08 - Italian Neorealism: 1945 - 1959 Flashcards

1
Q

Under Mussolini, authorities became content to keep films from making any significant statement about modern reality. What kind of films were predominate during this time?

A

The filmed opera
costume melodrama
* White Telephone films

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2
Q

What were ‘Telefoni Bianchi’?

A
"White telephone" films. Romance films built around a box-office idol. 
Upper-middle class heroines (rich with no cares). Vapid and silly comedies.
Langorous heroine lounging in negligee on an elaborate bed cooing over her lover on the phone...
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3
Q

Under Mussolini’s fascist regime, what were the infrastructures put in place that would serve the Italian film industry well? Years they were founded?

A

1935 - national film school

1937 - Cinecetta Studios

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4
Q

What was the ‘first’ Neorealist film? Year? Director?

A

Open City - 1945 - Roberto Rosselini

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5
Q

How much did Open City (1945) gross? How much did Rossellini reportedly sell it for?

A

$ 5 million. $28, 000.

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6
Q

What is the essence of Italian Neorealism? (Cesare Zavattini) What is its effect on narrative structure? - just general…

A
  • Reality is hugely rich, that to be able to look directly at it is enough… ‘artists’ task is to make audiences reflect on the real things, exactly as they are.
  • the necessity of the “story” was only an unconscious way of distinguishing a human defeat… We feel the need to “remain” in it… (the moment & reality that would be glanced over and replaced with another situation)… Give us whatever “fact” you like and we will disembowel it, make it something worth watching.
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7
Q

With neorealism, emphasis is placed on what? (over what?)

A

Realism over fictional (formative)
Social problems over character’s development and interpersonal relationships

to paraphrase and bastardize (for fun!) Antonioni, ‘if I had made Bicycle Thieves, I would’ve told more about the people and not spoke so much about the damn bike’ :D

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8
Q

List some overriding characteristics of the Italian Neo-Realist movement.

A

conflict & resolution are situational rather than relational
Avoidance of big stars, often used non-actors
Location shooting (exterior) with minimal interior or studio shooting
use of natural light (very naturalistic style) as a result
long takes, minimal editing, actors and camera move around freely
Sound “off” - dubbed in post, no voice or effects recorded at time
Reflecting social problems (examining rather than explaining)
Social issues/ideals more important than individual character development and relationships

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9
Q

List 3 Major directors of the neorealist era.

A

Roberto Rossellini
Vittorio de Sica
Luchino Visconti

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10
Q

When was Bicycle Thieves released?
Who directed it?
Who was the predominant Writer?

Production Company?

A

1948
Vittorio De Sica - D.
Cesare Zavattini - W.
Produzioni De Sica

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11
Q

What is a common colloquialism for Italian Neorealist films?

A

social problem films

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12
Q

What caused a decline is so-called Italian ‘social problem’ films?

A

Social pressure from Catholic church & the Italian government
As well as the slow recovery of the Italian economy, started to feel anachronistic as people started to ‘do better’ and live in better conditions

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13
Q

Why did Mussolini and his regime start making the costume/historical melodrama and telephone bianchi films?

A

Tried to make propaganda films glorifying his state (using variety of tatics, like past glories [ancient Rome]) but they wouldn’t take, so moved on to safe, societal non-commentary films

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14
Q

When did the Italian Neo-Realism movement take place? What was the historical event that allowed the movement to fully flourish?

A

From 1945-1959, although it is debated as to with which film and what year it actually began (Rossellini’s Open City was filmed secretly over 1943-1945).
Mussolini was executed by hanging in Milan by Italian partisans in 1945; the monarchy was abolished with a republic establish in 1946

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