APL Rhetorical Terms Flashcards

1
Q

Abstract

A

refers to language that describes concepts rather than concrete images (ideas and qualities rather than observable or specific things, people, or places.) the observable or “physical” is usually described in concrete language.

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2
Q

Allegory

A

an extended narrative in prose or verse in which characters, events, and settings represent abstract qualities and in which the writer intends a second meaning to be read beneath the surface of the story; the underlying meaning may be moral, religious, political, social, or satiric.

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3
Q

Anecdote

A

a short, simple narrative of an indecent, often used for humorous effect or to make a point.

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4
Q

Annotation

A

explanatory notes added to a text to explain, cite sources, or give bibliographical data.

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5
Q

Antithesis

A

the presentation of 2 contrasting images. The ideas are balanced by word phrase, clause, or paragraphs. “to be or not to be…” “Ask not what your country can do for you,ask what you can do for your country.”

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6
Q

Auphorism

A

a short, often witty statement of a principle of a truth of life. “Early bird gets the worm.”

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7
Q

Apostrophe

A

Usually in poetry but sometimes in prose; the device of calling out to an imaginary, dead, or absent person place or thing and is an abstraction.

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8
Q

Argumentation

A

Writing that attempts to prove the validity of a point of view or an idea by presenting reasoned arguments; persuasive writing is a form of argumentation.

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9
Q

Cacophony

A

harsh, awkward, or dissonant sounds used deliberately in prose or poetry; the opposite of euphony.

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10
Q

Caricature

A

descriptive writing that greatly exaggerates a specific feature of a person’s appearance or a facet of personality

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11
Q

Colloquialism

A

a word or phrase (including slang) used in everyday conversation and informal writing but that is often inappropriate in formal writing (y’all, ain’t)

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12
Q

Coherence

A

quality of a piece of writing in which all the parts contribute to the development of the central idea, theme or organizing principle.

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13
Q

Concrete Language

A

language that describes specific observable things, people, or places, rather than ideas or qualities.

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14
Q

Connotation

A

implied or suggested meaning of a word because of its association in the reader’s mind.

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15
Q

Consonance

A

repetition of identical consonant sounds within 2 or more words in close proximity, as in boost/ best; it can also be seen within several compound words, such as fulfill and ping-pong.

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16
Q

Conundrum

A

a riddle whose answer is or involves a play on words; in may also be a paradox or difficult problem.

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17
Q

Deduction

A

the process of moving from a general rule to a specific example.

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18
Q

Denotation

A

literal meaning of a work as defined

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19
Q

Description

A

the picturing in words of something or someone through detailed observation of color, motion, sound, taste, smell, and touch; on of the four modes of discourse.

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20
Q

Diction

A

word choice, and element of style; diction creates tone, attitude, and style as well as meaning. different types and style, as well as meaning. different types and arrangements of words have significant effects on the meaning. Academiv diction would be less colorful, but more precise than street slang

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21
Q

Didactic

A

Writing whose purpose is to instruct or to teach. A didactic work is usually formal and focuses on moral or ethical concerns. Provides a model for correct behavior. Can be fiction or Nonfiction

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22
Q

Discourse

A

spoken or written language, including literary works; the four traditionally classified modes of discourse are description, exposition, narrrator, and personation.

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23
Q

Emotional Appeal

A

Pathos; when a writer appeals to the reader’s emotions to excite and involve them in the argument.

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24
Q

Epigraph

A

the use of a quotation at the beginning of a work that hints at its theme.

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25
Q

Ethical Appeal

A

Ethos; when a writer trys to persuade the audience to respect and believe him or her based on presentation of image of self through the text. Reputation is sometimes a factor in ethical appeal. but in all cases it is to guide the audiences confedience.

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26
Q

Euphemism

A

a more acceptable or more peasent way of saying something inappropriate or uncomfortable.

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27
Q

Euphony

A

A succession of harmonious sounds used in poetry or prose; the opposite of cocophony.

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28
Q

Example

A

and individual instance taken to be representative of a general pattern.

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29
Q

Explication

A

the art of interpreting or discovering the meaning of a text. it usually invovles close reading and special attention to figurative language.

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30
Q

Exposition

A

the immediate revelationto the audience of the setting and other background information nessicery for understandin the plot

31
Q

Generalization

A

when a writer bases a claim upon an isolated example or asserts that a claim applies to all instances instead of some

32
Q

Genre

A

a type of lierary work, such as a novel or poem; there are also subgenres, such as scientific fiction or sonnet.

33
Q

Humor

A

anything that causes laughter or amusment. it did mean a person’s temperment

34
Q

Hyperbole

A

Extreme exaggeration to create humor or emphasis.

35
Q

Image

A

Word or words used to appeal to our senses to give us a visualization. It is always a concrete representation.

36
Q

Imagery

A

words or phrases that are used in collection to appeal to the senses and give a mental picture.

37
Q

Induction

A

The process that moves from a given series of specifics to a generalization

38
Q

Inference

A

a conclusion on can draw from the presented details

39
Q

Invictive

A

a verbally abusive attack.

40
Q

Inversion

A

reversing the customary order of elements in a sentence or phrase; it is used effectively in many cases’ such as posing a question.

41
Q

Jargon

A

The special language of a group or profession. the term usually has pejorative associations with the implication that jargon is evasive, tedious, and unintelligible to outsiders.

42
Q

Logical Appeal

A

When a writer tries to persuade through logical expression and the argument is based on fact, statistics and reason.

43
Q

Lyrical

A

Song-like; characterized by emotions, subjectivity, and imagination.

44
Q

Mode

A

the method or form of a literary work; the manner in which a work of literature is written.

45
Q

Mood

A

Similar to tone, mood is the primary emotional attitude of a work. Syntax is also a determiner of mood because sentence strength, length, and complexity affect pacing.

46
Q

Narration

A

The telling of a story in fiction, nonfiction, poetry, or drama; one of the 4 modes of discourse.

47
Q

Objectivity

A

An impersonal presentation of events and characters. it is a writer’s attempt to remove himself from any subjective, personal involvement in a story.

48
Q

Parallelism

A

the technique of arranging words. phrases, clauses, or larger structures side by side and making the similar in form.

49
Q

Parody

A

a work that riducules the style of another work.

50
Q

Pahetic Appeal; Pathos

A

The emotional appeal of an argument.

51
Q

Pedantic

A

a term used to describe writing that borders on lecturing.

52
Q

Persuasion

A

a form of argumentation, one of the four modes of discourse.

53
Q

Regionalism

A

an element in literature that conveys a realistic portrayal of a specific geographical locale.

54
Q

Rhetorical Modes

A

Exposition, description, narrration, argumentation.

55
Q

Rhetorical Question

A

One that does not expect an explicit answer.

56
Q

Sarcasm

A

harsh, caustic remorks to or about someone.

57
Q

Satirc

A

a work that reveals a critical attitude toward some element of human behavior.

58
Q

Speaker

A

The voice of a work.

59
Q

Stereotype

A

a character thatt represents a social or racail group and lacks individuality.

60
Q

Style

A

an authors characteristic manner of expression.

61
Q

Subjectivity

A

a personal presentation of events.

62
Q

Syllogism

A

a form of reasoning in which 2 statments are made and a conclusion is drawn from them.

63
Q

Synecdoche

A

a figure of speech where part of something represents a whole.

64
Q

Syntactic Fluency

A

ablility to create a variety of sentence structures.

65
Q

Syntactic Permutation

A

sentence structures that are extraordinarily complex and invvled.

66
Q

Syntax

A

the grammatical structure of a sentence.

67
Q

Theme

A

the central idea or message of the literary work

68
Q

Thesis

A

the main idea of a piece of writing

69
Q

Tone

A

The characteristic attitude of the author to the subject.

70
Q

Transition

A

a word or phrase that links on idea to the next idea.

71
Q

Understatement

A

the opposite of exaggeration.

72
Q

Voice

A

refers to writer’s style and the relationship between sentence subjects.

73
Q

Fallacy

A

any aspect of writing that tends to weaken an argument.

74
Q

Ad hominem

A

instead of attacking his/her opponent’s argument, the arguer attacks their opponent themselves.