Chapter 14 - Principles of Hair Design Flashcards
1
Q
For a client with gold tones, a \_\_\_\_\_\_\_\_ haircolor would be flattering. A. Contrasting B. Toned C. Warm D. Cool
A
C. Warm
2
Q
In designing for clients with large or broad shoulders, the stylist should create styles with: A. More volume B. Less volume C. More length D. Darker colors
A
C. More length
3
Q
Balance is described as creating equal or appropriate proportions to provide: A. Width B. Symmetry C. Structure D. Space
A
B. Symmetry
4
Q
When opposite sides of a hairstyle have different lengths or different volume and appear to have equal visual weight, it is considered to have \_\_\_\_\_\_\_\_\_ balance. A. Horizontal B. Diagonal C. Symmetrical D. Asymmetrical
A
D. Asymmetrical
5
Q
A recurrent pattern of movement in a design is referred to as: A. Rhythm B. Harmony C. Focus D. Balance
A
A. Rhythm
6
Q
The area of design where the eye is drawn to first before traveling to the rest of the design is called the: A. Balance B. Axis C. Emphasis D. Apex
A
C. Emphasis
7
Q
To offset or round out the features of a square facial shape, the aim would be to:
A. Create the illusion of width in the forehead
B. Add volume to the sides
C. Make the face seem shorter
D. Create volume between the temples and jaw
A
D. Create volume between the temples and jaw
8
Q
The \_\_\_\_\_\_\_\_ profile has a receding forehead and chin. A. Concave B. Circular C. Straight D. Convex
A
D. Convex
9
Q
The triangular section that begins at the apex or high point of the head and ends at the four corners is called the : A. Crown area B. Bang area C. Line area D. Convex area
A
B. Bang area
10
Q
Design texture can be created temporarily with the use of: A. Heat and/or wet styling techniques B. Cold and/or wet styling techniques C. Heat and/or dry styling techniques D. Cold and/or dry styling techniques
A
A. Heat and/or wet styling techniques
11
Q
Which of these is not a physical characteristic taken into account when designing an artistic and suitable hairstyle? A. Body posture B. Features C. Age D. Head shape
A
C. Age
12
Q
Left natural, \_\_\_\_\_\_\_\_ hair may not support many styling options. A. Medium, straight B. Coarse, straight C. Fine, straight D. Fine, wavy
A
C. Fine, straight
13
Q
Which type of hair offers the most versatility in styling? A. Wavy, medium hair B. Coarse, straight hair C. Fine straight hair D. Fine coarse hair
A
A. Wavy, medium hair
14
Q
For ease of styling, \_\_\_\_\_\_\_\_ hair is generally best cut short. A. Curly, medium B. Curly, coarse C. Extremely curly, coarse D. Very curly, fine
A
D. Very curly, fine
15
Q
The \_\_\_\_\_\_ profile has a receding forehead forehead and chin. A. Concave B. Convex C. Straight D. Wavy
A
B. Convex
16
Q
For a client with \_\_\_\_\_\_\_\_\_, you should direct the hair back and away from the face and temples. A. Close-set eyes B. A large forehead C. A crooked nose D. Wide-set eyes
A
A. Close-set eyes
17
Q
For a client with a \_\_\_\_\_\_\_\_\_, the hair should be directed forward in the chin area. A. Round jaw B. Receding chin C. Small chin D. Large chin
A
B. Receding chin
18
Q
For a client with a \_\_\_\_\_\_\_\_\_ nose, bring the hair forward at the forehead, with softness around the face. A. Wide, flat B. Long, narrow C. Small D. Prominent
A
D. Prominent
19
Q
If a male client has \_\_\_\_\_\_\_\_\_, a fairly close-trimmed beard and mustache would be very thinning to the overall appearance. A. Dark hair B. Light hair C. A wide face and a large jaw D. A wide face and full cheeks
A
D. A wide face and full cheeks
20
Q
To create length and height in hair design, use: A. Vertical lines B. Horizontal lines C. Transitional lines D. Single lines
A
A. Vertical lines
21
Q
To create width in hair design, use: A. Contrasting lines B. Horizontal lines C. Diagonal lines D. Directional lines
A
B. Horizontal lines
22
Q
Lines that may move in a clockwise or counterclockwise direction are \_\_\_\_\_\_\_\_ lines A. Curved B. Horizontal C. Single D. Par
A
A. Curved
23
Q
The lines known as \_\_\_\_\_\_\_\_ lines can be straight or curved. A. Single B. Vertical C. Directional D. Parallel
A
D. Parallel
24
Q
Lines with a definite forward and backward movement are \_\_\_\_\_\_\_ lines. A. Transitional B. Contrasting C. Directional D. Diagonal
A
C. Directional
25
Q
The square shape face: A. Is narrow at the temples B. Has hollow cheeks C. Is rounded at the jaw D. Is narrow at the middle third of the face
A
D. Is narrow at the middle third of the face
26
Q
The face shape featuring a narrow forehead, extreme width through the cheek bones, and a narrow chin: A. Inverted-triangle B. Diamond C. Heart-shaped D. Pear-shaped
A
B. Diamond
27
Q
The \_\_\_\_\_\_\_\_ face shape features a narrow forehead, wide jaw, and wide chin line. A. Triangular B. Oblong C. Round D. Diamond
A
A. Triangular
28
Q
The face shape featuring a wide forehead and narrow chin line is: A. Triangular B. Inverted-triangle C. Oblong D. Diamond
A
B. Inverted-triangle
29
Q
The \_\_\_\_\_\_\_\_ face shape features a long, narrow face with hollow cheeks. A. Square B. Triangular C. Oblong D. Round
A
C. Oblong
30
Q
Wave pattern changes can be created or changed temporarily with styling tools and permanently with: A. Thermal styling B. Chemicals C. Zigzag patterns D. Flat irons
A
B. Chemicals
