All Rhetoric Flashcards

1
Q

Aposiopesis

A

breaking off a statement midway in order to create a rhetorical effect.

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2
Q

Epanalepsis

A

The use of the same word or phrase at the beginning and end of a sentence. X_____X

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3
Q

Irony

A

a statement whose hidden meaning is different from its surface meaning; a conclusion opposite from expectation

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4
Q

Antithesis

A

contrasting ideas expressed in parallel form.

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5
Q

Epizeuxis

A

The consecutive repetition of a word, often in a pattern of three. X, X, X_______

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6
Q

Epistrophe

A

repetition of a word, phrase, or clause at the end. ________X _________X

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7
Q

Anadiplosis

A

repetition of a word, phrase, or clause at the end of one phrase or clause and the beginning of the next. ______X, X________

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8
Q

Simile

A

compares two different things that resemble each other in at least one way. A simile comparing a noun to a noun uses “like”; a simile comparing a verb or phrase to a verb or phrase uses “as.”

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9
Q

Understatement

A

the deliberate expression of an idea as less important than it actually is, either for ironic emphasis (with a touch of humor) or for politeness.

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10
Q

Climax

A

a list that increases by degrees in importance, weight, or magnitude.

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11
Q

Hyperbole

A

deliberate exaggeration of conditions for emphasis or effect; a potential option for an attention-getter at the beginning of an essay or speech.

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12
Q

Synecdoche

A

a form of metonymy in which a part acts as a substitute for a whole. (“All hands on deck.”)

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13
Q

Parallelism

A

the repetition of grammatical structures.

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14
Q

Anthimeria

A

using one part of speech as another (i.e. using a noun as a verb)

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15
Q

Anaphora

A

repetition of a word, phrase, or clause at the beginning. X_____ X______

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16
Q

Syllepsis

A

word (most often one is literal; the other, figurative)

17
Q

Metanoia

A

the act of correcting one’s self to create a rhetorical effect.

18
Q

Procatalepsis

A

anticipates an objection that might be raised by an audience and responds to it.

19
Q

Praeteritio

A

calling attention to a point by seeming to dismiss or ignore it

20
Q

Hypophora

A

asks one or more questions and then proceeds to answer those questions; typically the question is asked at the beginning of the paragraph and then answered throughout the rest of it.

21
Q

Ellipsis

A

the omission of a word easily supplied (from the Greek “to leave out” or “to fall short”)

22
Q

Personification

A

metaphorically represents an animal or inanimate object as having human attributes—attributes of form, character, feelings, behavior, etc. Ideas can also be personified.

23
Q

Asyndeton

A

the strategy of omitting conjunctions between words, phrases, or clauses in a list in order to create a spontaneous or unpremeditated tone.

24
Q

Polysyndeton

A

the use of conjunction between each word, phrase, or clause for the purpose of sounding deliberate or heavily labored; structurally the opposite of asyndeton.

25
Q

Tricolon

A

a sentence with three clearly defined parts of equal length

26
Q

Apostrophe

A

rhetorical direct address to a person or personified thing

27
Q

Metonymy

A

a type of metaphor that uses something closely associated with (but not part of) a subject in order to represent that subject. (“The pen is mightier than the sword.”)

28
Q

Metabasis

A

a brief statement of what has been said and what will follow; a transitional summary that links sections of writing together.

29
Q

Allusion

A

a short, informal reference to something the reader will presumably recognize: a historical or fictional character, event, place; a religious or mythological story, or a literary work.

30
Q

Erotema

A

A rhetorical question: a question that does not call for an answer and actually makes a statement

31
Q

Metaphor

A

compares two different things by speaking of one in terms of the other, asserting that one thing is the other thing

32
Q

Anastrophe

A

when words appear in unexpected order.

33
Q

Chiasmus

A

an inversion of grammatical structure, idea, or sound