A Dolls House Critics Flashcards

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1
Q

What did radical contemporary critic Mona Caird say about the transactional nature of relationships and when?

A

• 1888
• Argues common respectable marriage is ‘the most hypocritical form of woman-purchase’
• Argues ‘the economical independence of a woman is the first condition of free marriage’

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2
Q

What does critic Hugh Stutfield say about the influence of the New Woman and when?

A

• 1891
• ‘the woman of the new Ibsenite neurographic is not only mad, but does her best to drive others mad too’

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3
Q

What does critic Max Nordau say about the influence of Nora’s rejection and when?

A

• 1895
• Nora’s ‘idiocy’ became the ‘gospel for the hysterical of both sexes’

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4
Q

What does Toril Moi say about how A Doll’s House questions the foundations of relationships and when?

A

• 2008
• A Doll’s House questions what it will take to build a relationship based on ‘freedom, equality and love’

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5
Q

What does Toril Moi say about how Nora and Torvald partake in melodrama?

A

• 2008
• Nora and Torvald are ‘starring in various idealist scenarios of female sacrifice and male rescue’

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6
Q

What did Ibsen say about the purpose of his plays and when?

A

Says they depend on the ‘demand for full ruthless truth to life’
1883

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7
Q

What does Terry Otten say about sex in the play and when?

A

• 1998
• ‘the play is elementally about prostitution’

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8
Q

What does conservative critic Clement Scott describe Torvald as

A

• 1889
• ‘sensual and egotistical’

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9
Q

What subjects did late 1870s naturalist drama start to explore?

A

Tabboo subjects - examining how character’s heredity and environment shapes and dooms them, questioning religion and exploring supernatural elements

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10
Q

What does Toril Moi say about the end revelation in A doll’s house and when?

A

• 2008
• ‘a moment of high melodrama’
• however, also subverted melodrama in the way Nora expects a ‘miracle’ but the conversation results in two people sitting at a table having a serious conversation

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11
Q

Critic quote about the double standards between Torvald and Nora

A

• Mahaffey 2010: Torvald’s refusal to save Nora reflects the ‘different codes under which they had been living’

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12
Q

What does Critic Toril Moi say about Nora challenging Torvald’s love

A

Nora ‘demands nothing short of a revolutionary reconsideration of the meaning of love’

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13
Q

Why does Nora reject religion at the end?

A

Critic Lavender: She recognises Torvald’s ‘inadequacy as her god’

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14
Q

What was Victorianism

A

The Bible was taken as the literal truth and was the foundation of moral behaviour

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15
Q

Torvald’s manipulation of religion

A

His appeal to religion to get Nora to stay is a mere ineffectual excuse of patriarchal power ( critic Langas 2005)

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16
Q

John Hathaway on Torvald as trapped

A

•Torvald is ‘blind to the limitations placed on him by society’
• Torvald is ‘unable to act outside of the confines of society’s strict rules and conventions’

17
Q

John Hathaway on Nora’s intelligence

A

• Nora ‘deliberately plays the role of helpless female in order to achieve her ends’
• through her ‘ability to manipulate and keep secrets’

18
Q

Ibsen’s interest in secrecy structurally

A

Ibsen was interested in inferiority, revealed through what he called ‘seemingly easy but concealing conversations’