act 1 Flashcards

1
Q

line 13

A

ennius’ ‘medea’, catullus… george gould argues for changing the text when two alternatives are equally probable - demonstrating the importance of fluidity of the text

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2
Q

line 34

A

loris in E, locis in A (other examples highlighted in OCT apparatus) - scribe of A having problems reading the letter ‘r’

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3
Q

line 39

A

E = Caedam, A = Caecam (errors in the middle of words - difficulty in distinction of letters due to uniformity of minims?)

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4
Q

line 40

A

‘ipsa’ - after reference to victims in previous lines it seems to mean seek a way to punish victims through the entrails ‘themselves’ but are also moving on - darker connotations could be taken to mean through the ‘very’ guts of the ‘humans themselves’ implied, through ‘my own’ guts could also be a meaning (either suicide or through her children)

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5
Q

line 43

A

E misreads ‘cauca(sum)’ as ‘causa’ producing an inconclusive ‘sum’… also non-standard use of ‘indue’ where ‘menti’ would restore senecan norm

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6
Q

line 44

A

E swaps ‘pontus’ and ‘phasis’ where other’s don’t. swapping words doing the same,e thing with the same metrical style is very common, only clue E is wrong is the order of Medea itself

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7
Q

line 52

A

‘toto’ may be a different adjective; common for adjectives to swap - also ‘tuis’ over ‘tua’ would work better - let an equal divorce be directed to ‘your’ wedding - allowing each noun its own adjectival pair

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8
Q

line 53

A

‘linques’ comes from a commentary based on a lost manuscript

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9
Q

line 55

A

‘rumple…mora’ - georgics 3 and aeneid 4, here seneca reverses the effect of the aeneid reference

does Medea enter into the house? next speaker after chorus…also either odd or significant inversion for her to describe the ‘to be left house’. Next line involves ‘we heard’ rather than ‘we saw’

Ovid has Jason at bridal ceremony in heroides - unclear in seneca if creusa was there

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10
Q

line 56

A

‘numine’ meaning ‘power’ is ‘entirely inoffensive’ (tobias, 2024)

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11
Q

line 57

A

‘fretum’ might become ‘freta’ (a la Giardina)…reference to gods of the sea and sky, omitting only the underworld gods but Corinth is important seafaring town, gods of the sea also conjure thoughts of the Argo

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12
Q

line 59

A

E = primum, A = primus

emphasis on the gods. more important than sacrificial animals so suggestive of ‘primum’ as correct

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13
Q

line 62

A

as transmitted, ‘asperi’ goes with Mars, but could instead be ‘aspera’ to go with ‘femina’ in previous line

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14
Q

line 71

A

Ovid Metamorphoses 15.100 ‘praevia lucis’

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15
Q

line 82-83

A

if line 83 comes after 82 then it awkwardly interrupts ‘cadent’ and its subject but if 83 comes first we cont know if Jason is the subject of ‘velit’ and 83 is a pretty rough line. possibly 83 interpolated from the margin and ended up slipping into the line.

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16
Q

line 90

A

sic..sic could be sic..haec (Giardina) with ‘haec’ looking ahead to ‘femina’

ALTERNATIVE

sic…sit (Gronouius) with a colon, let me look to gods to pray:

17
Q

line 93

A

‘virgineo’ is attaractive due to catullan reference

18
Q

line 98-99

A

two lines plausibly dropped out of- we go from talking about light intensity to colour effects without a credible transition

leo proposes ‘lacuna’ involving a blushing Jason

Fitch argues Creusa should be the one blushing

Zwierlein not convinced that the change in topic is there which seoul’s lead to ideas of ‘lacuna’

summary: two lines dropped, talking about blushing - ‘lacuna’ in line 99 seems probable as still difficult to read without it
explanation on for omission: the ‘-or’ of ‘color’ (reflected in rub or and pudor) and the ‘perfusus’ (reflected in ‘perfudit’ and ‘perfundit’)

19
Q

line 99

A

E =‘puniceo’. A= ‘pheniceo’

same meaning in sense, ‘pheniceo’ is rarer - does that make it more or less probable?

20
Q

line 101

A

pepper posits a ‘lacuna’ to replace line 102 - unhappy with reference to jason being snatched away from ‘fassis’

21
Q

line 102

A

‘horridi’ is written as. ‘horridis’ because of next line

22
Q

line 104

A

if scared of ‘scary wife’s breast’ then ‘prendere’ is the wrong word - ‘tangere’ is better OR could swap out ‘pectora’ for ‘bracchia’ or something similar on the basis of dactylic substitution

‘tangere’ reading more compelling but other is possible

23
Q

line 105

A

‘Aeolian’ - pragmatically wrong because Creusa is Corinthian not Boetian

24
Q

line 106

A

E = socero, ‘soceris’ is a slightly odd plural

25
Q

line 109

A

if ‘iusta’ means justified then it seems irrelevant and might prefer ‘ista’ or ‘tuta’ - one sense that might work is ‘legally permitted’, BUT as ‘licentia’ is also legal we can see how easy it is to read ‘ista’ as ‘iusta’

26
Q

line 110

A

HEXAMETER BEGINS

Bentley wonders whether ‘generosa’ displaced ‘Hymenae’ with the idea that bland adjectives are glosses of unusual names - not that convincing

27
Q

line 114

A

Giardina suggests ‘caecis’ over ‘tacitis’

28
Q

line 115

A

‘furtiva’ or ‘fugitiva’

‘fugitiva’ - printed more often but is less common. (used once in ovid heroides 5.91)

‘furtiva’ woks nicely with the sense and there are many passages where ‘furtiva’ and ‘fugitiva’ replace one another

question over meaning of ‘eat’ - odd to mean ‘depart’ alongside ‘tacitis tenebris’

remove ‘eat’ for something else?