WOMEN ESSAY PLAN Flashcards

1
Q

introduction

A

Christina rossetti’s poetry offers a poignant window into the restricted position of women in victorian england. Born in 1830 to an immagrant italian family, rossetti witnessed first hand the rigid constraints that goverened a womans role during the Victorian era.

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2
Q

1 - NO THANK YOU JOHN

DICHOTOMY

A

Rossetti’s verses expose the stark dichotomy between the subjucated, domestic reality for women, and their personal dreams for autonomy. This hunger for autonomy rings forth in her poem “no thankyou John.”

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3
Q

2 - NO THANK YOU JOHN

COURTSHIP

A

What initially appears to be a firm rejection of courtship believs a subversive undercurrent - a daring repudation of societal expectations, which sought to relegate women to the ‘angel of the house,’ position

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4
Q

3 - NO THANK YOU JOHN

AOTH

A

Angel of the house is a notion concieved by Coventry Patmore in 1854

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5
Q

4 - NO THANK YOU JOHN

EMBRACE

A

“I have no heart? - perhaps i have not,” deliberate embrace of an apparent lack of the nurturing compassion patmore declared vital.

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6
Q

5 - NO THANK YOU JOHN

MANIFESTO

A

Repeated ‘i’ pronoun suggests autonomy and self possession. This emphatic establishment of the speaker’s autonomous ‘i’ amountd to a poetic manifesto, casting off the shackles of suppressed female identity

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7
Q

6 - NO THANK YOU JOHN

TRAJECTORY

A

her own life trajectory boldly diverged from the confining boundaries to which victorian women were subjected.

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8
Q

7 - NO THANK YOU JOHN

VANGUARD

A

opted for a life of spinsterhood, rejected 3 marriage proposals, lends credence to the notion thar she deserves a play amoungst the vanguard of celebrated female poets of her epoch eg EBB

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9
Q

8 - NO THANK YOU JOHN

ENNUI

A

“wax a weariness,” implies she believed marriage would constrict her liberty and freedom. The incantory rhythm of these words seem to give poetic form to the suffering ennui she associated with domestic obligations

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