Writing Material Part 1 Flashcards
Aim
The goal a writer or speaker hopes to achieve with the text – for example, to clarify difficult material, to inform, to convince, to persuade. Also called intention and purpose.
Ex: In Pride, Dagoberto Gilb’s aim is to define pride and what it means to him.
Aesthetic Reading
Reading to experience the world of the text.
Ex 1: One often reads John Steinbeck’s novels, like The Grapes of Wrath, to experience his detailed settings.
Ex 2: Some people read Harry Potter to imagine themselves at Hogwarts.
Anglo-Saxon Diction
Word choice characterized by simple, often one- or two- syllable nouns, adjectives, and adverbs.
Ex: Words include “thinking,” “kingly,” “bridge,” “stone,” and “early.”
Apposition
Two nouns that are adjacent to each other and reference the same thing.
Ex: I know the dog Toto.
The dog toto both refer to the same thing and are an apposition.
Arrangement
In a spoken or written text, the placement of ideas for effect.
Ex: In essays, writers often strategically arrange their essays into paragraphs and order their points from most convincing to least.
Assonance
The repetition of vowel sounds in the stressed syllables of two or more adjacent words. Assonance takes place when two or more words close to one another repeat the same vowel sound but start with different consonant sounds.
Ex 1: “Or sinking as the light wind lives or dies” (John Keats)
Ex 2: In this example by Carl Sandburg, in Early Moon, the long “o” sounds old or mysterious.
“Poetry is old, ancient, goes back far. It is among the oldest of living things. So old it is that no man knows how and why the first poems came.”
Assumption
An opinion, a perspective, or a belief that a writer or speaker thinks the audience holds.
Ex: “We think a problem is weakness, mental laziness, intellectual inflation, but an issue is deep-rooted, interior, and personal.” (Allison Amend)
Attitude
In an adapted dramatistic pentad created by a speaker or writer in order to invent materials, the manner in which an action is carried out.
Ex: “Truth be told, we have replaced problem with issue in our vocabulary. And issue is a euphemism.” (Allison Amend)
Auxesis
Magnifying the importance or gravity of something by referring it with a disproportionate name.
Ex 1: Calling a scratch on an arm a wound.
Ex 2: Calling a paper cut a hideous scar.
Begging of the Question
The situation that results when a writer or speaker constructs an argument on an assumption that the audience does not accept. A fallacy in which the premise of an argument presupposes the truth of its conclusion; in other words, the argument takes for granted what it is supposed to prove.
Ex 1: This painting is horrible because it is obviously worthless.
Ex 2: I’m right because you’re wrong.
Casual Relationship
The relationship expressing, “If X is the cause, then Y is the effect,” or, “If Y is the effect, then X caused it.” Cause and effect.
Ex: If the dog runs away, then the boy will be sad.
Character
A personage in a narrative.
Ex: Romeo was a character in Romeo and Juliet, by William Shakespeare.
Complex Sentence
A sentence with one independent clause and one or more dependent clauses.
Ex: As long as it isn’t cold, it doesn’t matter if it rains.
Compound-Complex Sentence
A sentence with two or more independent clauses and one or more dependent clauses.
Ex: The package arrived in the morning, but the courier left before I could check the contents.
Context
The convergence of time, place, audience, and motivating factors in which a piece of writing or a speech is situated. The circumstances that form the setting for an event, statement, or idea, and in terms of which it can be fully understood and assessed.
Ex: Kate Chopin lived in the late 1800s in Southern America as a feminist. This background formed the foundation of The Awakening.