Which Era? Flashcards by Adam Sharp

Q

Irregular phrasing

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Orchestra expanded

Lower brass, piccolo, cor-anglais

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Lyrical melodies

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Chromatic harmonies

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Programmatic music

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Virtuosic writing

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Minuet replaced by scherzo

A

early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Modulation to unrelated keys

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Extremes of dynamics

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Schubert

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Berlioz

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Schumann

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Mendelssohn

A

Early Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Brass now fully chromatic

A

Late Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Lyrical melodies

A

Late Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Numbers of movements varied

A

Late Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Advances of instrumental manufacturing

A

Late Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Civic orchestra created

A

Late Romantic

How well did you know this?

1

Not at all

2

3

4

5

Perfectly

Q

Longer works

A

Late Romantic

Q

Voices sometimes added

A

Late Romantic

Q

Dvorak

A

Late Romantic

Q

Brahms

A

Late Romantic

Q

Mahlor

A

Late Romantic

Q

Use of harpsichord

A

Early Classical

Q

Doubling of lines

A

Early Classical

Q

MDH

A

Early Classical

Q

Functional harmonies

A

Early Classical

Q

Sturm and Drang

A

Early Classical

Q

Strings dominate the sound

A

Early Classical

Q

Brass and timpani punctuate cadences

A

Early Classical

Q

Woodwind fills out harmonies

A

Early Classical

Q

Slow introduction with double dotting

A

Early Classical

Q

Mannheim School

A

Early Classical

Q

Antiphonal texture

A

Late Classical

Q

Periodic phrasing

A

Late Classical

Q

MDH

A

Late Classical

Q

Harpsichord disappeared

A

Late Classical

Q

Clarinets added

A

Late Classical

Q

Woodwind played melodies

A

Late Classical

Q

Use of sonata form

A

Late Classical

Q

Cadential 6 4

A

Late Classical

Q

Horns in melody

A

Late Classical

Q

Mozart

A

Late Classical

Q

Beethoven

A

Late Classical

Q

Haydn

A

Late Classical

Q

Sammartini

A

Early Classical

Q

Stamitz

A

Early Classical