12th Night : Olivia Flashcards

1
Q

Mourning and Excess

“But from her handmaid do return this answer:..”

A

“The element itself till seven year’s heat shall not behold her face at ample view, … she will vieled walk.”
- Valentine, Act 1, Scene 1

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2
Q

Mourning and Excess

Enter Olivia in…

A

black dress and viel

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2
Q

Mourning and Excess

What sounds when Olivia enters the stage in the 2012 Globe Theatre production of Twelfth Night?

A

Death Knells

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3
Q

Moirning and Excess

“Let him send no more/ …”

A

“Unless, perchance, you come to me again”.
- Olivia Act 1, Scene 5

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4
Q

Excess and Mourning

(Feste) “As there is no true cuckold but calamity …”

A

“so beauty’s a flower.”
- Feste Act 1, Scene 5

Feste is saying that Calamity is a cuckold because no one can stay married to it forever; no matter what terrible thing has happened to you, eventually you will fall out of love with your grief and get on with life. Also, the time for Olivia to get on with her life is now, because “beauty’s a flower,” which buds, blooms, fades, and dies. Oliva is beautiful, and it will be a shame if she doesn’t enjoy life while she is in bloom

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5
Q

Excess and Mourning + Love and Desire

“Even so quickly may one catch…”

A

“the plague? Methinks I feel this youth’s perfections with an invisible and subtle stealth to creep in at mine eyes.”

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6
Q

Love as a cause of suffering

“Poor lady…”

A

“She were better love a dream”.
- Viola Act 2 Scene 2

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7
Q

Love as a cause of suffering

“As I am a woman, now, alas the day…”

A

“what thriftless sighs shall poor Olivia breahte?”
- Viola Act 2, Scene 2

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8
Q

Love and Desire

“I bade you never speak again of him. But would you undertake another suit …”

A

“I had rather hear you solicit to that than music from the spheres.”
- Olivia Act 3, Scene 1

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9
Q

Love and Desire - Olivia the lesbian

“Thy…”

A

“tongue” - Olivia Act 1, Scene 5

The first thing that Olivia compliments is Viola’s tongue (her words), therefore it can be argued that it is not Viola’s appearance that made her love her but her words.

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10
Q

Love as a cause of suffering

“Have you not set mine honour at the stake…”

A

“and baited it with all th’unmuzzled thoughts that tyrannous hearts can think?”
- Olivia Act 3, Scene 1

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11
Q

Love and Desire + Love as a cause of suffering

“Stay - / I prithee …”

A

“tell me what thou think’st of me.”
- Olivia Act 3, Scene 1

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12
Q

Love and Desire + Love as a cause of suffering

“I love thee so that maugre all thy pride…”

A

“nor wit, no reason can my passion hide.”
- Olivia Act 3, Scene 1

Series of rhyming couplets.

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13
Q

Excess and Mourning

“Where is Malvolio?…”

A

“He is sad and civil, and suits well for a servant with my fortunes.”
- Olivia Act 3, Scene 4

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14
Q

Excess + Mourning (madness)

“I am as mad as he…”

A

“if sad and merry madness equal be.”
- Olivia Act 3, Scene 4

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15
Q

Love as a cause of suffering

“I have said too much unto a heart of stone…”

A

“and laid mine honour too unchary on it.”
- Olivia Act 3, Scene 4

16
Q

Love and desire + excess

“Blame not this haste of mine. If you mean well…”

A

“Now go with me and with this holy man into the chantry by.”
- Olivia Act 4, Scene 3

17
Q

Love and desire

“If it aught to be the old tune, my lord…”

A

“it is as fat and fulsome to mine ear as howling after music.”

18
Q

Love and Desire + Love as a cause of suffering

“you are betrothed to both…”

A

“a maid and man.”

19
Q

Critic Quotes

“Lovers like Olivia, Orsino, Malvolio, and Antonio construct…”

A

“fantasies that turn the objects of their affections into something more than they are.”
- Casey Charles, Gender Trouble in 12th Night

20
Q

“Cesario plays his part so well that Olivia immediately catches the plague of lovesickness, a sickness which…”

A

“casts her as an unwitting lesbian”.
- Casey Charles, Gender Trouble in 12th Night

21
Q

“A viola whose annagratic name shapes the reverberate echoes that …”

A

“feed the Countess’s narcissism.”
- Casey Charles, Gender trouble in 12th Night

22
Q

“Orsino and Olivia are fundamentally …”

A

“immature in their behaviour.”
Tonkin

23
Q

Mourning and Excess

“Which will now be so unsuitable to her disposition…”

A

“being addicted to melancholy as she is.”
- Maria 2,5