3. The Media, Globalisation and Popular Culture Flashcards

1
Q

Global village

A

Developed by McLuhan
Refers to how the electronic media collapse space and time barriers in communication so people can now interact instantaneously on a global scale.
The speed of technological change is so great the world is rapidly becoming a global village

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2
Q

Popular culture (5)

A

Culture liked and enjoyed by ordinary people and is sometimes called mass culture
Passive entertainment, designed to be sold to a large audience
Highly commercialized
Seen by many as not having lasting value
Simple, undemanding and easy to understand

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3
Q

What does popular culture involve?

A

Mass produced, standardized and short-live products, sometimes of trivial content

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4
Q

Examples of popular culture

A

Mass-circulation magazines
Red-top tabloid newspapers
TV soaps
Reality TV
Social media

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5
Q

High culture

A

Seen as something set apart from everyday life, something ‘special’ to be treated with respect, involving things of lasting value and worth preserving

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6
Q

Who is high culture aimed at?

A

Mainly upper class and professional m/c audiences

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7
Q

Examples of high culture

A

The ballet
Opera
Fine art
Daily Telegraph

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8
Q

Who argues that the distinction between popular and high culture is changing?

A

Postmodernists. They believe the distinction between the two is weakening

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9
Q

Why has the distinction between popular and high culture become meaningless according to postmodernists?

A

The global reach of contemporary media, mass production of goods on a world scale, and easier transportation make a huge range of media an cultural products available to everyone.
This paired with the expansion of the media-based industries (E.g. film, TV, advertising and music) makes distinction meaningless

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10
Q

How has the new media weakened the distinction between high and popular culture?

A

Original music and other high culture products can now be consumed by the mass of people in their homes due to the new media

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11
Q

Exclusivity of high culture in postmodern society

A

High culture is no longer exclusive to cultural elites and people can now pick and mix from either popular or high culture

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12
Q

Negative evaluation of popular culture: Marxism

A

Popular culture is used to maintain the power of the dominant social class in society

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13
Q

Negative evaluation of popular culture: critical theorists

A

They believe mass-produced products are imposed on the masses by businesses for financial gain

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14
Q

Negative evaluation of popular culture: key criticism of popular culture

A

Attacked for diverting people away from more useful activities, for driving down cultural standards and for having harmful effects

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15
Q

Negative evaluation of popular culture: Marcuse believes it’s a form of social repression. What does this mean?

A

It locks people into the present system, promoting conformity

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16
Q

Positive evaluation of popular culture: how did writers and producers see popular culture according to Livingstone?

A

Livingstone found that the writers and producers of TV soaps saw them as educating and informing the public on issues that aren’t commonly shown on TV news (E.g. domestic abuse)

17
Q

Positive evaluation of popular culture: response to Marxuse’s belief that it’s a form of social repression

A

Strinati rejects his claims and points to the choice and diversity in the media, which people freely choose from and critically respond to

18
Q

2 sociologists that talked about the global popular market

A

Flew
Sklair

19
Q

Consequence of globalisation according to Flew

A

Globalisation has undermined national and local cultures, as the same cultural and consumer products are now sold across the world
New digital media breaks down cultural distance between countries

20
Q

What does Flew claim is the process of powerful media making the cultures of different countries become more alike?

A

Cultural homogenisation

21
Q

The global popular market according to Sklair

A

The media blue the differences between information, entertainment and the promotion of products, and sell across the world ideas, values and products associated with the consumerist American lifestyle

22
Q

Sklair’s “culture-ideology of consumerism”

A

Dominant ideology of western capitalist societies is becoming the ideology of the world

23
Q

Cultural imperialism

A

Idea that western culture is taking over and damaging local culturen

24
Q

Media imperialism

A

Idea the western media is becoming popular around the world and is becoming more important than the local media

25
Q

Cocacolonisation

A

Fenton argues that most media conglomerates are based on the US and dominate media communications

26
Q

Existence of popular culture according to pluralists

A

There’s no such thing as popular or mass culture

27
Q

Do media audiences have choice according to pluralists?

A

The huge range of media products available gives consumers across the world a wide diversity of cultural choices

28
Q

Consequence of global competition according to pluralists

A

Global competition is expanding sources of information and entertainment, rather than restricting them or dumbing them down

29
Q

What does pluralist Tomlinson believe is happening rather than cultural imperialism from the western world?

A

Tomlinson argues hybridisation or the mixing of cultures is occurring rather than cultural imperialism from the western world

30
Q

Rather than being passive victims of the west, what does new media technology enable according to pluralists?

A

New media technology enables consumers to create and distribute their own media products, rather than being passive victims of the west

31
Q

How is the globalisation of popular culture of great advantage to media owners according to critical sociologists?

A

The globalisation of popular culture is of great advantage to media owners as they can gain huge profits exporting and advertising their products across the globe

32
Q

What has diverted people’s attention away from more serious issues like global inequality according to critical sociologist Thussu?

A

The globalisation of TV and competition between media conglomerates for audiences and advertisers has led to TV news across the world becoming tabloidised, designed to entertain and inform

33
Q

What do postmodernists regard the diversity of the globalised media as offering?

A

They regard the diversity of the globalised media as offering the population more choices in terms of their consumption, opening up a greater global awareness and access to a diversity of cultures

34
Q

Key postmodernist of the globalisation of media topic

A

Baudrillard

35
Q

What society do we live in according to Baudrillard?

A

A media-saturated society in which media images dominate and distort the way we see the world (E.g. news reporting of war makes it seem like a video game)

36
Q

What does Baudrillard call the distorted view of the world?

A

Hyperreality

37
Q

The media and reflecting reality according to postmodernists

A

The media no longer reflect reality, but actively create it

38
Q

How is blurring the distinction between reality and hyperreality according to postmodernist Garrod?

A

Reality TV shows and social networking sites are blurring the distinction between reality and hyperreality, leaving audiences confused about what’s real and what’s media created

39
Q

Evaluation of postmodernism: Marxist critcism

A

Marxists emphasise that the choice alleged by postmodernists is a myth as media conglomerates control the major media