American Film- Carol + Moonlight Flashcards

1
Q

What is the focus of the course section on American Film since 2005?

A

The focus is on how the films affect the spectator and what they are communicating ideologically.

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2
Q

What two films are studied in the course?

A
  • Moonlight (Jenkins, 2016)
  • Carol (Haynes, 2015)
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3
Q

What is passive spectatorship?

A

A film that encourages passive spectatorship meets and satisfies all genre expectations and is produced by a mainstream studio for a mass audience.

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4
Q

What are characteristics of films that encourage active spectatorship?

A
  • Deconstruct or subvert genre convention
  • Place anti-heroes or morally questionable characters as protagonists
  • Give characters implicit or intangible motivations
  • Character-driven narratives
  • Narratives that challenge traditional structure
  • Have ambiguous or difficult ideologies
  • Explore ideologies that challenge the dominant power structures
  • Encourage the audience to intellectually engage with the text
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5
Q

True or False: An audience encouraged to be passive may focus more on their emotional response.

A

True

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6
Q

What does examining a film’s ideology involve?

A

Looking at the film’s messages and ideas, including its position on themes.

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7
Q

What are some elements a director can use to communicate a film’s ideology?

A
  • Cinematography
  • Mise en scene
  • Sound
  • Editing
  • Performance
  • Narrative Structure
  • Characters and Character Arcs
  • Dialogue
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8
Q

What is meant by encoding and decoding in film ideology?

A

A director encodes an ideological meaning into a text, and the audience must try to decode it.

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9
Q

What types of approaches can be used to analyze a film’s ideology?

A
  • Socio-historical Approach
  • Gender
  • Socio-political
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10
Q

Fill in the blank: The ideological critical approach allows us to examine one idea at a time to avoid feeling _______.

A

[overwhelmed]

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11
Q

What might be examined when analyzing a film from a Gender perspective?

A

What does the film seem to say about gender?

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12
Q

What is Barry Jenkins known for?

A

He is an African American filmmaker and auteur known for films such as Moonlight, If Beale Street Could Talk, and The Underground Railroad.

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13
Q

List some themes explored in Barry Jenkins’ films.

A
  • Marginalised identities
  • Romance narratives
  • The American Black experience
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14
Q

What is the tone commonly found in Barry Jenkins’ films?

A

Bittersweet, melancholy tone.

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15
Q

What is Mumblecore?

A

A genre characterized by dialogue-heavy, character-driven narratives with naturalistic performances.

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16
Q

What awards did Moonlight win?

A
  • Best Picture
  • Best Supporting Actor
  • Best Adapted Screenplay
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17
Q

What controversy surrounded Moonlight’s Oscar win?

A

The 2015 #oscarssowhite backlash and the La La Land incident.

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18
Q

What is the significance of the film ‘Moonlight’ in terms of production?

A

It was a low budget indie film produced by A24 and Plan B.

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19
Q

What is the focus of sexuality studies?

A

Examining the social, political, and cultural factors that contribute to the understanding of sexuality

It particularly looks at mainstream representations of sexuality outside hegemonic heterosexuality.

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20
Q

Define hegemonic heterosexuality.

A

Traditional male/female relationships in line with established gender roles

Example: monogamous partnerships between masculine men and feminine women pursuing marriage and parenthood.

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21
Q

What did Adrienne Rich argue in her 1980 article ‘Compulsory Heterosexuality and Lesbian Existence’?

A

Heterosexuality is not natural or intrinsic to humans but a political, ideological institution enforced to benefit the hegemonic patriarchy.

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22
Q

How is homosexuality portrayed in relation to hegemonic heterosexuality?

A

It is demonised and ‘othered’ in pop culture.

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23
Q

What are the ways representations of sexuality interact with hegemonic sexuality?

A
  • Endorse HS by showing it as ideal or positive
  • Endorse HS by showing alternatives as deviant or problematic
  • Challenge HS by criticising it
  • Challenge HS by showing alternatives as ideal or positive
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24
Q

What two sexual relationships are represented in Moonlight?

A
  • Chiron and Kevin
  • Juan and Teresa
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25
Q

What does the filmmaker do to communicate an idea?

A

Uses film form to encode the idea.

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26
Q

What is the role of the spectator in the film viewing process?

A

The spectator decodes the film and interprets its message.

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27
Q

What happens if a filmmaker uses challenging film form?

A

It forces the audience into being active and allows for multiple interpretations.

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28
Q

What is aberrant decoding?

A

The idea that audiences can interpret texts in multiple ways, independent of the encoded message.

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29
Q

List some factors that could affect a spectator’s reception of Moonlight.

A
  • Age
  • Gender
  • Race
  • Ethnicity
  • Sexuality
  • Personal Experiences
  • Religion
  • Up-Bringing
  • Class
  • Film literacy
  • Geography
  • Family
  • Political Beliefs
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30
Q

What is the debate regarding a film’s ideology?

A
  • A film’s ideology comes from the filmmaker (encoded)
  • A film’s ideology comes from the spectator (decoded)
31
Q

What is the emotional response of a passive spectator?

A

They may still experience a protagonist’s journey and feel emotionally affected.

32
Q

What is one message conveyed through Moonlight about young gay black men?

A

They are important because they are heroes in stories.

33
Q

What does the final sequence of Moonlight challenge regarding hegemonic heterosexuality?

A

It shows a positive alternative; homosexuality as warm, intimate, and affectionate.

34
Q

What film form techniques can encourage alignment with a character?

A
  • Closeup
  • Shot Reverse Shot
  • POV
  • Eyeline Match
  • Non-diegetic Parallel Score or Soundtrack
  • Non-diegetic Voiceover
35
Q

What does positioning in film refer to?

A

Where the audience is placed in relation to characters and how they are meant to feel about them.

36
Q

Define the term ‘positioning’ in the context of film.

A

The process of placing the audience in relation to characters and ideas within the film.

37
Q

What are the three responses a spectator can have towards a character?

A
  • Identify
  • Empathise
  • Sympathise
38
Q

What does the filmmaker’s use of narrative techniques influence?

A

It positions the audience with the protagonist through a defined journey.

39
Q

What is the significance of the opening sequence in Moonlight?

A

It uses film form elements to link to key ideas explored in the film.

40
Q

How does Moonlight offer emotional catharsis?

A

By evoking strong emotional responses through its narrative and character experiences.

41
Q

What is the source material for the film Carol?

A

Based on the 1952 romance novel The Price of Salt by Patricia Highsmith

The novel is significant for its representation of LGBTQ+ themes.

42
Q

What film format was used to shoot Carol?

A

Shot on Super 16mm film

This choice contributes to the film’s aesthetic and nostalgic feel.

43
Q

Who was the director of the film Carol?

A

Todd Haynes

Haynes is known for his contributions to queer cinema.

44
Q

What societal issue does Carol primarily address regarding sexuality?

A

Society is the problem - not their sexuality

This challenges the traditional narratives surrounding homosexual relationships.

45
Q

List the key themes explored in the film Carol.

A
  • Sexuality
  • Romance
  • Attraction & Desire
  • Societal pressure & expectation
  • Class
  • Rebellion and Choice
  • Motherhood
  • Public vs Private
46
Q

Define hegemonic heterosexuality.

A

Hegemonic heterosexuality is a political, ideological institution enforced to benefit certain power dynamics

It often marginalizes alternative sexualities.

47
Q

What did A. R. argue about heterosexuality in her 1980 article?

A

Heterosexuality is not natural or intrinsic to humans

This challenges the perception of heterosexuality as a default sexual orientation.

48
Q

What are the three key sexual relationships represented in Carol?

A
  • Carol and Therese
  • Therese and Richard
  • Carol and Harge
49
Q

True or False: Carol endorses hegemonic sexuality as ideal or positive.

A

False

The film challenges hegemonic representations of sexuality.

50
Q

How does Todd Haynes’ work fit into the transition of queer cinema?

A

He presents established pop culture figures in experimental ways

This represents a shift from radical to subversive queer cinema.

51
Q

What is the significance of the opening scene in Carol?

A

It aligns audiences with homosexuality and represents lesbian experience as romantic and beautiful

This challenges the notion of homosexuality as ‘other’ or ‘deviant’.

52
Q

What can limit our understanding of a film when using a single ideological approach?

A

It can reduce a film to only being about one idea

This can obscure the richness of the film’s narrative and themes.

53
Q

Fill in the blank: Carol can also be read as a ______ film.

A

[genre]

Different interpretations can reveal varied meanings.

54
Q

What are Todd Haynes’ aesthetic characteristics?

A
  • Inconsistent aesthetics
  • Reference the familiar with the unfamiliar
  • Postmodern and ironic uses of film form
  • Intertextual references
  • Bricolage of film languages
  • Themes of surveillance and intrusion
55
Q

What personal factors can affect a spectator’s reception of a film according to Stuart Hall?

A
  • Age
  • Gender
  • Race
  • Ethnicity
  • Sexuality
  • Personal Experiences
  • Religion
  • Up-Bringing
  • Class
  • Film literacy
  • Geography
  • Family
  • Political Beliefs
56
Q

How might conservative values affect one’s response to Carol?

A

A lack of empathy for Carol choosing to leave the family unit

This reflects the influence of personal beliefs on film reception.

57
Q

What are the potential criticisms of using an ideological framework to analyze Carol?

A
  • It closes us off to other possible approaches
  • It limits emotional response impact
  • It overlooks aesthetic and stylistic elements
58
Q

Argue that using Sexuality as a Critical Ideological Approach in relation to Carol has been useful by analyzing a key sequence.

A

The representation of queer identity challenges hegemonic norms

Specific sequences can illustrate this impact.

59
Q

What is a counter-argument to using a single ideological framework in film analysis?

A

It closes us off from other ways of reading the film

Genre, Gender, and Class frameworks also provide valuable insights.

60
Q

What does the closing sequence of Carol highlight regarding its themes?

A

It links to key ideas of sexuality, gender, and class

Analyzing film form elements can deepen understanding of these themes.

61
Q

What historical context is reflected in the aesthetics of Pan’s Labyrinth?

A

The Spanish Civil War and Franco

This context deeply influences the film’s narrative and visual style.

62
Q

What is a key scene that should be analyzed in relation to the aesthetics of Pan’s Labyrinth?

A

Final Sequence

This scene is crucial for understanding the film’s themes and aesthetic choices.

63
Q

What is one counter-argument regarding the aesthetics of Pan’s Labyrinth?

A

The aesthetics may reflect the universal idea of coming-of-age and the transition to adolescence

This perspective shifts focus from socio-political contexts to personal growth.

64
Q

What is another counter-argument related to the aesthetics of Pan’s Labyrinth?

A

The aesthetics may reflect Del Toro as an auteur

This highlights the director’s unique style and thematic preoccupations.

65
Q

To what extent might different audiences respond differently to the same film?

A

To a significant extent, due to the complicated nature of the individual spectator and/or challenging, ambiguous film form and/or covert ideology

Audience interpretation can vary widely based on personal experiences and perspectives.

66
Q

What is a contrasting possibility regarding audience responses to films?

A

Different audiences might be manipulated into the same specific, shared response due to the power of film form and/or narrative positioning and/or clear film form and/or overt ideology

This suggests that some films can create a unified emotional or ideological response.

67
Q

How might active audiences respond to complex messages about sexuality in films?

A

They might respond to the films’ complex messages about sexuality

Active engagement with the material can lead to diverse interpretations.

68
Q

What is another way certain audiences might interpret the text of a film?

A

To other ideological readings, emotional response, aesthetic, etc.

This indicates the multifaceted nature of film interpretation.

69
Q

What should be checked to ensure a paragraph analyzing a film is effective?

A

It should start with a clear argument, debate or idea

A strong opening sets the tone for the analysis.

70
Q

What technical aspects should be included in the analysis of a film?

A

At least ten uses of film-specific language

This enhances the specificity and depth of the analysis.

71
Q

What should be included in the second half of a film analysis paragraph?

A

Technical evidence to back up counter-arguments or wider explorations

This strengthens the overall argument and shows thorough understanding.

72
Q

What is an important aspect of wording in a film analysis paragraph?

A

The specific wording of the question should be used throughout the paragraph

This ensures the analysis remains focused and relevant.

73
Q

What elements could contribute to the texture and depth of a film analysis?

A

Quotes, contextual references

These elements provide additional layers of meaning and support the argument.