West African art Flashcards
West African and Sudanese art
‘indirect rule’
select local government and enforce local power structures
defining what language is truly native is difficult
African nationalism is a project to de-ethnicise African identity and celebrate Africans as a civilising force
this is what colonialism took away
Nigerian art
by the 1950s, artists were being trained in a Eu way
Eu powers had left by 1965
lots of ethnicities and languages
The Society of Nigerian Artists - paint on canvas/ board.
Senegal and the ‘School of Dakar’
Negritude - trans-ethnic identity
Pres. Senghor saw the power of art
Festival of the Black Arts, Dakar, 1966 - all African cultures brought together
writes essay on Picasso - Andalucian, ancestral, ethnographic series
Sudan
part of British Africa
Ibrahim El-Salahi
Demas Nwoko, Nigeria in 1959
1960
colonisers sleeping in the foreground
African people waiting in the background
Ben Ewonwu, Sculpture of Queen Elizabeth II
1956
Ben Ewonwu, Africa Dances
1964
blends indigenous and colonial styles.
Uche Okeke, Ana Mmuo (Land of the Dead)
1961
very abstract, uli style
uli - line drawings that the Igbo people used on the outside of buildings
the shapes hold iconographic significance
Erhabor Emokpae, The Last Supper
1963
act of cannibalism at the heart of Christianity
Ibrahim El-Salahi, The Mosque
1964 traditional Arabic calligraphy refers to the present insinuates culture through the lines 1st painting by a contemporary African artist to be bought for an NY art museum