ART Flashcards

1
Q

Founded in 1967 by Cecile-Guidote Alvarez.

A

Philippine Educational Theater Association (PETA)

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2
Q

The resident theater company of the cultural center of the Philippines founded in 1987.

A

Tanghalang Pilipino

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3
Q

A company that’s not only staged English language plays and musical year-round but trained actors and actresses founded by Zenaida Amador and Baby Barredo.

A

Repertory Philippines

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4
Q

Began in 1990’s mounting grand productions of originally written musical with a slant towards a good value for children and the whole family.

A

Trumpets

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5
Q

Established in 1994 by Monique Wilson—also a Repertory Philippines’ protégée who went on to star on the international stage.

A

New Voice Company

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6
Q

Was founded in 1999 by a group of dedicated classically
trained singers, led by soprano Karla Gutierrez as artistic directress.

A

Philippine Opera Company (POC

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7
Q

Was founded with PH theatre mainstay Michael Williams as artistic director

A

Theater Down South

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8
Q

This is the person who takes the play from a mere concept to an actual finished presentation.

A

Producer

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9
Q

He or she chooses all the team members and assigns them their functions, and oversees the casting of the actors and actresses for the different roles.

A

Producer

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10
Q

Instructs and guides the actors as to the delivery of their lines of dialogue

A

Director

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10
Q

The overall artistic coordinator of the entire production

A

Director

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10
Q

Like a conductor of an orchestra, he or she has a version of the desired total effect and impact of the performance.

A

Director

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11
Q

He or she decides on major logistical matters like when and where the play will be staged, the production schedule.

A

Producer

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11
Q

Coordinates closely with the set, lightning, sound costume / makeup designers and the choreographer [if the play involves dance] to create the envisioned total effect.

A

Director

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12
Q

The writer of the script is more specifically called ___________.

A

Playwright

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13
Q

Movements on stage

A

Blocking

14
Q

They are in total control of the visual aspects of the performance. An architect of the performing arts

A

Stage Manager

15
Q

Known to cover the kind of lighting, music, and sound effects that the director wants for all the scenes in the production.

A

Stage Manager

16
Q

Tasked with the concept and creation of the physical stage setup

A

Set Designer

17
Q

He/she builds the set (sets) that will stimulate the world that the play’s characters are supposed to live in

A

Set Designer

18
Q

He/she will typically read a script many times over, both to get a feel for the style and tone of the script and to make a detailed list of requirements for scenery, furnishings, and props.

A

Set Designer

19
Q

Ensures that the set will enable the actors to move about easily and naturally to make their roles believable and will truly provide the ambiance on stage that the director and the playwright intend.

A

Set Designer

20
Q

He or she studies the general setting (time and place) that the play is meant to take place in, as well as each character in the script.

A

Costume Designer

21
Q

He or she then decides what attire will not only give the audience a clear sense of the setting but will also express each character’s personality and distinct qualities.

A

Costume Designer

22
Q

Is responsible for the design, installation, and operation of the
lighting and special electrical effects used in the production.

A

Lighting Designer

23
Q

Is responsible for obtaining all sound effects, whether recorded
or live for a specific production.

A

Sound Designer

24
Q

He or she adds detailed notes to the script to serve as a guide for the sound crew during rehearsals and the actual performance.

A

Sound Designer

25
Q

He or she is tasked with overseeing the crews for the sets and music, the lighting, and the costumes. This includes ensuring that all the needed elements, facilities, and equipment are not only available, but are in good working order, properly catalogued and labelled, and safely stored from one rehearsal to the next, up until the time of the performance.

A

Production Manager

26
Q

Coordinating all the complex behind-the-scenes details of staging a play.

A

Production Manager

27
Q

He or she not only plans out all the dance steps to suit the music, but also rehearses the actors until they are able to perform the dance skillfully—while remaining “in character” on stage.

A

Choreographer

28
Q

Is brought in to plan the hairstyles and makeup to complement the costumes.

A

Makeup designer