Art And drama Flashcards

1
Q

Odeon of Pericles

A

Said to be an exact representation of the king of Persia’s pavilion

Plutarch 13

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2
Q

Pausanias 1.22

A

There is but one entry to the Acropolis [the Propylaea] + it was “unrivalled for the beauty and size of its stones”

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3
Q

Aristophanes knights

A

The leadership of the people is no longer a job for an educated man or one of good qualities but for the one who’s ignorant and foul

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4
Q

Thucydides 10

A

One would conjecture from what met the eye that the city had been twice as powerful as it is

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5
Q

Aristophanes most significant plays and dates

A

426: babylonians (unsuccessful prosecution from Cleon for “embarrassing Athens in front of her allies”)
424: knights (Cleon portrayed as the Paphlagonian)
423: clouds (ridicules Socrates)
422: Wasps (ridicules jury service)
411: Lysistrata (women sex striking) + Thesmophoriazusae (women planning to obliterate Euripides)

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6
Q

Hippolytus’ rejection…

A

Of Aphrodite […] is a subverting of his passage to manhood”

Simon Goldhill

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7
Q

“Well, they’re the only deities we have/

A

The rest are just so much hocus pocus”

Aristophanes Clouds

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8
Q

The women have been…

A

Plotting against me. And today, at the Thesmophoria, they’re going to debate my downfall.

Aristophanes Thesmaphirazusae

The play is perhaps fanciful escapism from the darker events of 411 (war with Sparta drawing to a close; a series of bad events had befallen Athens - military defeats)

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9
Q

Do not let it be charged…

A

To the public account but to my own, and I will dedicate all the public buildings in my name

Plutarch 14

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10
Q

Despite his unselfishness,

A

There can be no doubt as to his power

Plutarch 16

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11
Q

For thinking in their pride…

A

That nothing stood in the way of their taking Athens, they were bringing a piece of Parian marble to make a trophy

Pausanias 1.33

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12
Q

Metopes represent:

A

The story of the development of order out of chaos, and civilisation out of barbarism

Percy Gardner

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13
Q

Only the Athenians are “able to…

A

Take possession of the wealth of the Greeks and of foreigners”

O.O 2.11

Refers to the monopolisation of trade in the Aegean
Link to Poseidon temple at Sounion

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14
Q

His object being that…

A

Those who stayed at home […] Should be able to enjoy a share of the national wealth

Plutarch 12

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15
Q

The city’s prosperity…

A

Was extended far and wide and shared among every age and condition in Athens

Plutarch 12

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16
Q

The reserve funds drawn up for the projects was:

A

“At its maximum […] 9700 talents”

Thucydides 1.23

17
Q

The statue of Athena was:

A

“Made of Ivory and gold”

Pausanias 1.24.5

18
Q

Dates of important Athenian buildings

A
Athena Promachos: 450s
Parthenon: 447-432
Temple of Poseidon at Sounion: 444-440
Propylaea: 437-432
Odeon: 435
Erechtheion: 425-404
Temple of Athena Nike: c.420

Temple of Nemesis at Rhamnous

19
Q

Context of the Parthenon

A

Build 447

  • still in peacetime with Sparta (5 year truce made 451) so It’s toric architecture is perhaps a note to a more peaceful relationship
    – however, Athen’s empire was starting to rebel (Euboea Megara etc)
  • by 446 Sparta had invaded Attica, but Athens then made a 30 peace with them
    -suggests the Parthenon was meant to display Athenian wealth and remind the Péloponnèse of their role in the Persian wars, but not meant to antagonise them
20
Q

Lysistrata quote

A

Spartan: well, we want peace - provided we get back / this round, enclosed part.
Lysistrata: which?
Spartan: the read - Pylos. / we’ve long requested it, and tried to probe.

21
Q

A person so treated in comedy…

A

Does not, for the most part, come from the populace and mass of people but as a person of Wealth, high birth, or influence

The people feel no vexation at seeing such persons abused in comedy

OO 2.18

22
Q

Euripides Ion

A

Ion: because you are childless, you are envious that my father found me.

[…] at the end:

Creusa: i am no longer childless; this house is established