Yr11 Othello Essay Prep Flashcards

1
Q

P. Seghal
P. Seghal

A

Jealousy conditions us to look with intensity, not accuracy

Jealousy is exhausting, it’s a hungry emotion and must be satisfied”

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2
Q

C. Phillips

A

Desdemona is the love of a possession. She is a prize, a spoil of war.

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3
Q

SL Coleridge

A

Iago is “a being next to the devil”

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4
Q

TS Elliot

A

Othello’s final speech was a “terrible exposure of human weakness”

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5
Q

A. Lomba

A

Women and blacks exist as others

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6
Q

Who are the 5 critics?

A

P. Seghal
C. Phillips
SL Coleridge
TS Elliot
A. Lomba

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7
Q

Context; Women

A

Women only existed in relation to men; there were sought after as a possession

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8
Q

Context; Humanism VS Old World

A

King James
- complete obedience to God
- self-determination was at odds with Christianity

Iago
- self-made, individualistic
- malicious/ruthless (against codes of chivalry)

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9
Q

Context; D&E Bodies

A

Their bodies lying side by side recall 14th/15th century English tombs carved with images of friends who chose to spend eternity buried together
- cementing a bond more sacred than blood/marriage

Their relationship contrast with destructive relationships (threat of faithless friendship among men)
Their bond represents connection/solace/support amidst tragedy

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10
Q

What are the 3 contextual values?

A

Women are less (patriarchy)
Tension between Humanism and Old World View
D&E dead bodies, D&E bond

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11
Q

Stagecraft; Handkerchief

A
  • strawberries on white background parallel’s virgin’s bloodstained sheets
    ==> symbolises fidelity, guarantee of virginity
  • objectification of women; the absence of the handkerchief leads Othello to kill
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12
Q

Stagecraft; Willow

A
  • foreshadows O&D’s relationship breakdown and her death
    ==> innocent death at hands of lover filled with hatred
  • the “green willow” parallels the “green-eyed monster” that has infected Othello’s mind
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13
Q

What are the 2 examples of stagecraft?

A

Handkerchief and Willow

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14
Q

Introduction

A

read, repeat, read, repeat
- exploration of transient nature of romantic love
- demise of self-absorbed character
- sororal love as one that prevails
- audience is positioned to learn how to better navigate multifaceted condition of love
- Shakespeare provides a thrilling medium through which to warn the audience

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15
Q

AoQ; A

A

antithesis
diction (“when” as opposed to but”)
foreshadow
high modality

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16
Q

AoQ; B

A

irony (highlights insecure/consumed with image)

17
Q

AoQ; C

A

biblical allusion to Exodus 3:14, contrast him and God

18
Q

AoQ; D

A

foreshadows his evil “motiveless malignity” (SL Coleridge)
metaphor of hate & hell-pain, reveals that Iago knows to be deceitful

19
Q

AoQ; E

A

first person creating agency monosyllabic line (creates clarity, direction, strays from iambic pentameter)

20
Q

AoQ; F

A

high modality
contrast between freedom/obedience (highlight trust/devotion)

21
Q

AoQ; G

A

metonymy (“she” represents Des & all women, reflects Othello’s broader concern about female fidelity as manipulated by Iago, misogynistic approach)
high modality

22
Q

AoQ; H

A

metaphor (implies her being a prize to his benefit)

23
Q

AoQ; I

A

repetition
juxtaposition
irony

24
Q

AoQ; J

A

biblical allusion (“life for life” in Exodus, scripture says it’s okay to seek revenge)
hyperbole

25
Q

List everything you need to remember

A

Critics
Context
Stagecraft
Intro
Analysis of Quotes