adt and birdbrain Flashcards

1
Q

brief background information on adt

A
  • in 1965 Elizabeth Cameron Dalmon founded ADT
  • aim: to open the horizons for provocative contemporary dance
  • critics were divided over the new adventurous approach
  • education was key
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2
Q

what is adt’s mission

A
  • to provoke, inspire, excite, challenge, entertain and stimulate
  • to create dance that is an intelligent progression of the art form to engage audiences around the world
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3
Q

biographical information on Gary Stewart

A
  • artistic director of adt
  • choreographed first work in 1991
  • trained with Australian ballet school
  • danced with various companies
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4
Q

choreographic intent of birdbrain

A
  • deconstruction of the traditional ballet swan lake
  • non narrative (doesn’t attempt to tell original story), explores various themes from the ballet and about the culture of classical ballet in general and manipulates and deconstructs them in a contemporary way
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5
Q

where is swan lake seen in birdbrain

A
  • setting
  • themes
  • portrayal of swans
  • classical ballet technique
  • mocking traditional arms
  • balletic arms / turnout
  • choreography
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6
Q

where has Stewart commented on classical ballet in birdbrain

A
  • expresses constraints of ballet and restrictions that ballet holds
  • shows through swans and baron von brothbart that swan lake only shows the fairytale version
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7
Q

explain the choreographic structure of the work

A
  • unlike romantic ballet, birdbrain is non-narrative
  • original story has a clear structure/ perspective, single character, interesting plot
  • bb: episodic structure, 12 sections, each has a different intention / explores new themes, deconstructs narrative
  • clear contrast can be made, aswell as a link between the two
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8
Q

explain element of body

A

5 metamorphosis:
- spinning / circling movements, draws on baron von brothbart / contorted body positions, cyclical nature of transforming, cathartic / traumatic
11 the lovers
- high velocity / frenetic, hurling into air / floor / each other, gravity driven, need for humans to find unions amongst obstacles / lengths they’ll go to for love

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9
Q

what is virtuosic movement

A
  • movement which is impressive because of the high level of skill involved
  • adt shoes a different but equally impressive type of virtuosity compared to ballet technique
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10
Q

explain dance element of dynamics

A

6 icons:
- white swans (continuous, flowing, slow, little manipulation, elongated, innocence). black swans: sharp, quick, darting, attacking, fast, heavily manipulated, swan claw, use of gravity / momentum, evil)
7 swords:
- slow lunging, thrusting, slow collapse / contraction, continuous / sustained, contrasts ballet sword fight

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11
Q

explain element of dance space

A

2 classicism:
- pas de deux, traditional formations, role reversal, incorporating SL, manipulating and deconstructing themes explored
5 metamorphosis:
- back of stage, overseeing action, own territory, mysterious, elevated, intimidating, powerful, always there controlling their every move

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12
Q

explain design element of costume

A

words on t-shirts:
- most sections, shows characters / themes / setting, challenges gender roles
- e.g love, lovers, duped, doomed, lake, H2O, water, woods, Odette, odile, corps, drama queen
9 archery:
- school / military uniform (hierarchy within ballet), feudal hierarchy, paralleling institution and discipline, corps de ballet = same, soloist = unique and individual costume

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13
Q

explain the design element of projections

A

4 swans:
- ballerinas who’ve played parts of Odette and odile appear in scrolling fashion
7 swords
- video of ballerina, zooms in on eye
- idealised romantic love is in her head
- reinforced: colourful exploding images (make fun of romance)
8 emotional world
- line drawings of ballerinas (contrasting raw physical dancers on stage with romanticised ballerinas)

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14
Q

give examples of choreographic devices

A
  • unison: typically used in romantic ballets
  • fragmentation: deconstruction of 32 fouettés
  • motif: ugly swan hands, inverted / contorted movement
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