Act Four, Scene One Flashcards

1
Q

I: Will you think so?

A

> medias res
rhetorical questioning gives Othello illusion of being in control

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2
Q

O: Pish! Noses, ears, and lips- is’t possible? Confess-handkerchief-O, devil

A

> fragmented speech
body parts - obsession with D’s physical betrayal
jealousy as possession
repeated refrains
prose

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3
Q

Falls into a trance

A

> visual signifier of transgression
no longer fit for leadership
theatrical image of destruction

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4
Q

I: My medicine work! Thus credulous fools are caught

A

> metaphor of trapping a fool - aligns with “led by the nose as asses are”
ironic comparison

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5
Q

I: To be naked with her friend
I: Not meaning any harm

A

> deliberately provocative
Othello creating his own nightmare
rhetorical genius

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6
Q

O: Hypocrisy against the devil

A

> polarizes Desdemona
black-and-white worldview

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7
Q

I: Her honour is an essence that’s not seen

A

> paradoxical statement
dismantles O’s perception of honour
replaces staunch truth with doubt

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8
Q

I: Lie-
I: With her-on her-what you will

A

> dual meaning
deceptive phrasing
situation depends upon misinterpretation

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9
Q

O: A horned man’s a monster and a beast

A

> cuckolded

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10
Q

Othello withdraws

A

> 1:2 I must be found
now obeying Iago

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11
Q

I: Strumpet’s plague

A

> contempt for women
prostitute’s curse - to be seduce many and be seduced by one

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12
Q

O: Now he denies it faintly at laughs it out

A

> concrete proof

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13
Q

O: Do you triumph, Roman? Do you triumph?

A

> Ceaser parallel
war/ conflict emerging

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14
Q

C: Thither comes the bauble

A

> switches to prose
course, vulgar
similar to Iago
difference in attitude to high vs low status

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15
Q

O: I see that nose of yours, but not that dog I shall throw it to

A

> contrapuntal
duologue

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16
Q

C: Marry, a perfumed one!

A

> scarlet lady trope

17
Q

C: She’ll rail in the streets else

A

> reputation concerned

18
Q

O: That should be my handkerchief

A

> fatal moment

19
Q

O: How shall I murder him

A

> asking instead of commanding

20
Q

I: Did you perceive how he laughed at his vice?

A

> relishing it

21
Q

O: Let her rot and perish
O: World hath not a sweeter creature
O: Delicate with her needle, an admirable musician

A

> constant wavering

22
Q

O: I will chop her into messes
O: Get me some poison
O: Her body and beauty unprovide my mind

A

> regressed to I’s initial description
contradicting violent words
patriarchal aestheticism
egotism

23
Q

I: Strangle her in her bed

A

> Machiavellian pinnacle
calculated violence
gratification

24
Q

Trumpet sounds

A

> symbolises Venice - return of law and order
contrasts primitive events
O’s barbarianism

25
O: Are you sure of that? O: Are you wise?
>out of character
26
D: For the love I bear for Cassio
>unwittingly provoking O's wrath
27
O: Fire and brimstone!
>satanic imagery
28
L: Deputing Cassio in his Government
>loss of military identity >overtaken by Cassio
29
Striking her O: Devil!
>unexpected, unwarranted >permeates fast-paced dialogue
30
D: I have not deserved this
>answering back >defying social standards
31
L: This would not be believed in Venice
>Venice - refined, civilised narrative
32
O: What would you with her, sir? O: She can turn, and turn
>humiliating for Desdemona >terrifying callousness
33
O: Goats and monkeys!
>lecherous animal imagery >intense passion >incoherent in setting
34
L: Is this the noble Moor, whom our full senate call all in all sufficient?
>Othello tarnishing his reputation
35
I: His own courses will denote him I: Mark how he continues
>orchestrating >weaving plot