Act Four, Scene Two Flashcards

1
Q

Scene Two

A

> interior location
interrogation

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2
Q

O: You have seen nothing then?

A

> wants confirmation of D’s guilt

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3
Q

E: Never, my lord

A

> categorical denial
triadic structure

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4
Q

E: Lay down my soul at stake

A

> prophetic irony
stout defence
painful - intrinsically linked to D’s guilt

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5
Q

E: If any wretch have put this in your head, let heaven requite it with the serpent’s curse

A

> biblical allusion - genesis
compares Iago to Satan (unknowingly)
calls for divine justice/ divine retribution
cosmic context - magnitude

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6
Q

O: She’s a simple bawd

A

> keeper of the brothel
Iago’s conditioning
believes E profiting off D’s infidelity
Othello’s fall
all appearances must be false
whore discredits her intelligence

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7
Q

O: Leave procreants alone and shut the door

A

> Emilia enacting brothel keeping
entitlement over her - she’s not his wife

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8
Q

(Desdemona) kneeling

A

> symbol of subservience
prayer
mirroring I+O

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9
Q

O: Be like one of heaven

A

> theological language cast O as righteous avenger
exposes lack of knowledge of Christianity
identity built around following rules of good Christian/ Husband

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10
Q

O: Therefore be double damned

A

> she is damning herself by telling a lie
fair has become foul
obsession with holiness - polarizes D

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11
Q

D: To whom, my lord? With whom? How am I false?

A

> string of questions
poignancy to confusion

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12
Q

D: If you have lost him, I have lost him too

A

> disown her father if its what he wants

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13
Q

O: Given to captivity
O: Sores and shames

A

> melodramatic exposure of his turmoil
prefer physical pain
already escaped slavery

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14
Q

O: To make me a fixed figure for the time of scorn

A

> imagines himself as a statue being mocked
strong element of self-concern

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15
Q

O: Where I must live or bear no life
O: My current runs or else dries up

A

> talking in extremes
D’s love differences between life and death

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16
Q

O: As summer flies are in the shambles

A

> foul, grotesque
flies infiltrating corpses

17
Q

O: Thou weed

A

> unable to remove the problem
aligning D with out of his control

18
Q

O: Public commoner

A

> subjected to similar treatment as Bianca
seen as inhuman

19
Q

O: That would to cinders burn up modesty

A

> extension of hell

20
Q

O: The moon winks

A

> symbol of chastity

21
Q

O: Are not you a strumpet?

A

> dialogue so far removed from act 1

22
Q

O: That cunning whore of Venice

A

> society’s words
Iago’s words

23
Q

O: There’s money for your pains

A

> gives her hush money

24
Q

D: Faith, half asleep
D: Who is thy lord

A

> dreamlike quality

25
Desdemona's only soliloquy
>accepts treatment from her husband >meek questioning
26
D: Such as she said my lord did say I was D: If any such there be, heaven pardon him
>can't say whore >come on???? >image of purity
27
E: He called her 'whore'
>different class >world experience
28
E: Hath she forsook so many noble matches, her father and her country and her friends to be called "whore"
>questioning >probing >speaking in defence
29
D: It is my wretched fortune
>calling upon faith >etymology - ill-fated
30
E: Some cogging, cozening slave, to get some office, have not devised this slander
>astute precision >irony and foreboding >class difference - not the same gender hierarchy as upper class >21st century hero of the play
31
E: Some villainous knave, some base notorious knave, some scurvy fellow
>alliteration, sibilance, heroic verse >extraordinarily progressive >immense conviction >increasingly impassioned
32
E: Some such squire he was that turned your wit E: Made you suspect me with the Moor
>dramatic irony - mocking Iago's motives
33
D: Here I kneel
>imploring Iago for help >kneeled to them both
34
D: His unkindness may defeat my life but never taint my love
>declaration of unconditional love
35
R: Assure yourself I will seek satisfaction of you
>at breaking point >epiphany - been a fool >honourable shift >commanding his own feelings
36
I: Your suspicion is not without wit and judgement I: Purpose, courage and valour
>uses flattery >rhetorical devices - triadic structure
37
I: Why, by making him uncapable of Othello's place: knocking out his brains
>rhetorical technique - blunt understated delivery >bringing him back into the fold >satirizes grandeur - echoes style to undermine it >mimics epic simile rhythm >rhetorical inflation >seductive tone, appealing to desperation >mock-heroic