Anatomy Flashcards

1
Q

Respiration Structures

A

The Ribs & the Diaphragm

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2
Q

Ribs

A

12 thoracic vertebrae: muscles play an impt. role in respiration
Ribcage wall: expands for inspiration & collapses for expiration

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3
Q

Diaphragm

A

Base of thorax: separates the thoracic from the abdominal cavity
As it contracts, it descends & increases vertical dimension of thorax
As it relaxes, it ascends back to higher position

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4
Q

Primary Muscle of Inspiration

A

Diaphragm

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5
Q

Secondary Muscles of Inspiration

A

External intercostals, pectoralis major & minor, costal elevators, serratus posterior, neck accessory muscles primarily the sternocleidomastoid

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6
Q

Primary Muscles of Expiration

A

4 abdominal muscles: Internal oblique abdominal, external oblique abdominal, transverse abdominal, rectus abdominal

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7
Q

Air stream flows for inhalation thru the following passage:

A

nostrils, nasal cavity, nasopharynx, VP port, oropharynx, hypopharynx, larynx, b/t the ventricular fold (false VFs), b/t the true VFs, trachea, divides into the 2 bronchial tubes, branch into bronchioles, terminate in lungs @ alveolar sacs

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8
Q

When the thorax enlarges

A

Lungs within the thorax enlarge

Air in the lungs becomes less dense than atmospheric air & inspiration begins

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9
Q

Expiration

A

When the lung pressure exceeds atmospheric pressure by an amount sufficient to overcome resistance, air flows out of the lungs

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10
Q

Speaking on residual air

A

Resulting lack of sufficient air flow & subglottal pressure usually produces an increase in glottal tension as 1 attempts to maintain phonation; voice lacks adequate intensity & resonance

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11
Q

Phonating with Insufficient Loudness

A

Intensity of the voice is directly related to the amount of airflow & degree subglottal air pressure; individual should increase overall inspiration b/c as he/she increases his/her airflow, voice will be perceived as louder
Use diaphragmatic abdominal breathing

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12
Q

Speaking with Shortness of Breath

A

Some pts w/ certain physical conditions (emphysema, TB, quadriplegia) have serious problems in inspiration-expiration

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13
Q

Struggling to Take in a Breath

A

Pt uses clavicular rather than diaphragmatic-abdominal breathing

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14
Q

Key Problem for Many Voice-Disordered Patients

A

Tendency to “squeeze” the glottis closed to produce “power” rather than using abdominal muscles
Excessive effort becomes basis of a hyperfunctional voice d/o which may lead to: nodules, contact ulcers, polyps, laryngitis, loss of voice

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15
Q

Speaking & singing both require…

A

An outgoing air stream capable of activating vocal vibration

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16
Q

When looking at respiration (& speaking/singing) we need to look at:

A

How many phrases can we sing

How much emphasis we can use on 1 expiration

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17
Q

Laryngeal Functions & Respiration

A

Cough productions & valsalva maneuver

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18
Q

Laryngeal Functions & Deglutition

A

Prevents aspiration

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19
Q

Laryngeal Functions & Phonation

A

Develops subglottic air pressure; modifies air flow to vibrate VFs

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20
Q

Cartilaginous Framework of Larynx

A

1 thyroid, 1 cricoid, 1 epiglottis, 2 arytenoids, 2 corniculates, 2 cuneiforms

21
Q

Extrinsic Laryngeal Muscles

A

Stylohyoid, posterior digastric belly, anterior digastric belly, geniohyoid, thyrohyoid, sternohyoid, sternothyroid, omohyoid

22
Q

Strap Muscles of Neck

A

Geniohyoid, thyrohyoid, sternohyoid, sternothyroid, omohyoid

23
Q

Intrinsic Laryngeal Muscles

A

Thyroarytenoid, Posterior cricoarytenoid, Lateral cricoarytenoid, interarytenoid, cricothyroid

24
Q

Thyroartyenoid/vocalis Function

A

Shorten the VFs

Relaxation

25
Posterior cricoarytenoid Function
Abduction of the VFs
26
Lateral cricoarytenoid Function
Adduction of the VFs
27
Interarytenoids Function
Adduction of the VFs
28
Cricothyroid Muscle
Anteriorly placed paired muscles that lie external to the laryngeal cartilage
29
Cricothyroid Muscle Innervation
Superior laryngeal nerve
30
VF Histology
Divided into 3 layers: Cover, Lamina Propria, Muscular layer
31
Cover of VFs
Composed of epithelial layer & superficial connective tissue layer
32
Lamina Propria of VFs
Superficial, Intermediate, and Deep layers
33
Median Position of VFs
Position VFs take during phonation
34
Paramedian Position of VFs
Position most VFs take when paralyzed
35
Intermedian Position of VFs
Between the paramedian position and full adduction
36
Full Abduction Position of VFs
Similar to breathing, VFs are wide open
37
Myoelastic Aerodynamic Theory of Phonation
Phonation begins w/ expiration, setting the closed VFs in vibration as airflow passes b/t folds Subglottal air pressure builds up, resulting in increased velocity of airflow Subglottal increases & VFs are blown apart =izing supraglottic & subglottic pressure B/c of mass of VFs & Bernoulli Effect, they come back together again
38
Bernoulli Effect
Occurs when velocity of subglottal air is increased while approaching & passing thru the constricted glottis Increased velocity of airflow creates a (-) pressure b/t medial edges of VFs VFs will be "sucked" back together producing the repetitive vibratory cycle of folds blown apart & sucked back together 100s of times/sec. Is the suction action that draws the folds together
39
The Vibratory Cycle
Repeated approx. 100 times per second for an adult male and approximately 200 times per seconds for and adult female
40
Fundamental Frequency
Directly related to how many vibratory closings & openings the VFs make in 1 sec. Short, thick, lax fold vibrates at a slow rate producing a low pitch Long, thin, tense fold vibrates at a fast rate producing a high pitch
41
Falsetto
VFs can elongate/stretch only so far; extending range Folds appear long, stiff, very thin along edges, & often somewhat bow-shaped Gives the breathy quality of this Often called "loft" register
42
Glottal Fry
Pitch opposite falsetto in quality & airflow rate Described as the pulse register, the lowest range of notes Sounds like a sputter of a low-powered outboard motor Produced when the folds are approximated tightly, particularly at the arytenoids
43
Pulse/Chest Register
Lowest range of phonation
44
Modal/Midvoice Register
Range of fundamental frequency
45
Loft/Falsetto Register
Higher range of fundamental frequencies
46
Modes of Attack
Hard, glottal, or stopped Even or static Breathy
47
Short, thick, lax fold vibrates
at a slow rate producing a low pitch
48
Long, thin, tense fold vibrates
at a fast rate producing a high pitch