11 - Japanese Film: 1951 - Flashcards

1
Q

When were the first Japanese film studios established?

A

1904-1905

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What were the Benshi? What was the effect of their popularity?

A
  • popular live performers whose narration/dialogue accompanied silent film
  • sound didn’t arrive until the mid-1930’s
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Japanese films were divided into two main categories, each having its own conventions & styles. What were these?

A
  1. jidai-geki - historical films

2. gendai-geki - contemporary films

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

When did the international film community begin to recognize & celebrate Japanese cinema?

A

In 1951 with Kirusawa’s Rashomon

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

What was the Japanese equivalent to MGM?

A

Daiei Motion Picture Company

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What were the Japanese concerned with (as opposed to Americans & Europeans) ?

A

Japanese - overall mood & atmosphere (including *motion)
Americans - action
Europeans - psychological & pictoral

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What were the jidai-geki?

A

historical films

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What were the gendai-geki?

A

Contemporary films

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What are some major characteristics of the early (classic?) Japanese style.

A

slower pacing
emphasis on the image
savour what is expressed.
“painting with motion”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

What is the ‘No’ Plays tradition?

A

Only male performers (same as Kabuki)
Supernatural content, mythology.
Slow and careful physical movement.
Poetic, but flat dialogue.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What is the ‘Kabuki’ Plays Tradition?

A

only male performers (same as No)
Elaborate staging
Over-the-top/Grandiose
Expressive Makeup (character).

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Whose later films were notably jidai-geki? What were two such films?

A

Kurosawa

Kagemusha & Ran

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Who are three ‘Japanese masters’ identified by Wexman?

A

Akira Kurosawa
Kenji Mizoguchi
Yasujiro Ozu - most ‘japanese’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

What are two ‘new formulas’ developed in the Japanese New Wave moment?

A

the youth film

the action film.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

What are Yakuza films?

A

Japanese gangster films (Toei Studio)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

What were the Japanese Pink Films?

A

soft-core pornography

17
Q

When did new and innovative directors (new wave) emerge into Japanese cinema?

A

60’s & 70’s

18
Q

Name two new wave Japanese directors

A

Shohei Imamura

Nagisa Oshima

19
Q

When was the golden age of japanese cinema?

A

1950’s and 60’s

20
Q

When did the golden age of japanese cinema come to an end?

A

end by the mid-70’s

21
Q

What Japanese film did we watch?
When was it released?
Who directed?
Production Company?

A

Throne of Blood (1957)
Akira Kurosawa
Toho Company (presents)

22
Q

Kirosawa was the most easily appreciated of the Japanese directors. Why is this? What is the historical context?

A

Many of his films were adapted from both classic and contemporary Western literature. Influence from the USA’s post WWII occupation of Japan from 1945-1952.

Also very similar to Westerns; same general ideas and premises (past the surface differences: guns/swords, cowboys/samurais, etc)