Week 9: Review Questions (DIRECTORS) Flashcards

1
Q

Can the amount of control that directors exercise over the films they’re involved with vary widely?

A

Yes

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2
Q

Can a director’s style be determined through careful study of only one of his films?

A

No, needs to at least be three

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3
Q

Generally, does the cinematographer play no part in contributing to the visual style of a film, since the decisions on visual style are usually the exclusive responsibility of the director?

A

No, the cinematographer plays a big role

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4
Q

Since it is actually created by others, can the musical score be considered a part of the director’s style?

A

Yes

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5
Q

Which of the following is not a special trick of editing?

A

Tricks of editing: parallel cutting, fragmented cutting, dialog overlaps

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6
Q

When the camera views the action as a remote spectator, this kind of directorial approach is called what?

A

Objective

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7
Q

What is the first consideration in analyzing visual style?

A

Composition

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8
Q

Which of the following is not an element of a director’s style?

A

Director’s style: Subject matter, cinematography, casting, score and sound, setting

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9
Q

When the camera moves as little as possible, what is this kind of directorial approach called?

A

Static Camera

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10
Q

What is the first pattern to determine in studying a director?

A

Looking for special qualities not found in other directors

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11
Q

Which of the following is considered the ultimate auteur director?

A

Alfred Hitchcock

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12
Q

Concerning the role of the film director, Orson Welles once remarked, “You could almost say that a director presides over what?

A

Accidents

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13
Q

What do you call the way a director chooses to organize the events of the story in a film?

A

The narrative structure

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14
Q

When the camera moves mostly through panning and tilting, what is this kind of directorial approach called?

A

The fixed camera

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15
Q

In the days of the Hollywood studio system, who exercised the most creative control over the finished film?
Which director is known as “the Master of Suspense”?

A

Alfred Hitchcock

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16
Q

When the camera views the scene from the visual or emotional viewpoint of a participant in the action, how is this type of directorial device is known?

A

Subjective camera

17
Q

To what does the director’s cut refer?

A

A cut of the film with scenes the director feels should have never been dropped