ARCH DES

Question 1

THE ART AND SCIENCE OF DESIGNING AND CONSTRUCTING BUILDING.

Answer 1

ARCHITECTURE

Question 2

THE PRODUCT RESULT OF ARCHITECTURAL WORK, BUILDINGS, EFFECTIVELY.

Answer 2

ART

Question 3

A STYLE OR METHOD OF BUILDING CHARACTERISTIC OF A PEOPLE, PLACE, OR TIME.

Answer 3

SCIENCE

Question 4

THE CONSCIOUS ACT OF FORMING THINGS RESULTING IN A UNIFYING OR COHERENT STRUCTURE.

Answer 4

CONSTRUCTING

Question 4

THE PROFESSION OF DESIGNING BUILDINGS AND OTHER HABITABLE ENVIRONMENTS.

Answer 4

DESIGNING

Question 5

THE CONSCIOUS USE OF SKILL, CRAFT, AND CREATIVE IMAGINATION IN THE PRODUCTION OF WHAT IS BEAUTIFUL, APPEALING OR OF MORE THAN ORDINARY SIGNIFICANCE.

Answer 5

ART

Question 6

A BRANCH OF KNOWLEDGE DEALING WITH A BODY OF FACTS OR TRUTHS OBTAINED BY DIRECT OBSERVATION, EXPERIMENTAL INVESTIGATION, AND METHODICAL STUDY, SYSTEMATICALKLY ARRANGED AND SHOWING THE OPERATION OF GENERAL LAWS.

Answer 6

SCIENCE

Question 7

THE WORD “ARCHITECTURE” ORIGINATES FROM THE _ CULTURE.

Answer 7

GREEK

Question 8

ARCHITECTURE DERIVED FROM THE WORD _.

Answer 8

ARKHITEKTON

Question 9

TO COMPOSE A PLAN FOR A BUILDING.

Answer 9

DESIGN

Question 10

ARKHITEKTON WHICH MEANS _ IN SIMPLE TERMS.

Answer 10

MASTER BUILDER

Question 11

THE ARCHITECTURAL CONCEPT OF A BUILDING AS REPRESENTED BY PLANS, ELEVATIONS, RENDERINGS, AND OTHER DRAWINGS.

Answer 11

DESIGN

Question 12

ANY VISUAL CONCEPT OF A MAN-MADE OBJECT, AS OF A WORK OF ART OR A MACHINE.

Answer 12

DESIGN

Question 13

THREE PRINCIPLES OF ARCHITECTURE.

Answer 13

VENUSTAS, FIRMITAS, UTILITAS

Question 14

BEAUTY . DELIGHT

Answer 14

VENUSTAS

Question 15

STRENGTH . FIRMNESS

Answer 15

FIRMITAS

Question 16

UTILITY . COMMODITY

Answer 16

UTILITAS

Question 17

ANY BUILDING MUST BE STRONG ENOUGH TO PROTECT ITSELF AND OTHERS FROM NATURAL DISASTERS.

Answer 17

FIRMNESS OF ARCHITECTURE

Question 18

ARCHITECTURE PROVIDES FUNCTIONALITY FOR PEOPLE TO SUSTAIN THEIR EVERYDAY NEEDS AND LIFESTYLE.

Answer 18

FUNCTIONALITY AND PRODUCTIVITY.

Question 19

APPEARANCE PLAYS A VITAL IF NOT THE MOST IMPORTANT ROLE IN THE OVERALL BUILDING.

Answer 19

THE BEAUTY BEHIND ARCHITECTURE

Question 20

ARCHITECTURE NEED TO ENSURE THAT, WHATEVER THEY ARE DESIGNING, IT NEEDS TO LOOK AESTHETICALLY PLEASING AS THIS IS THE FIRST THING PEOPLE SEE WHEN LOOKING AT THE STRUCTURE.

Answer 20

THE BEAUTY BEHIND ARCHITECTURE

Question 21

1 - SITE ANALYSIS
2 - ZONING ANALYSISD
3 - PROJECT SCOPE
4 - BUILDING PROGRAM
5 - PROJECT BUDGETING
6 - PROJECT SCHEDULE
7 - SELECTION OF THE PROJECT TEAM

Answer 21

PRE-DESIGN PHASE

Question 22

THE FIRST PHASE OF DESIGN.

Answer 22

SCHEMATIC DESIGN

Question 23

THE ARCHITECT AND THE CLIENT DISCUSS ALL REQUIREMENTS NEEDED FOR THIS PROJECT GOING FORTH.

Answer 23

SCHEMATIC DESIGN

Question 24

A LOT OF RESEARCH IS DONE IN THIS STEP, AS THE ARCHITECT MUST ANALYZE THE BUILDING ZONES AS WELL AS TO ESTABLISH THE LOCATION AND SIZE OF THE BUILDING.

Answer 24

SCHEMATIC DESIGN

Question 25

THIS PHASE INVOLVES THE SELECTION OF MATERIALS NEEDED, SUCH AS INTERIOR FINISHES.

Answer 25

DESIGN DEVELOPMENT PHASE

Question 26

THE ARCHITECT AND ENGINEERS WORK CLOSELY TOGETHER IN PHASE, AS THE DRAWING IS REVISED BY THE ARCHITECT, SPECIFYING THE DETAILS.

Answer 26

DESIGN DEVELOPMENT PHASE

Question 27

ARE THE BASIC COMPONENTS THAT ARCHITECTS UTILIZE TO DESIGN EFFICIENT AND VISUALLY APPEALING BUILDING AND STRUCTURES.

Answer 27

ELEMENTS OF ARCHITECTURE

Question 28

THE OVERALL SHAPE AND APPEARANCE OF A STRUCTURE, AND ITS MASS, VOLUME, AND SILHOUETTE.

Answer 28

FORM

Question 29

THE AREAS WITHIN AND AROUND A STRUCTURE, INCLUDING ROOMS, CORRIDORS, AND OUTDOOR AREAS.

Answer 29

SPACE

Question 30

AN IMPORTANT ELEMENT THAT CAN AFFECT THE MOOD, ATMOSPHERE, AND FUNCTIONALITY OF A SPACE.

Answer 30

LIGHT

Question 31

THE SUBSTANCES USED TO CONSTRUCT A STRUCTURE, SUCH AS CONCRETE, WOOD, BRICK, OR STELL.

Answer 31

MATERIAL

Question 32

AN ELEMENT THAT CAN AFFECT THE MOOD, ATMOSPHERE, AND APPEARANCE OF A SPACE.

Answer 32

COLOR

Question 33

THE SIZE OF A DESIGN IN RELATION TO IT'S SURROUNDINGS, WITH THE GOAL OF CREATING A SENSE OF UNITY AND COHESIVENESS.

Answer 33

SCALE

Question 34

1 - VERTICAL BALANCE 2 - RADIAL BALANCE 3 - ASYMMETRICAL BALANCE 4 - SYMMETRICAL BALANCE 5 - PROPORTION AND SCALE 6 - EMPHASIS 7 - GRADATED RHYTHM 8 - RANDOM RHYTHM 9 - REGULAR RHYTHM 10 - HARMONY 11 - CONTRAST

Answer 34

PRINCIPLES OF ARCHITECTURE

Question 35

OCCURS WHEN WE CAN DIVIDE THE COMPOSITION VERTICALLY INTO TWO HALVES.

Answer 35

VERTICAL BALANCE

Question 36

IS WHEN THE ELEMENTS RADIATE FROM THE COMMON CENTER, RADIAL EQUILIBRIUM IS ACHIEVED.

Answer 36

RADIAL BALANCE

Question 37

THIS FORM OF EQUILIBRIUM PRODUCES A STRONG FOCUS POINT, AND THE VIEWER'S GAZE IS NATURALLY DRIVEN INWARD INTO THE CENTER.

Answer 37

RADIAL BALANCE /RADIAL EQUILIBRIUM

Question 38

ALSO KNOWN AS INFORMAL BALANCE, HAPPENS WHEN THERE ARE DIFFERENT ASPECTS TO BE EXHIBITED ON BOTH SIDES OF A COMPOSITION.

Answer 38

ASYMMETRICAL BALANCE

Question 39

CAN DIVIDE THE CENTRAL AXIS INTO TWO IDENTICAL SIDES.

Answer 39

SYMMETRICAL BALANCE

Question 40

IS NOTHING BUT THE SIZE OF EACH ELEMENT ON THE DESIGN AND PROPORTION IS THE SIZE OF AN ELEMENT IN COMPARISON WITH THE OTHER OBJECT OF THE ELEMENT, 3 IS TO 5 RATIOS IS CONSIDERED TO BE THE GOLDEN MEAN.

Answer 40

PROPORTION AND SCALE

Question 41

AN UNUSUAL ELEMENT IS ADDED TO THE DESIGN TO CREATE THE IMPORTANCE OF UNIQUENESS OF A DESIGN TO CAPTURE THE ATTENTION OF A VIEWER.

Answer 41

EMPHASIS

Question 42

IN THIS KIND OF RHYTHM ELEMENT IS IDENTICAL.

Answer 42

GRADATED RHYTHM

Question 43

HOWEVER, WITH EACH STEP, THE SIZE OF THE ELEMENT IS INCREASING, OR DECREASING WITH EACH REPITITION.

Answer 43

GRADATED RHYTHM

Question 44

OPPOSITE OF REGULAR RHYTHM.

Answer 44

RANDOM RHYTHM

Question 45

IN THIS KIND OF RHYTHM, ELEMENTS ARE REPEATED AT REGULAR INTERVALS IN THE DESIGN.

Answer 45

RANDOM RHYTHM

Question 46

AS THE NAME IMPLIES, REFERS TO THE REPITITION OF AN ELEMENT IN A DESIGN'S INTERVAL.

Answer 46

REGULAR RHYTHM

Question 47

IS ANOTHER NAME FOR UNITY.

Answer 47

HARMONY

Question 48

THE UNITY PRINCIPLE GIVES A DESIGN A SENSE OF ORDER OR WHOLENESS.

Answer 48

HARMONY

Question 49

IT CAN ONLY BE ACCOMPLISHED IF ALL OF THE DESIGN ASPECTS ARE IN SYNC WITH ONE ANOTHER.

Answer 49

HARMONY

Question 50

IS WHEN TWO OR MORE ELEMENTS IN A DESIGN OR OF DIFFERENT QUALITIES, CAN BE ACHIEVED IN FORM LIKE COLOR, TEXTURE, SIZE, PROPORTION, SHAPE, MOVEMENT, ETC.

Answer 50

CONTRAST

Question 51

1- ANALOGY 2 - METAPHOR AND SIMILES 3 - ESSENCES 4 - PROGRAMATIC 5 - IDEALS

Answer 51

DESIGN CONCEPTS

Question 52

LOOKING AT OTHER THINGS.

Answer 52

ANALOGY

Question 53

LOOKING AT ABSTRACTIONS.

Answer 53

METAPHORS AND SIMILES

Question 54

LOOKING BEYOND THE PROGRAMMATIC NEED.

Answer 54

ESSENCES

Question 55

LOOKING AT THE STATED REQUIREMENTS.

Answer 55

PROGRAMMATIC

Question 56

LOOKING AT THE UNIVERSAL VALUE.

Answer 56

IDEALS

Question 57

IS ACHIEVED WHEN ALL THE DIFFERENT ELEMENTS IN A DESIGN WORK TOGETHER TO CREATE A UNIFIED WHOLE.

Answer 57

UNITY

Question 58

UNTIL THE RISE OF THE MODERN MOVEMENT IN THE FIRST HALF OF THE 20TH CENTURY, IT WAS ASSUMED BY CLIENTS AND ARCHITECTS ALIKE THAT ALL THE GREAT _ OF THE WORLD HAD ALREADY BEEN BUILT.

Answer 58

ARCHITECTURE

Question 59

THE TASK OF THE _ WAS TO FIGURE OUT WHICH PREVIOUS BUILDING WAS THE APPROPRIATE MODEL FOR THE NEW BUILDING BEING DESIGNED.

Answer 59

ARCHITECT

Question 60

1 - ANALOGIES 2 - METAPHORS 3 - ESSENCES 4 - PROGRAMMING CONCEPTS 5 - IDEALS

Answer 60

TYPES OF CONCEPTS

Question 61

ANALOGY EXAMPLE

Answer 61

FACE HOUSE KAZUMASA YAMASHITA KYOTO, JAPAN

Question 62

TO TAKE THE SAME SHAPE OF SOMETHING WITHOUT ANY CHANGE.

Answer 62

SUPERFICIAL ANALOGY

Question 63

TO MAKE AS STRUCTURE OF BUILDING FROM A SHAPE OR SOMETHING.

Answer 63

STRUCTURAL ANALOGY

Question 64

COMBINATION OF BOTH S.A AND S.A.

Answer 64

HOLISTIC ANALOGY

Question 65

AN _ IS MORE LIKE A SIMILE.

Answer 65

ANALOGY

Question 66

AN ANALOGY IS MORE LIKE A _.

Answer 66

SIMILE

Question 67

A SIMILARITY BETWEEN LIKE FEATURES OF TWO THINGS ON WHICH A COMPARISION MAY BE BASED.

Answer 67

ANALOGY

Question 68

IS A COGNITIVE PROCESS OF TRANSFERRING INFORMATION FROM A PARTICULAR SUBJECT (SOURCE) TO ANOTHER PARTICULAR SUBJECT (TARGET), AND A LINGUISTIC EXPRESSION CORRESPONDING TO SUCH PROCESS.

Answer 68

ANALOGY

Question 69

IS MORE LIKE AN ALLEGORY.

Answer 69

METAPHOR

Question 70

IT IS AN IMPLICIT SIMILE.

Answer 70

METAPHOR

Question 71

IT IS AN EXPLICIT SIMILE.

Answer 71

ANALOGY

Question 72

IT IS LITERALLY FALSE.

Answer 72

METAPHOR

Question 73

IT IS LITERALLY TRUE.

Answer 73

ANALOGY

Question 74

NEED A BIT MORE IMAGINATION TO INTERPRET.

Answer 74

METAPHOR

Question 75

ARE READILY APPARENT.

Answer 75

ANALOGY

Question 76

METAPHOR EXAMPLE

Answer 76

NOTRE DAME DU HAUTE-RON CHAMP CHAPEL LE CORBUSIER FRANCE 1955

Question 77

THE LARGEST AND THE MOST CRUCIAL PHASE OF THE DESIGN PROCESS.

Answer 77

CONSTRUCTION DOCUMENTS

Question 78

THIS IS WHEN ALL THE PLANS ARE FINALIZED BY THE DEPARTMENT OF BUILDINGS.

Answer 78

CONSTRUCTION DOCUMENTS

Question 79

THIS ENTAILS FINDING AND SECURING A CONTRACTOR TO PROCEED WITH THE CONSTRUCTION OF BUILDING.

Answer 79

BIDDING

Question 80

BIDS ON THE PROJECT ARE SUBMITTED ON BEHALF OF THE CONTRACTORS.

Answer 80

BIDDING

Question 81

ONCE A CONTRACTOR HAS BEEN SELECTED FOR THE JOB, THE ARCHITECT, ENGINEERS, CLIENT, AND CONTRACTOR DISCUSS ANY QUESTION ASKED BEFORE CONSTRUCTION OF THE PROJECT BEGINS.

Answer 81

BIDDING

Question 82

THE FINAL AND LONGEST. (DESIGN PROCESS)

Answer 82

CONSTRUCTION ADMINISTRATION

Question 83

IT INVOLVES THE ACCOUNTING SECTOR OF THE PROJECT, WHICH IS MANAGED BY A CHARTERED ACCOUNTANT.

Answer 83

CONSTRUCTION ADMINISTRATION

Question 84

WHILST THIS IS PROCESSING, THE CONSTRUCTION CONTINUES.

Answer 84

CONSTRUCTION ADMINISTRATION

Question 85

THE ARCHITECT VISITS THE SITE AND OVERVIEWS THE PROJECT, ENSURING THAT THE CONTRACTOR IS FOLLOWING WITH PLAN DISCUSSED.

Answer 85

CONSTRUCTION ADMINISTRATION

Question 86

1 - IDEALIZED DIAGRAM 2 - SITE-RELATED DIAGRAM 3 - CONCEPTUAL DESIGN 4 - EVALUATION 5 - DESIGN DEVELOPMENT

Answer 86

CONCEPTUALIZATION