Which Era? Flashcards by Adam Sharp

Q

Irregular phrasing

A

Early Romantic

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Q

Orchestra expanded

Lower brass, piccolo, cor-anglais

A

Early Romantic

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Q

Lyrical melodies

A

Early Romantic

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Q

Chromatic harmonies

A

Early Romantic

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Q

Programmatic music

A

Early Romantic

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Q

Virtuosic writing

A

Early Romantic

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Q

Minuet replaced by scherzo

A

early Romantic

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Q

Modulation to unrelated keys

A

Early Romantic

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Q

Extremes of dynamics

A

Early Romantic

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Q

Schubert

A

Early Romantic

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Q

Berlioz

A

Early Romantic

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Q

Schumann

A

Early Romantic

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Q

Mendelssohn

A

Early Romantic

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Q

Brass now fully chromatic

A

Late Romantic

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Q

Lyrical melodies

A

Late Romantic

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Q

Numbers of movements varied

A

Late Romantic

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Q

Advances of instrumental manufacturing

A

Late Romantic

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Q

Civic orchestra created

A

Late Romantic

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Q

Longer works

A

Late Romantic

Q

Voices sometimes added

A

Late Romantic

Q

Dvorak

A

Late Romantic

Q

Brahms

A

Late Romantic

Q

Mahlor

A

Late Romantic

Q

Use of harpsichord

A

Early Classical

Doubling of lines

Early Classical

MDH

Early Classical

Functional harmonies

Early Classical

Sturm and Drang

Early Classical

Strings dominate the sound

Early Classical

Brass and timpani punctuate cadences

Early Classical

Woodwind fills out harmonies

Early Classical

Slow introduction with double dotting

Early Classical

Mannheim School

Early Classical

Antiphonal texture

Late Classical

Periodic phrasing

Late Classical

MDH

Late Classical

Harpsichord disappeared

Late Classical

Clarinets added

Late Classical

Woodwind played melodies

Late Classical

Use of sonata form

Late Classical

Cadential 6 4

Late Classical

Horns in melody

Late Classical

Mozart

Late Classical

Beethoven

Late Classical

Haydn

Late Classical

Sammartini

Early Classical

Stamitz

Early Classical