3 Flashcards

1
Q

the order in which events are portrayed corresponds to the order in which they occur.

A

Linear or Chronically Structure:

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2
Q

introduces the characters, shows some of their interrelationships, and places them within a believable time and place

A

exposition

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3
Q

a conflict begins and grows in clarity, intensity, and importance. Because dramatic tension and suspense are created and maintain, this is usually the longest section

A

Complication

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4
Q

When the complication has reached its point of maximum tension, the two forces in opposition confront each other at a high point of physical or emotional

A

Climax

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5
Q

At the climax, the conflict is resolved and there follows a brief period of calm, the —–, in which a state of relative equilibrium returns

A

Denouement

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6
Q

a Latin phrase meaning “in the middle of things”

A

Medias Res

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7
Q

A story that begins in medias res (a Latin phrase meaning “in the middle of things”) opens with an exciting incident that actually happens after the complication has developed

A

Nonlinear

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8
Q

sequences that go back in time to provide expository material

A

flashbacks

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9
Q

a filmed sequence that jumps from the present into the future

A

Flash Forward

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10
Q

It is the element that really captures our interest, heightens the intensity of our experience, quickens our pulses, and challenges our minds

A

Conflict

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11
Q

may consist of a personal and individual struggle between the central character and another character

A

External Conflict

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12
Q

centers on an interior, psychological conflict within the central character

A

Internal Conflict

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13
Q

contrasting characters whose behaviors, attitudes, opinions, lifestyle, physical appearance, and so on are the opposite of those of the main characters

A

Foils

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14
Q

minor characters whose actions are completely predictable or typical of their job or profession (such as a bartender in a western). They are in the film simply because the situation demands their presence. They serve as a natural part of the setting, much as stage properties like a lamp or a chair might function in a play

A

Stock Characters

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15
Q

Characters fit into preconceived patterns of behavior common to or representative of a large number of people, at least a large number of fictional people

A

Stereotypes

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16
Q

characters are deeply affected by the action of the plot (internal, external, or both) and undergo some important change in personality, attitude, or outlook on life as a result of the action of the story

A

Developing Characters

17
Q

characters remain essentially the same throughout the film (Figure 3.22). The action does not have an important effect on their lives

A

Static Characters

18
Q

characters are two-dimensional, predictable characters who lack the complexity and unique qualities associated with psychological depth. They often tend to be representative character types rather than real flesh-and blood human beings

A

Flat Characters

19
Q

Unique, individualistic characters who have some degree of complexity and ambiguity and who cannot easily be categorized

A

Round Characters or 3-d characters

20
Q

A story in which every object, event, and person has an abstract (as opposed to merely concrete) meaning is known as an

A

Allegory

21
Q

is something that stands for something else

A

Symbol

22
Q

comparison that helps us better understand an image because of its similarity to another image

A

visual metaphor

23
Q

emerge directly from the context of the scene itself and are more natural and usually more subtle

A

intrinsic metaphor

24
Q

most general sense, is a literary, dramatic, and cinematic technique involving the juxtaposition or linking of opposites

A

Irony

25
Q

 In order to etch a character quickly and deeply in our minds and memories, actors often exaggerate or distort one or more dominant features or personality traits

A

caricature

26
Q

repetition of a single action, phrase, or idea by a character until it becomes almost a trademark or theme song for that character.

A

leitmotif