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Art Appreciation > 3.2 > Flashcards

3.2 Flashcards

1
Q

The Visual Elements of art are?
Question options:

Line, shape, light, dark, color,space, texture, motion, time.

Line, shape, light, dark, value, color, texture, motion, time.

Line, shape, light, value, color, texture, space, time, motion,

Line, shape, black/white, value, texture, movment, spacial, money.

A

Line, shape, light, value, color, texture, space, time, motion,

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2
Q

Line, shape, light, value, color,texture, space, time,and motion.
The terms above refer to the ______ _______ of art.

Question options:

Formal principles

Visual Principles

Formal Elements

Visual Elements

A

Visual Elements

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3
Q

_________ is at once the simplest and most complex of the elements of art.
Question options:

Color

Shape

Line

Value

A

Line

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4
Q

Works with _____ ______ are completed by the viewer.
Question options:

Implied line

Formal balance

Total value

Color patterns

A

Implied line

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5
Q

_______ on a two dimensional surface is the creation of the illusion of roundness or three dimensions through the use of light and shadows.
Question options:

Value

Color

Modeling

Texture

A

Modeling

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6
Q

Horizontal lines, like horizon lines suggest ______. Vertical lines like the sweeping verticals in skyscrappers defy gravity and suggest _______. Diagonal lines are often used to imply ___________ and directionality.
Question options:

stability, assertiveness, movment

motion, agression, trouble

security, power, motion

sanity, awarness, motion

A

stability, assertiveness, movment

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7
Q

In works of art, _____ are defined as the areas with in a compositon that have boundries that seperate them from what surrounds them; _____ makes these areas distinct.
Question options:

lines

forms

borders

shapes

A

shapes

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8
Q

The word _______ is often used to speak about shape in sculpture or Architecture- 3D works of art.
Question options:

shape

form

cube

surface

A

form

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9
Q

The word ______ refers to the mass or bulk of a three dimensional work. The _____ of a work is the amount of space it contains.
Question options:

mass

shape

volume

weight

A

volume

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10
Q

In 3-D art, the ___ of an object refers to its bulk. This example appears to have _____ .

Question options:

shape

form

bulk

mass

A

mass

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11
Q

Objects are depicted as 3-D on a 2-D surface have what we call ______ _______. “Landscape”, by Mark Tansey, is an example of _____ ______.
Question options:

implied mass

refered size

correct form

actual size

A

implied mass

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12
Q

Dorthea Rockburne ex. 2-17 is an example of ______ shape.
Question options:

organic

metal

geometric

balanced

A

geometric

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13
Q

Frank Gehry. Guggenhiem Museum is an example of _____ Shape.
Question options:

natical

metalic

biomorphic

organic

A

organic

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14
Q

Positive and negative shapes in a work of art have a ____ - ______ relationship.
Question options:

front-back

positive-negative

figure-ground

black-white

A

figure-ground

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15
Q

Gestalt psychologist use this drawing to illustrate the fact that humans tend to preceive objects within their context. This drawing is ambiguous; that is, it can be preceived in different ways. As a result, the viewer may experience _______-________ __________
Question options:

Black-white reversal

figure-ground reversal

positive-negative reversal

additive-subtraction process

A

figure-ground reversal

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16
Q

Light makes it possible for us to see points, lines, shapes, and textures. All of these can be preceived as light against dark- in the language of art these are said to be difference in ______.
Question options:

shade

value

lightness

darkness

A

value

17
Q

When we describe works of art in terms of value, not only do we distinguish their range of grays but we also characterize their relative lightness and darkness, that is their _______ ______.
Question options:

value contrast

tonal quality

gray scale

relative median

A

value contrast

18
Q

_________, or the gradual shifting from light to dark through the successive gradation of tones across a curved surface.
Question options:

Tonality

Grayness

Chiaroscuro

Lightness

A

Chiaroscuro

19
Q

______ is a central element in our spoken language as well as in the language of art.
Question options:

Light/dark

Tone/hue

Color/hue

Hue/tone

A

Color/hue

20
Q

Which of these are cool colors?
Question options:

Red, orange, yellow

blue, green, violet

white, black, nuetral

pink, rose, burgandy

A

blue, green, violet

21
Q

Which of these are warm colors?
Question options:

red, orange , yellow

green, blue, violet

black, white, nuetral

lime, mint, hunter

A

red, orange , yellow

22
Q

Which of these is a shade of red?
Question options:

black

maroon

orange

pink

A

maroon

23
Q

Which of these is a tint of red.
Question options:

black

maroon

lavender

pink

A

pink

24
Q

The colors opposite each other on the color wheel are said to be _________.
Question options:

complementary

analogous

odd

even

A

complementary

25
Q

What are the primary colors?
Question options:

red, blue, white

white, orange, yellow

yellow, blue, white

yellow, blue, red

A

yellow, blue, red

26
Q

What are the secondary colors?
Question options:

pink, maroon, burgandy

orange,green, violet

white, pink, red

black, maroon, red

A

orange,green, violet

27
Q

Hues that lie next to one another on the color wheel are ________?
Question options:

neighbors

complimentary

analogous

tertiary

A

analogous

28
Q

The _____ of a color is its pureness.
Question options:

tone

mood

intergrity

saturation

A

saturation

29
Q

An artist may emphasis or even distort the _______ of objects to evoke a powerful emotional respone in the viewer.
Question options:

surface

texture

view

illusion

A

texture

30
Q

______ is the thick buildup of paint on the surface of the canvas.
Question options:

Impasto

Raising

accumulation

Chiaroscuro

A

Impasto

31
Q

Actual texture is ____. When you touch an object, your finger tips register sensations of its actual texture
Question options:

rough

cool

tactile

warm

A

tactile

32
Q

_______ ____ - The French phrase thar literally means “trick th eye”.

Question options:

Le oilie

Tromp l’oeil

la pontia

L’oeil trulip

A

Tromp l’oeil

33
Q

This example shows the illusion of depth can be created in art by making parallel lines

come-together, or converge at one or more _____ _____ on an actual or implied hoprizon.

Question options:

vanshing points

horizontal lines

vertical crosses

perspective points

A

vanshing points

34
Q

Fredrick Church’s materpiece relies in part on ______ _____ to create the illusion of deep vistas.

Question options:

linear perspective

overlapping lines

isometric perspective

atmospheric perspective

A

Linear Perspective

35
Q

_____ _____ is found in Bernini’s ,”Appollo and Daphine”,through the use of diagonal lines. _____ _____ is suggested as she is caught in the midst of her transformation.
Question options:

illusion of time , illusion of actio

Illusion of time, implied line

implied motion, implied time

implied action, implied change

A

implied motion, implied time

36
Q

Motion pictures may capture real movement, but the way in which they depict movment involves ________.
Question options:

tricks

mirrors

illusion

light

A

illusion

37
Q

In Op Art, bold and apparently vibrating lines and colors create the ______ __ _____ . Bridget Reily’s, “Gala”, is composed of a series of curved lines that change in thickness and proximity to one another.They creat the powerful illusion of rippling.
Question options:

illusion of lines

illusion of time

illusion of senses

illusion of motion

A

illusion of motion

38
Q

when we look at a color for an extended period of time, we tend to preceive its _________.
Question options:

after-image

glow

opposite

self-correction

A

after-image

Art Appreciation (11 decks)

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