AP Vocab 181-210 Flashcards

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1
Q

Sestet

A

Six lines of poetry, OR the last six lines of a Petrarchan sonnet.

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2
Q

Setting

A

Where and when a story takes place. Can be revealed either directly or indirectly.

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3
Q

Sociological Novel

A

Narrative which depicts the injustices of society, making moral judgments and offering resolutions.

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4
Q

Sonnet

A

A fourteen-line poem written in iambic pentameter with a specific rhyme scheme.

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5
Q

Sonnet, Petrarchan (Italian)

A

Sonnet composed of an octave and a sestet, usually with the rhyme scheme abbaabba cdecde.

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6
Q

Sonnet, Shakespearean (English)

A

Sonnet composed of three quatrains and a rhyming couplet with the rhyme scheme abab cdcd efef gg.

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7
Q

Spenserian Stanza

A

A nine-line stanza with the rhyme scheme abaabbcbcc; the first eight lines are written in iambic pentameter and the last line (an alexandrine) is written in iambic hexameter.

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8
Q

Sprung Rhythm

A

Meter in which the number of stressed syllables in each line is the same, while the number of unstressed syllables can vary. Intended to imitate natural speech patterns.

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9
Q

Stanza

A

A division of a poem.

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10
Q

Stereotype

A

A character whose attitudes, words, and actions fall within a widely-held idea of a “type”; may also be applied to plot.

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11
Q

Stichomythia

A

Dialogue in which the endings and beginnings of each line echo each other, taking on a new meaning with each new line.

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12
Q

Stream of Consciousness

A

A technique in which prose follows the logic and flow of a character (or multiple characters’) thought processes - associations, tangents, seemingly strange transition - rather than a more ordered narrative.

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13
Q

Style

A

The way a literary work is written. Style is produced by an author’s choices in diction, syntax, imagery, figurative language, and other literary elements.

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14
Q

Syllabic Verse

A

Poetry which contains the same number of syllables in each line or follows a pattern of syllables per line.

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15
Q

Symbol

A

A setting, an object, or an event in a story that carries more than literal meaning and therefore represents something significant to understanding the meaning of a work in literature.

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16
Q

Synecdoche

A

A figure of speech in which part of something is used to represent the whole.

17
Q

Syntax

A

The arrangement of words into phrases, clauses, and sentences in a prose passage. This includes word order; the length and structure of sentences, phrases, and clauses; the preference of various parts of speech over others; the use of connectors between and within sentences; and more.

18
Q

Syllogism

A

A form of logical reasoning that joins two or more premises to arrive at a conclusion.

19
Q

Tercet

A

Three lines of poetry that usually rhyme.

20
Q

Terza Rima

A

An interlocking three-line stanza with the rhyme scheme aba bcb cdc ded, etc.

21
Q

Theme

A

Underlying ideas or issues in a work.

22
Q

Thesis

A

The chief claim that a writer makes in any argumentative or expository piece of writing, usually stated in one sentence.

23
Q

Tone

A

A speaker’s attitude or stance as exposed through stylistic choices.

24
Q

Tragedy

A

A serious dramatic work in which the protagonist experiences a series of unfortunate reversals due to some character trait, referred to as a tragic flaw. Structurally, they usually progress from order to chaos.

25
Q

Transcendentalism

A

A 19th century movement in the Romantic tradition that was a reaction to both rationalism and empiricism. Emphasized the idea that humans can rise above materialism to a higher happiness through simplicity and communion with nature.

26
Q

Transition

A

A word or phrase that links ideas, signaling a shift from one idea to another.

27
Q

Understatement

A

The presentation of framing something as less important, urgent, important, awful, good, powerful, and so on than it actually is, often for satire or comical effect; the opposite of hyperbole.

28
Q

Villanelle

A

A form of poetry in which five tercets (rhyme scheme aba) are followed by a quatrain (rhyme scheme abaa). Lines 1 and 3 of the first tercet repeat alternately as refrains at the end of the subsequent tercets, and are used to conclude the quatrain.

29
Q

Wit

A

Cleverness and keen perception.

30
Q

Zeugma

A

A technique in which one verb is used with multiple (and often incongruous) objects, so that the definition of the verb is changed, complicated, or made both literal and figurative.