCE
253
5 TYPES OF DANCE
ETHNOLOGIC SOCIAL BALLET CONTEMPORARY MUSICAL COMEDY
254
Associated with national or cultural groups.
ETHNOLOGIC
255
Performed in pairs.
SOCIAL
256
Originated in medieval royal courts; performed solo or in groups
BALLET
257
Emphasizes personal communication of moods and themes.
CONTEMPORARY
258
Performed in theaters, clubs, movies, and television.
MUSICAL COMEDY
259
Depicts the battle between good and evil where good always prevails.
MELODRAMA
260
Genre of literature intended to be performed on stage.
DRAMA/THEATRE
261
4 GENRES OF DRAMA
TRAGEDY MELODRAMA COMEDY FARCE
262
Presents life solemnly and seriously
TRAGEDY
263
Opposite of tragedy; portrays human weakness and limitations.
COMEDY
264
Humorous play emphasizing exaggerated situations, improbable characters, and physical comedy
FARCE
265
Series of images projected onto screens to create the illusion of motion (motion pictures, movies, or films)
CINEMA
266
5 GENRES OF MOTION PICTURE
FEATURE FILMS ANIMATED MOVIES DOCUMENTARY MOVIES EXPERIMENTAL FILMS EDUCATIONAL FILMS
267
Shown in large movie theaters; 1½ to 2 hours long. Fictional or based on real events, portrayed by actors. Enhanced realism with costumes, makeup, and special effects
FEATURE FILMS
268
Created by animators using 2D drawings, 3D objects, or computer-generated images. Modern animated films use 3D effects for realism.
ANIMATED MOVIES
269
Focus on factual events; broadcast on cable and TV networks. Examples: World War documentaries, 9/11 Attack, An Inconvenient Truth.
DOCUMENTARY MOVIES
270
Abstract or literal sequence of images without narratives.
EXPERIMENTAL FILMS
271
Designed for learning at home or classrooms.
EDUCATIONAL FILMS
272
4 PEOPLE BEHIND MOTION PICTURES
ACTOR PRODUCER DIRECTOR SCREENWRITER
273
Portray characters by preparing mentally and physically for roles before filming.
ACTOR
274
Manages finances, hires teams, supervises production, and handles film distribution.
PRODUCER
275
Develops original stories or adapts literary works into screenplays
SCREENWRITER
276
Interprets scripts, visualizes films, and guides actors and crews through production.
DIRECTOR
277
is perceived through the eyes and uses various elements to express ideas and feelings.
VISUAL ART
278
Path made by a moving point.
LINE
279
Path made by a moving point.
LINE
280
is an intended mark conveying meaning beyond its physical appearance.
LINE
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2 KINDS OF LINE
STRAIGHT AND CURVED
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4 TYPES OF STRAIGHT LINES
HORIZONTAL VERTICAL DIAGONAL ZIGZAG
283
Found in nature, especially in living organisms.
CURVED LINES
284
2 CURVED LINES
SPECIFIC AND WAVY
285
act as the basis for expressing visual ideas.
LINE
286
Enhances beauty and meaning in art; conveys moods, feelings, and personality.
COLOR
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Composed of wavelengths that strike the retina
COLOR
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- color quality
PIGMENTATION
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3 PROPERTIES OF COLOR
HUE VALUE INTENSITY
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Given name of the color
HUE
291
Refers to lightness or darkness.
VALUE
292
Brightness or dullness.
INTENSITY
293
4 TYPES OF COLOR HARMONY
MONOCHROMATIC HARMONY COMPLEMENTARY HARMONY ANALOGOUS HARMONY COLOR TEMPARATURE
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Single color varied in intensity and value
MONOCHROMATIC
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Opposite colors on the color wheel placed side by
COMPLEMENTARY
296
Adjacent colors on the color wheel used together
ANALOGOUS
297
WARM AND COOL
COLOR TEMPARATURE
298
Technique for manipulating light and shadow in painting
Chiaroscuro Technique
299
is formed when two ends of a line meet to enclose an area.
SHAPE
300
Areas not occupied by forms within or around shapes.
NEGATIVE SHAPE
301
4 CLASSIFICATIONS OF SHAPE
NATURAL ABSTRACT NON OBJECTIVE GEOMETRIC
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SHAPES SEEN IN NATURE
NATURAL SHAPES
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Have minimal or no resemblance to natural objects.
ABSTRACT SHAPES
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Rarely reference recognizable objects but resemble organic forms.
NON OBJECTIVE SHAPES
305
Include triangles, rectangles, squares, cylinders, and cubes.
GEOMETRIC SHAPES
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Refers to the tactile quality of a surface
TEXTURE
307
2 TYPES OF TEXTURE
TACTILE VISUAL
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Actual feel of a surface.
TACTILE TEXTURE
309
Perceived by eyes texture when the object cannot be physically touched (e.g., artworks in museums)
VISUAL TEXTURE
310
Adds richness and vitality to paintings and sculptures.
TEXTURE
311
is an illusion created to add depth and distance in two-dimensional art.
SPACE
312
2 TYPES OF SPACE
CLOSED OPEN
313
5 METHODS OF CREATING SPACE IN PAINTINGS
OVERLAPPING PLANES RELATIVE SIZE POSITION ON THE PICTUREPLANE COLOR PERSPECTIVE
314
2 WAYS OF MOVEMENT
ACTUAL IMPLIED
315
Common in kinetic art, particularly sculptures.
ACTUAL
316
Created in two-dimensional art through:
IMPLIED MOVEMENT
317
5 ELEMENTS OF MUSIC
RHYTHM MELODY HARMONY TIMBRE FORM
318
Movement or pattern with uniform recurrence of accented and unaccented beats.
RHYTHM
319
Succession of tones arranged musically; refers to the tune’s rise and fall.
MELODY
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Sounding of multiple tones simultaneously
HARMONY
321
2 TYPES OF HARMONY
CONCORDANCE DISSONANCE
322
Tonal quality distinguishing sounds of instruments or human voices.
TIMBRE
323
Structure or framework of a musical composition.
FORM
324
Drama set to music with actions, costumes, and scenery.
OPERA
325
Religious story in music, performed without actions.
CANTATA
326
Philippine musical drama portraying conflict between Christians and Muslims.
MORO MORO
327
Long composition for solo instruments (e.g., piano, violin).
SONATA
328
Regulates volume through symbols
DYNAMICS
329
Regulates volume through symbols
CONDUCTORS
330
8 ELEMENTS OF DANCE
MUSIC MOVEMENT CHOREOGRAPHY TECHNIQUE THEME DESIGN PATTERN COSTUME
331
Closely related to dance; melodic, harmonious, and rhythmical. Captivates audiences and motivates dancers.
MUSIC
332
Involves creating organized patterns and gestures expressing emotions or ideas.
MOVEMENT
333
Connects steps and movements for performance.
CHOREOGRAPHY
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Connects steps and movements for performance.
TECHNIQUE
335
Main content or message of the dance.
THEME
336
Planned organization of movements in time and space.
DESIGN
337
Provided by rhythm and executed in spatial settings
PATTERN
338
Relates to customs, beliefs, and environment of the people.
COSTUME
339
a is a genre of literature written primarily for performance by actors on stage before a live audience.
DRAMA
340
5 ELEMENTS OF DRAMA
PLOT SETTING DIALOGUE THEME CHARACTERS
341
is performed live and is immediate—actions cannot be undone once performed.
THEATRE ART
342
4 ELEMENTS OF THEATRE
PLAYWRIGHT PERFORMERS PRODUCTION DESIGN DIRECTOR
343
6 ELEMENTS OF CINEMA
ACTING AND THE STARS SET AND ART DIRECTOR MUSIC AND MUSICAL DIRECTOR COLOR MAKE-UP, HAIR, COSTUME DESIGN SOUND, CAMERA, SPECIAL EFFECTS TECHNICIANS
344
3 KEY ELEMENTS OF VISUAL ARTS.
FORM CONTENT CONTEXT
345
How specific elements are organized to create a unified whole
FORM
346
Message conveyed by the artist through the work. Levels:
CONTENT
347
Circumstances influencing the artwork’s production and interpretation.
CONTEXT
348
9 KEY PRINCIPLES OF DESIGN
BALANCE EMPHASIS MOVEMENT PATTERN PROPORTION REPETITION RHYTHM VARIETY UNITY
349
Serves as a guide for subject placement on the picture plane.
RULE OF THIRDS
350