AO3 Flashcards

1
Q

Wallace Gray - dual nature

A

“dual realistic and symbolic nature”

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2
Q

Wallace Gray - the modernist on the city

A

“the modernist is hostile to city life”

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3
Q

Wallace Gray - the modernist on culture

A

“the modernist finds culture itself to be drab and shallow”

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4
Q

Wallace Gray - existentialism

A

“we live in a world that offers no meaning or purpose to existence, one in which we feel alienated from the self and others, in which there are no clear moral standards”

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5
Q

Wallace Gray - love

A

“love is absent”

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6
Q

Wallace Gray - f.i.d

A

“the character “infects” the prose style of the writer”

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7
Q

Wallace Gray - effects of chiasmus

A

“Joyce achieves a number of effects through the extensive chiasmus … he provided the incantatory effect of the kind of intonations of chants one would hear in Church. The effect is also numbing”

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8
Q

Wallace Gray - chiasmus/repetition to show paralysis

A

“the sense of a lack of forward movement, of a passage turning in on itself in repetitive images, the essence of paralysis”

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9
Q

Herring - truth of the narrative

A

“neither the boy nor the reader can know the truth they seek”

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10
Q

Herring - elliptical language

A

“the text is filled with elliptical language filtered through the consciousness of a bewildered youth”

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11
Q

Herring - gnomonic nature of the language

A

“gnomonic nature of the story’s language: it is elliptical, evasive, sometimes mysterious”

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12
Q

Herring - triteness

A

“Questing characters in Dubliners are frequently assaulted by something I call a “tyranny of triteness,”

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13
Q

Herring - escape

A

“Dubliners seek to fly by nets erected to keep them down”

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14
Q

Herring - avoiding censorship

A

“the author need not fear censorship because libelous thoughts are in the reader’s mind, not in the text”

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15
Q

Herring - reader response to gnomonic langugae

A

“Readers are thus urged to examine the implications of what is missing … how shadows illuminate presences, how abnormality can define the normal”

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16
Q

Herring - paralysis

A

“centuries of political and religious oppression had caused a general paralysis of mind and will”

17
Q

Riquelme - perspective

A

“Oscillating perspective”

18
Q

Riquelme - pschological

A

“Joyce can include the psychological within a physical description”

19
Q

Riquelme - narrator presence

A

“The narrator always asserts his presence and his difference from the characters”

20
Q

Riquelme - spech vs silence

A

“The boy’s development is toward speech. Eveline’s is toward silence.”

21
Q

Riquelme - snow in The Dead

A

“he becomes aligned with both the snow that falls and what it falls upon”

22
Q

Riquelme - Gabriel’s change

A

“his previously held attitudes and perspectives fade, and the new ones that begin to form are superimposed on them”

23
Q

Riquelme - ambiguous epiphany The Dead

A

“Gabriel learns something that help him to develop or that he is destroyed”

24
Q

Riquelme - effect of repetition

A

“their insistent, even mechanical, quality can disturb the realistic illusion”

25
Q

Riquelme - illusion of the perfect past

A

“The original to be repeated never existed”

26
Q

Norris - Clay narrator

A

“Its narrative self-deception attempts, and fails, to mislead the reader”

27
Q

Norris - Maria’s desires

A

“the “old maid”: a figure who seems to lack everything and therefore embodies total desire”

28
Q

Norris - narrative gratifying Maria

A

“The distinctive features of the story’s narration serve the function of gratifying Maria’s desire for recognition.”

29
Q

Norris - reader deciding how to interpret the narrative

A

“the reader must decide whether to trust the narrated speech or the narrated gestures”

30
Q

Trevor L Williams - British power

A

British power is the ultimate determining factor upon the forms of Irish economic and political life

31
Q

Williams - sexuality

A

Sexuality may be…commodified

32
Q

Williams - Corley’s coin

A

A fitting tribute to this commodity fetishism that so pervades Joyce’s Dublin

33
Q

Vincent J Cheng - Mangan’s sister

A

“Mangan’s sister induces in the boy a rapturous ectasy of chivalric romance and religious adoration”

34
Q

Homi Bhabha

A

“orientalism is…the site of dreams, images, fantasies, myths”

35
Q

Vincent J Cheng - female idolisation

A

“The boy partakes in the female idolisation and deification”

36
Q

Vincent J Cheng - Madonna

A

Objectifies her into an essentialised image of the Madonna

37
Q

Vincent J Cheng - feminine other

A

The adolescent male desire for a feminine Other

38
Q

Vincent J Cheng - disillusioned

A

Its cheap commercialism and drab conversation seem to cheapen the secret world of dreams and desire

39
Q

Vincent J Cheng - Ireland’s commercialism

A

Commercialised Ireland that has been prostituted to Mammon