Aeneid secondary sources Flashcards

1
Q

Progression of Dido

A

Williams: “admirable queen”
“pitiable rejected lover”
“Personification of madness and revenge”

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2
Q

Sympathy for Dido?

A

Williams: “so profound that we tend to reject the roman mission”

Camps: “decision to kill herself… the product of her own character”

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3
Q

Camilla

A

Morgan: “the plot is generated by women”

Reilly: “step out of traditional gender roles is doomed to fail”

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4
Q

Creusa

A

Jenkyns: “tribute to married love”

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5
Q

Lavinia

A

Oliensis: “prove their virtue precisely by submitting to the masculine plot of history”

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6
Q

war

A

Semple: “destruction of human happiness”

“virgil in truth hated war”

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7
Q

empire and war

A

Semple: “making of empire was very positive for the Romans”

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8
Q

peace

A

Adler: “he founds Rome by making a peace settlement in Italy”

Gransden: “In the way of peace and progress”

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9
Q

Other nations

A

Syed: “enable the Roman reader to work out what is really ‘Roman’ about them”

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10
Q

Italians

A

Syed: “Lavinia is a ‘proper’ Roman woman”

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11
Q

Empire and other nations

A

Nusbaumm: “length and breadth of the empire”

“nor is there forced conformity”

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12
Q

Praise of Augustus

A

Laird: “to justify Augustus’ questionable regime”

Quinn: “another war and another man in mind”
“epic poem with himself as the hero”

Griffin: “divinely chosen, who would restore peace and order”

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13
Q

Critical of Augustus

A

Sowerby: “in the end, furor wins”

Jenkyns: “appears only three times”

Griffin: “climbed to tyranny over the bodies of his enemies”

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14
Q

Homer

A

Rutherford: “seeking to rival both Homeric epics”

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15
Q

Aeneas is dependant

A

Quinn: “wooden puppet lacking genuine human emotion”

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16
Q

Aeneas is pious

A

Williams: “epithet of pius”
Mackie: “general concern to facilitate fate”

17
Q

Aeneas and relationships

A

Lyne: “interaction with others that were minimal”

18
Q

free will

A

Camps: “free at any time to reject his divine mission”

“retain their human free will”

19
Q

Fate

A

Camps: “may sometimes be postponed but not averted”
“power that is deaf to prayer” “No escape”

sowerby: “ugly manifestation of the malignant power of fate”

20
Q

Piety

A

Camps: “only at the end of the poem that the prayer he addresses to her… is granted”

21
Q

Gods

A

Camps: “irresponsible and heartless”

Gransden: “most of the plot of the Aeneid is generated by Juno”
Juno’s reconciliation with fate “true resolution of the poem”

22
Q

Turnus

A

“Drawn very simply, one Homeric lines” - Pattie

“All sympathy felt for him as the victim of inexorable fate” - Quinn