Adolescent stories Flashcards

1
Q

Eveline - opening

A

“She sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odour of dusty cretonne. She was tired.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Eveline - beginning of f.i.d

A

“Home!”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Eveline - priest

A

“never found out the name of the priest whose yellowing picture hung on the wall”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Eveline - public expectation

A

“What would they say of her”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Eveline - respect from others

A

“People would treat her with respect then. She would not be treated as her mother had been”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Eveline - comfort in the familiar

A

“now that she was about to leave it she did not find it a whollly undesirable life”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Eveline - blissful ignorance

A

“She felt pleasantly confused”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Eveline - fantasy of escape

A

“he had tales of distant countries”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Eveline - repetition of the opening lines

A

“Her time was running out but she continued to sit by the window, leaning her head against the window curtain, inhaling the odour of dusty cretonne”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Eveline - prison of duty

A

“her promise to keep the home together as long as she could”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Eveline - sacrifices of motherhood

A

“that life of commonplace sacrifice closing in final craziness”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Eveline - nonsense

A

“Derevaun Seraun! Derevaun Seraun!”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Eveline -priorities of her relationship with Frank

A

“He would give her life, perhaps love too”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Eveline - protection of Frank

A

“Frank would take her in his arms, fold her in his arms”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Eveline - description of the boat

A

“glimpse of the black mass of the boat, lying in beside the quay wall, with illumined portholes”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Eveline - God and duty

A

“she prayed to God to direct her, to show her what was her duty”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Eveline - Frank = trap

A

“He was drawing her into them: he would drown her”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Eveline - completion of her deterioration

A

“She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

After the Race - The Continent vs. Dublin

A

“ars careering homeward and through this channel of poverty and inaction the Continent sped it wealth and industry”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

After the Race - clumps quote

A

“clumps of people raised the cheer of the gratefully oppressed”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

After the Race - Jimmy’s father

A

“His father, who had begun life as an advanced Nationalist, had modified his views early”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

After the Race - Jimmy’s warped priorities

A

“Rapid motion through space elates one; so does notoriety; so does the possession of money”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

After the Race - inferiority of Irish economy

A

“The mite of Irish money”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

After the Race - description of the car ride

A

“The journey laid a magical finger on the pulse of life”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
Q

After the Race - mechanical metaphor

A

“The machinery of human nerves”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
26
Q

After the Race - pretence of Dublin

A

“the city wore the mask of a captial”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
27
Q

After the Race - gnomonic language

A

“No one knew very well what the talk was about”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
28
Q

After the Race - Farley has power vs. Jimmy’s lack

A

“Farley out of breath cried Stop!” “He wished that they would stop”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
29
Q

After the Race - Jimmy’s childish excitement

A

“What jovial fellows! What good company they were! Cards! Cards!”

30
Q

After the Race - Jimmy’s confusion

A

“Jimmy did not know exactly who was winning but he knew that he was losing”

31
Q

After the Race - hiding from his mistakes

A

“he was glad of the rest, glad of the dark stupor that would cover up his folly”

32
Q

After the Race - version of epiphany

A

“Shaft of grey light: Daybreak, gentlemen!”

33
Q

Two Gallants - description of the streets

A

“the living texture below, changing shape and hue increasingly, sent up into the warm grey evening air an unchanging unceasing murmur”

34
Q

Two Gallants - Corley’s solipstic nature

A

“bringing a long monologue to a close”

35
Q

Two Gallants - Lenehan’s description

A

“his jauntily slung waterproof expressed youth. But his figure fell into rotundity at the waist”

36
Q

Two Gallants - what others call Lenehan

A

“Most people considered Lenehan a leech”

37
Q

Two Gallants - Corley receiving gifts from women

A

“Cigarettes every night she’d bring me and paying the tram out and back”

38
Q

Two Gallants - Lenehan’s head

A

“His head was large, globular and oily … like a bulb”

39
Q

Two Gallants - Corley’s self obsessed nature

A

“He spoke without listening to the speech of his companions. His conversation was mainly about himself”

40
Q

Two Gallants - web of darkness

A

“the grey trap of twilight”

41
Q

Two Gallants - the fate of one of Corley’s women

A

“She’s on the turf now”

42
Q

Two Gallants - harpist description

A

“his harp too, heedless that her coverings had fallen about her knees, seemed weary alike of the eyes of strangers and of her master’s hands”

43
Q

Two Gallants - Corley’s eyes

A

“Had something of the conqueror in them”

44
Q

Two Gallants - description of the woman meeting Corley

A

“Frank rude health glowed in her face, on her fat red cheeks and in her unabashed blue eyes”

45
Q

Two Gallants - expression of the woman

A

“Straggling mouth which lay open in a contented leer”

46
Q

Two Gallants - machinal description

A

“a big ball revolving on a pivot”

47
Q

Two Gallants - Lenehan’s imagination

A

“In his imagintion he beheld the pair of lovers walking along some dark road”

48
Q

Two Gallants - Lenehan’s fantasy

A

“if he could only come across some good simple-minded girl with a little of the ready”

49
Q

Two Gallants - clinical language

A

“An intimation of the result pricked him like the point of a sharp instrument”

50
Q

Two Gallants - coin quote

A

“with a grave gesture he extended a hand towards the light and, smiling, opened it slowly to the gaze of his disciple … a small gold coin shone”

51
Q

The Boarding House - Mrs Mooney and her husband

A

“He went for his wife with the cleaver” “She dealt with moral problems as a cleaver deals with meat”

52
Q

The Boarding House - Mrs. Mooney’s nickname

A

“The Madam”

53
Q

The Boarding House - description of Polly

A

“made her look like a little perverse Madonna”

54
Q

The Boarding House - the men didn’t intend to marry

A

“none of them meant business”

55
Q

The Boarding House - no open communication between mother and daughter

A

“no open complicity”

56
Q

The Boarding House - double perspective

A

“She had been made awkward by her not wishng to receive the news in too cavalier a fashion or to seem to have connived / and Polly had been made awkward not merely because of allusions of that kind always made her awkward but also because she did not wish it to be thought that in her wise innoncence she had divined the intention behind her mother’s tolerance”

57
Q

The Boarding House - legalistic language, “she was sure she would _____

A

“she was sure she would win …. Youth could not be pleaded as his excuse; nor could ignorance be hi excuse”

58
Q

The Boarding House - reparation quotes

A

“What reparation would he make? There must be reparations made in such cases” “For her only one reparation could make up for the loss of her daughter’s honour: marriage”

59
Q

The Boarding House - importance of reputation in society

A

“publicity would mean for him, perhaps, the loss of his sit”

60
Q

The Boarding House - importance of money in a husband

A

“She knew he had a good screw for one thing and she suspected he had a bit of stuff put away”

61
Q

The Boarding House - burden of a daughter

A

“she thought of some mothers who could not get their daughters off their hands”

62
Q

The Boarding House - priest

A

“the priest that drawn out every ridiculous detail of the affair”

63
Q

The Boarding House - Dublin lack of privacy

A

“Dublin is such a small city: everyone knew everyone else’s business”

64
Q

The Boarding House - trap of marriage

A

“Once you are married you are done for”

65
Q

The Boarding House - seduction of Polly

A

“It was her bath night. She wore a loose open clothing … the blood glowed warmly behind her perfumed skin”

66
Q

The Boarding House - happiness is not guaranteed

A

“Perhaps they could be happy together”

67
Q

The Boarding House - escape

A

“He longed to ascend through the roof ad fly away to another country”

68
Q

The Boarding House - mechanical actions of Polly

A

“She looked at herself in profile and readjusted a hairpin”

69
Q

The Boarding House - Polly falling into fantasy

A

“She rested the nape of her neck against the cool iron bed-rail and fell into a revery”

70
Q

The Boarding House - Polly waiting for her mother to call

A

“She waited patiently, almost cheerfully, without alarm, her memories gradually giving away to hopes and visions of the future”

71
Q

The Boarding House - mother drawing her back to reality

A

“At last she heard her mother calling”