AP English Poetry Terms Flashcards

Learn the AP English poetry terms with examples and definitions (both ways).

You may prefer our related Brainscape-certified flashcards:
1
Q

the same letter or consonant sound at the beginning of closely connected words

A

alliteration

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

“Kill the boys and the luggage!” (Fluellen in William Shakespeare’s “Henry V”)

A

zeugma

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

synesthesia

A

the description of one kind of sense perception using words meant to describe another

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

“Behold! human beings living in an underground cave, which has a mouth open towards the light and reaching all along the cave; here they have been from their childhood, and have their legs and necks chained so that they cannot move, and can only see before them, being prevented by the chains from turning round their heads. Above and behind them a fire is blazing at a distance, and between the fire and the prisoners there is a raised way; and you will see, if you look, a low wall built along the way, like the screen which marionette players have in front of them, over which they show the puppets. . .” (Plato, “The Republic”)

A

allegory

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

a literary genre in which the shortcomings of individuals and society are ridiculed in order to incite change (usually to correct the issue)

A

satire

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

symbol

A

a thing that actually stands for something else, such as a material object representing an abstract idea

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

“Death be not proud, though some have called thee Mighty and dreadfull, for, thou art not so, For, those, whom thou think’st, thou dost overthrow, Die not, poore death, nor yet canst thou kill me.” (John Donne, “Death be not proud”)

A

apostrophe (speaking to Death)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

onomatopoeia

A

a word that sounds like the thing it describes

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

“Twinkle, twinkle, little star, How I wonder what you are. Up above the world so high, Like a diamond in the sky.” (Jane Taylor, “The Star,” 1806)

A

apostrophe (speaking to a star)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

zeugma

A

a figure of speech in which an adjective or verb is used with two nouns but is appropriate to only one of them or has a different sense with each

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

an elaborate metaphor with complex logic; an imaginative poetic image or writing that contains such an image, especially a comparison that is extreme or far-fetched

A

conceit

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

“Our transportation crisis will be solved by a bigger plane or a wider road, mental illness with a pill, poverty with a law, slums with a bulldozer, urban conflict with a gas, racism with a goodwill gesture.” (Philip Slater, The Pursuit of Loneliness)

A

parallelism

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

“The things you don’t know would fill a whole library and leave room for a few pamphlets.” (from “The Simpsons”)

A

hyperbole

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

allegory

A

a story, poem, or picture that can be interpreted to reveal a hidden meaning, typically a moral or political one; its events, actions, characters, settings, and objects represent specific abstractions or ideas

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

allusion

A

an expression that calls something to mind without explicitly mentioning it; a brief reference to a person, place, thing, event, or idea in history or literature

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

“We should hire illegal immigrants as teachers because that way we can pay them less.”

A

satire

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

satire

A

a literary genre in which the shortcomings of individuals and society are ridiculed in order to incite change (usually to correct the issue)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

imagery

A

visually descriptive language that addresses the senses (sight, taste, etc.)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

“She dealt with moral problems as a cleaver deals with meat.” (James Joyce, “The Boarding House”)

A

simile

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

“I catch the sound and it takes me into the cold.” (Emily Raboteau, “The Professor’s Daughter”, 2005)

A

synesthesia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

bitter sweet

A

oxymoron

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

the description of one kind of sense perception using words meant to describe another

A

synesthesia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

Absence makes the heart grow fonder.

A

cliché

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

a word that sounds like the thing it describes

A

onomatopoeia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
Q

substituting a more inclusive term for a less inclusive one or vice versa; can be seen as a subset of metonymy in which the “part” referring to the “whole” is a component of the “whole,” rather than something that is just strongly associated with it

A

synecdoche

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
26
Q

“I am hearing the shape of the rain Take the shape of the tent and believe it . . .” (James Dickey, opening lines of “The Mountain Tent”)

A

synesthesia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
27
Q

“Whether the nymph shall break Diana’s law, Or some frail China-jar receive a flaw, Or stain her honour, or her new brocade.” (Alexander Pope, “The Rape of the Lock”)

A

zeugma

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
28
Q

“Language is a road map of a culture. It tells you where its people come from and where they are going.” (Rita Mae Brown)

A

metaphor

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
29
Q

“Latinas are in oppressive structures. We can fool ourselves, but we’d still be getting dumped on.” (Felix M. Padilla)

A

colloquialism

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
30
Q

applying human attributes to an inhuman object; a form of metaphor

A

personification

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
31
Q

a figure of speech in which an adjective or verb is used with two nouns but is appropriate to only one of them or has a different sense with each

A

zeugma

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
32
Q

substituting the name of an attribute or feature for the name of the thing itself; more general than synecdoche, and can deal with situations in which the attribute of the thing is strongly associated with the thing but is not necessarily a part of it

A

metonymy

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
33
Q

If we play our cards right…

A

idiom

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
34
Q

a thing that actually stands for something else, such as a material object representing an abstract idea

A

symbol

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
35
Q

“In our kitchen, he would bolt his orange juice (squeezed on one of those ribbed glass sombreros and then poured off through a strainer) and grab a bite of toast (the toaster a simple tin box, a kind of little hut with slit and slanted sides, that rested over a gas burner and browned one side of the bread, in stripes, at a time) . . .” (John Updike)

A

imagery

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
36
Q

hyperbole

A

exaggerated claims not meant to be taken literally; adds emphasis

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
37
Q

“Take thy face hence.” (William Shakespeare, Macbeth)

A

synecdoche (the face is literally part of the body)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
38
Q

euphemism

A

a mild expression substituted for a harsh one

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
39
Q

dramatic irony

A

a meaning is understood by the audience of a work, but not by the work’s characters

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
40
Q

verbal irony

A

sarcasm; saying the opposite of what is meant

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
41
Q

“The swiftest traveler is he that goes afoot.” (Henry David Thoreau, Walden, 1854)

A

paradox

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
42
Q

simile

A

an indirect comparison between two things using conjunctions (such as ‘like’ or ‘as’)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
43
Q

exaggerated claims not meant to be taken literally; adds emphasis

A

hyperbole

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
44
Q

sarcasm; saying the opposite of what is meant

A

verbal irony

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
45
Q

“Life is no ‘brief candle’ to me. It is a sort of splendid torch which I have got hold of for the moment; and I want to make it burn as brightly as possible before handing it on to future generations.” (George Bernard Shaw)

A

allusion (to Robert Frost’s poetry)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
46
Q

“I was helpless. I did not know what in the world to do. I was quaking from head to foot, and could have hung my hat on my eyes, they stuck out so far.” (Mark Twain)

A

hyperbole

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
47
Q

“You are free to execute your laws, and your citizens, as you see fit.” (Star Trek: The Next Generation)

A

zeugma

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
48
Q

“It is strange that the professor had not assigned any papers for three weeks.” vs. “It’s strange that the professor hadn’t assigned any papers for three weeks.” (What’s the difference? Why does one seem less formal?)

A

tone

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
49
Q

“Guys, I feel very terrible about what I’m about to say. But I’m afraid you’re both being let go.” (from “In Good Company”, 2004)

A

euphemism

50
Q

“The Celestial City, he said, he should die if he came not to it; and yet was dejected at every difficulty, and stumbled at every straw that anybody cast in his way. Well, after he had lain at the Slough of Despond a great while, as I have told you, one sunshine morning, I do not know how, he ventured, and so got over; but when he was over, he would scarce believe it. He had, I think, a Slough of Despond in his mind; a slough that he carried everywhere with him, or else he could never have been as he was.” (John Bunyan, “Pilgrim’s Progress”)

A

allegory

51
Q

All hands on deck.

A

synecdoche (hands are literally part of the human body)

52
Q

“I violated the Noah rule: predicting rain doesn’t count; building arks does.” (Warren Buffett)

A

allusion (to Noah’s Ark in the Bible)

53
Q

a passage addressed to a person who is dead or absent, or a personified thing

A

apostrophe

54
Q

tone

A

a manner of expression in writing; the author’s implicit attitude toward the reader or the people, places, and events in a work as revealed by the elements of the author’s style

55
Q

alliteration

A

the same letter or consonant sound at the beginning of closely connected words

56
Q

“Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth . . .” (Robert Frost)

A

symbol

57
Q

“If I bleat when I speak it’s because I just got . . . fleeced.” (Al Swearengen in “Deadwood”, 2004)

A

assonance

58
Q

“Over and over, I would read her account of the turning point in her career–the night she got her first standing ovation, hours after being dumped by her fiance because she wouldn’t quit acting.” (K.D. Miller)

A

colloquialism

59
Q

“In those other summertimes all motors were inboard; and when they were at a little distance, the noise they made was a sedative, an ingredient of summer sleep. They were one-cylinder and two-cylinder engines, and some were make-and-break and some were jump-spark, but they all made a sleepy sound across the lake. The one-lungers throbbed and fluttered, and the twin-cylinder ones purred and purred, and that was a quiet sound, too.” (E.B. White)

A

imagery

60
Q

“[Aredelia] found Starling in the warm laundry room, dozing against the slow rump-rump of a washing machine.” (Thomas Harris, Silence of the Lambs)

A

onomatopoeia

61
Q

“The city stopped washing its buses because they kept getting dirty again.”

A

satire

62
Q

colloquialism

A

a word or phrase used on ordinary conversation and not generally in a literary context; includes, for example, slang expressions

63
Q

a mild expression substituted for a harsh one

A

euphemism

64
Q

“I smelled the warm, sweet, all-pervasive smell of silage, as well as the sour dirty laundry spilling over the basket in the hall. I could pick out the acrid smell of Claire’s drenched diaper, her sweaty feet, and her hair crusted with sand. The heat compounded the smells, doubled the fragrance.” (Jane Hamilton)

A

imagery

65
Q

the time and place of a literary work

A

setting

66
Q

personification

A

applying human attributes to an inhuman object; a form of metaphor

67
Q

paradox

A

a seemingly absurd statement that, upon further investigation, makes sense and seems true

68
Q

“If they be two, they are two so As stiff twin compasses are two; Thy soul, the fix’d foot, makes no show To move, but doth, if th’ other do.” (John Donne, “A Valediction Forbidding Mourning”)

A

conceit

69
Q

visually descriptive language that addresses the senses (sight, taste, etc.)

A

imagery

70
Q

the use of successive, repetitive verbal constructions for literary effect

A

parallelism

71
Q

exact estimate

A

oxymoron

72
Q

“Detroit is still hard at work on an SUV that runs on rain forest trees and panda blood.” (Conan O’Brien)

A

metonymy (employees who work in Detroit are not literally a part of the physical city and its land)

73
Q

a seemingly absurd statement that, upon further investigation, makes sense and seems true

A

paradox

74
Q

cliché

A

a predictable, overused phrase or opinion

75
Q

The suits on Wall Street walked off with most of our savings.

A

metonymy (businesspeople wear suits, but the suits are not a body part)

76
Q

synecdoche

A

substituting a more inclusive term for a less inclusive one or vice versa; can be seen as a subset of metonymy in which the “part” referring to the “whole” is a component of the “whole,” rather than something that is just strongly associated with it

77
Q

a story, poem, or picture that can be interpreted to reveal a hidden meaning, typically a moral or political one; its events, actions, characters, settings, and objects represent specific abstractions or ideas

A

allegory

78
Q

“Hark, hark! Bow-wow. The watch-dogs bark! Bow-wow. Hark, hark! I hear The strain of strutting chanticleer Cry, ‘cock-a-diddle-dow!’” (Ariel in William Shakespeare’s The Tempest, Act One, scene 2)

A

onomatopoeia

79
Q

“Immature poets imitate; mature poets steal.” (T.S. Eliot, “Philip Massinger,” 1920)

A

parallelism

80
Q

parallelism

A

the use of successive, repetitive verbal constructions for literary effect

81
Q

“We sew, sew, prick our fingers, dull our sight, Producing what? A pair of slippers, sir, To put on when you’re weary.” (Elizabeth Barret Browning, Aurora Leigh, 1857)

A

symbol

82
Q

a manner of expression in writing; the author’s implicit attitude toward the reader or the people, places, and events in a work as revealed by the elements of the author’s style

A

tone

83
Q

combines normally contradictory terms; a condensed form of paradox

A

oxymoron

84
Q

genuine imitation

A

oxymoron

85
Q

“Grave men, near death, who see with blinding sight; Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light.” (Dylan Thomas, “Do not go gentle into that good night”)

A

assonance

86
Q

“Only the champion daisy trees were serene. After all, they were part of a rain forest already two thousand years old and scheduled for eternity, so they ignored the men and continued to rock the diamondbacks that slept in their arms. It took the river to persuade them that indeed the world was altered.” (Toni Morrison, “Tar Baby”, 1981)

A

personification (and, yes, this is the author of “Song of Solomon,” the book that Thomas C. Foster loved way too much in the summer reading assignment)

87
Q

oxymoron

A

combines normally contradictory terms; a condensed form of paradox

88
Q

a meaning is understood by the audience of a work, but not by the work’s characters

A

dramatic irony

89
Q

“The streets were a furnace, the sun an executioner.” (Cynthia Ozick, “Rosa”)

A

metaphor

90
Q

a word or phrase used on ordinary conversation and not generally in a literary context; includes, for example, slang expressions

A

colloquialism

91
Q

“War is peace.” “Freedom is slavery.” “Ignorance is strength.” (George Orwell, 1984)

A

paradox

92
Q

The water in the building will be turned off for the next six hours. How wonderful!

A

verbal irony

93
Q

“He carried a strobe light and the responsibility for the lives of his men.” (Tim O’Brien, “The Things They Carried”, 1990)

A

zeugma

94
Q

when an incongruity exists between what is expected to happen and what actually happens due to forces beyond human control

A

situational irony

95
Q

metonymy

A

substituting the name of an attribute or feature for the name of the thing itself; more general than synecdoche, and can deal with situations in which the attribute of the thing is strongly associated with the thing but is not necessarily a part of it

96
Q

a group of words with a meaning that cannot be discerned from the meanings of the words themselves

A

idiom

97
Q

the repetition of vowel sounds in closely connected words

A

assonance

98
Q

“I was not born in a manger. I was actually born on Krypton and sent here by my father, Jor-el, to save the Planet Earth.” (Barack Obama)

A

allusion (to both the Bible and Superman)

99
Q

“Good men are gruff and grumpy, cranky, crabbed, and cross.” (Clement Freud)

A

alliteration

100
Q

“The soul selects her own society.” (Emily Dickinson)

A

alliteration

101
Q

What goes around comes around.

A

cliché

102
Q

“He was like a cock who thought the sun had risen to hear him crow.” (George Eliot, “Adam Bede”, 1859)

A

simile

103
Q

an expression that calls something to mind without explicitly mentioning it; a brief reference to a person, place, thing, event, or idea in history or literature

A

allusion

104
Q

(Many examples of this concept are too large to fit here. However, this device is seen throughout “Oedipus the King,” which we read and discussed in class. The audience knows of his history, but he doesn’t.)

A

dramatic irony

105
Q

idiom

A

a group of words with a meaning that cannot be discerned from the meanings of the words themselves

106
Q

an indirect comparison between two things using conjunctions (such as ‘like’ or ‘as’)

A

simile

107
Q

metaphor

A

a meaning applied to an object to which it does not literally apply; comparison without ‘like’ or ‘as’

108
Q

…the kiss of death…

A

idiom

109
Q

situational irony

A

when an incongruity exists between what is expected to happen and what actually happens due to forces beyond human control

110
Q

“Brrrrrrriiiiiiiiiiiiiiiiiiinng! An alarm clock clanged in the dark and silent room.” (Richard Wright, Native Son, 1940)

A

onomatopoeia

111
Q

a predictable, overused phrase or opinion

A

cliché

112
Q

Every cloud has a silver lining…

A

idiom

113
Q

apostrophe

A

a passage addressed to a person who is dead or absent, or a personified thing

114
Q

“Pimento eyes bulged in their olive sockets. Lying on a ring of onion, a tomato slice exposed its seedy smile . . .” (Toni Morrison, “Love: A Novel”)

A

personification (and, yes, this is the author of “Song of Solomon,” the book that Thomas C. Foster loved way too much in the summer reading assignment)

115
Q

“Some day you will be old enough to start reading fairy tales again.” (C.S. Lewis to his godchild, Lucy Barfield, to whom he dedicated The Lion, the Witch and the Wardrobe)

A

paradox

116
Q

A couple appears in court to finalize a divorce, but during the proceeding, they remarry instead.

A

situational irony

117
Q

The White House asked the television networks for air time on Monday night.

A

metonymy (White House staff are not literally “part” of the building itself)

118
Q

conceit

A

an elaborate metaphor with complex logic; an imaginative poetic image or writing that contains such an image, especially a comparison that is extreme or far-fetched

119
Q

a meaning applied to an object to which it does not literally apply; comparison without ‘like’ or ‘as’

A

metaphor

120
Q

setting

A

the time and place of a literary work

121
Q

“When you are right you cannot be too radical; when you are wrong, you cannot be too conservative.” (Martin Luther King, Jr.)

A

parallelism

122
Q

assonance

A

the repetition of vowel sounds in closely connected words