Additional Art Flashcards

1
Q

Made “Rice/Tree/Burial”

A

Agnes Denes

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2
Q

How does Denes describe “Rice/Tree/Burial”

A

As a manifesto

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3
Q

How many components are in “Rice/Tree/Burial”

A

3

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4
Q

Where was “Rice/Tree/Burial” carried out

A

Sullivan County, NY

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5
Q

Explain the rice in “Rice/Tree/Burial”

A

The rice is actual rice that Denes planted, as a gesture and actual means to sustain life

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6
Q

Explain tree in “Rice/Tree/Burial”

A

The tree is a group of mature trees that’s wrapped in chains which creates a zigzag pattern of metal reaching up toward the sky, as a symbolic expression of human damage and interference with the natural world

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7
Q

What is the zigzag pattern of the trees in “Rice/Tree/Burial” symbolizing

A

Expression of human damage and interference with the natural world

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8
Q

Explain burial in “Rice/Tree/Burial”

A

The burial staged was of burying a haiku poem she had written which she didn’t keep a record of since part of her expression was to give up human thought and the conventions of poetic form into the earth

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9
Q

Where was Denes asked to recreate “Rice/Tree/Burial”

A

Artpark, an outdoor space for site-based artworks in Lewiston, NY

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10
Q

What was different about the rice in Denes recreation of “Rice/Tree/Burial”

A

Rice was planted on half-acre land, but its growth was affected by mutations from contaminants in the soil

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11
Q

Where did the contaminants from Artpark arose from

A

To its proximity to Love Canal, an abandoned waterway off of the Niagara River in Niagara Falls

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12
Q

How many tons of toxins were dumped by the Hooker Chemical Company in the mid-20th century

A

21,000 tons

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13
Q

Dumped 21,000 tons in Love Canal in the mid-20th century

A

Hooker Chemical Company

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14
Q

What is the Hooker Chemical Company called now

A

The Occidental Petroleum Company

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15
Q

What was different about the tree in Denes recreation of “Rice/Tree/Burial”

A

Nothing- the trees were still chained

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16
Q

What was different about the burial in Denes recreation of “Rice/Tree/Burial”

A

She didn’t bury a poem but instead a time capsule that’s encased in 9 ft of concrete, with a plaque indicating that it shouldn’t be opened until 2979

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17
Q

When should the time capsule in the recreation of “Rice/Tree/Burial” be opened

A

2979

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18
Q

How thick is the concrete in which the time capsule in “Rice/Tree/Burial” encased in

A
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19
Q

What additional thing was added into the recreation of “Rice/Tree/Burial”

A

A fourth element - a act of filming the precipice of Niagara Falls for a sustained period of 7 days, while propped out over the falls on a constructed ledge

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20
Q

How many days was there for filming the precipice of Niagara for the recreation of “Rice/Tree/Burial”

A

7 days

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21
Q

For “Tree Mountain” what does Denes return to

A

time capsules

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22
Q

(Tree Mountain) Denes thought of trees as their own kind of

A

living time capsule

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23
Q

(Tree Mountain How many trees were in Denes proposed pattern and how many people planted them

A

10,000 trees and 10,000 people to plant them

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24
Q

(Tree Mountain) What was the idea for the pattern

A

Intricate geometric spiral

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25
Q

How long did it take Denes to find the funds for “Tree Mountain”

A

A decade

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26
Q

Who funded Denes for “Tree Mountain”

A

The government of Finland

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27
Q

Where did the government of Finland announce they are funding for Denes for “Tree Mountain

A

1992 Earth Summit Rio de Janeiro

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28
Q

(Tree Mountain) How many trees were actually planted and how many people planted them

A

11,000 trees and 11,000 people

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29
Q

(Tree Mountain) For how long does the person who planted the tree have ownership of that tree

A

For a period of 400 years

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30
Q

What was the Watts Tower Arts Center named after

A

The independent artwork created in the LA neighborhood of Watts by Simon Rodia

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31
Q

Made independent artwork in the LA neighborhood of Watts

A

Simon Rodia

32
Q

Purifoy created and exhibited a series of “junk art” sculptures in an exhibition called

A

66 Signs of Neon

33
Q

The exhibition “66 Signs of Neon” arose as a direct response to

A

the August 1965 Watts Rebellion

34
Q

Who did Purifoy worked alongside of to organize an exhibition of assembled sculpture created from the found refuse

A

Judson Powell

35
Q

What materials did Purifoy and Powell start with for their exhibition

A

The lead of melted neon signs and added works by 6 additional artists

36
Q

How many artists did Purifoy and Powell use the works of for their exhibition

A

6 additional artists

37
Q

How many objects were in Purifoy and Powell’s exhibition

A

66

38
Q

What social message was associated in Purifoy’s and Powell’s exhibition

A

Racial discrimination and police violence in communities of color

39
Q

How many years did Purifoy spend creating outdoor works of art

A

15 years, up until his death

40
Q

An environmental issue that “66 Signs of Neon” embodies

A

Toxicity of building materials

41
Q

Name of the installation of sculptures around Purifoy’s home

A

Noah Purifoy Outdoor Desert Art Museum

42
Q

2 sculptures included in the Noah Purifoy Outdoor Desert Art Museum

A

Carousel” and “Bowling Balls I

43
Q

The art piece that includes small structures that one can enter and walk around in

A

“Carousel”

44
Q

A sculpture in the Noah Purifoy Outdoor Desert Art Museum that is a more conventionally freestanding sculpture

A

Bowling Balls I

45
Q

All the works in Noah Purifoy Outdoor Desert Art Museum employ found objects like

A

bowling balls, cafeteria trays, wire, old tires, televisions and other household appliances, and scrap metal

46
Q

“Offshore Drilling” is located beside

A

Ode to Frank Gehry

47
Q

Describe “Ode to Frank Gehry”

A

an all-white sculpture that’s suspended on poles

48
Q

“Ode to Frank Gehry” is named after

A

the prominent LA architect whose buildings define the image of cities not only in Southern California, but all over the world

49
Q

Where is Gehry’s Guggenheim Museum located in

A

Bilbao, Spain of 1997

50
Q

What materials does Gehry used for his later buildings

A

Titanium Panels

51
Q

Gehry’s Guggenheim Museum if fashioned in

A

distinctive titanium panels

52
Q

Artwork that Gehry uses titanium panels in

A

the Disney Philharmonic in downtown LA

53
Q

Gehry’s work became a marker of

A

larger-scale urban gentrification

54
Q

Made “Double Mona Lisa (Peanut Butter and Jelly)”

A

Vik Muniz

55
Q

Materials used to create “Double Mona Lisa (Peanut Butter and Jelly)”

A

only jelly on the left side of the composition and only peanut butter on the right side

56
Q

Made the “Mona Lisa”

A

Leonardo da Vinci

57
Q

What is the final work of “Double Mona Lisa (Peanut Butter and Jelly)” take

A

Side by side comparison of both the “Mona Lisa” and “Double Mona Lisa (Peanut Butter and Jelly)”

58
Q

“Double Mona Lisa (Peanut Butter and Jelly)” is part of which larger series

A

After Warhol

59
Q

Which Pop artist’s work does Muniz reference with “Double Mona Lisa”, and what kind of work did this artist create featuring the “Mona Lisa”

A

Pop artist Andy Warhol, who created a silk-screened side-by-side double portrait of the “Mona Lisa”

60
Q

which other contemporary icons did Andy Warhol create portraits of

A

Marilyn Monroe and Elvis Presley

61
Q

Made “Action Photo, after Hans Namuth”

A

Vik Muniz

62
Q

materials used to refashion Hans Namuth photograph in “Action Photo, after Hans Namuth”

A

chocolate syrup

63
Q

depicted in Hans Namuth’s 1950 documentary photograph

A

the postwar American artist Jackson Pollock at work in his studio

64
Q

year that Hans Namuth’s iconic documentary photograph of Jackson Pollock taken

A

1950

65
Q

kind of painting techniques did Hans Namuth’s photographs help communicate about Jackson Pollock’s work

A

the dripping, splashing, and brushing techniques that Pollock used to create his paintings

66
Q

How does the material of chocolate syrup in “Action Photo, after Hans Namuth” relate to the original photographs style and Pollock’s painting method

A

chocolate syrup mimics the format of Namuth’s black-and-white photographs with its single, dark, shiny color, and it also plays with the fact that it is a material that is poured, like Pollock’s paint

67
Q

Made the series “The Best of Life”

A

Vik Muniz

68
Q

series in which Vik Muniz developed the role of memory even more forcefully

A

The Best of Life

69
Q

How did Vik Muniz create the works in “The Best of Life” series

A

Muniz would sketch, from his own memory, well-known photographs from Life magazine and then re-photograph his recreation, in effect creating a photograph of a (memory) drawing of a photograph

70
Q

well-known photograph that Vik Muniz recreated from memory in “The Best of Life” series

A

JFK Jr. Saluting His Father’s Coffin

71
Q

3 other photographs that Vik Muniz recreated from memory in “The Best of Life” series

A

Man Stopping Tank in Beijing”, “Kiss at Times Square”, and “Man on the Moon

72
Q

Which of Muniz’s memory renderings is also referenced in “Land Mark (Foot Prints)”

A

Man on the Moon

73
Q

name of the film that documented Muniz’s process

A

“Waste Land” (2010)

74
Q

Made the film “Waste Land”

A

Lucy Walker

75
Q

Painting that dramatized the murder of the French painter Revolutionary leader Jean-Paul Marat in his bath

A

Death of Marat